登陆注册
5384300000048

第48章

Meanwhile, still speaking of sensational processes, a remark of Wundt's will throw additional light on the account I give.As is known, Wundt and others have proved that every act of perception of a sensorial stimulus takes an appreciable time.When two different stimuli -- e.g.a sight and a sound -- are given at once or nearly at once, we have difficulty in attending to both, and may wrongly judge their interval, or even invert their order.

Now, as the result of his experiments on such stimuli, Wundt lays down this law: that of the three possible determinations we may make of their order --

"namely, simultaneity, continuous transition, and discontinuous transition -- only the first and last are realized, never the second.Invariably, when we fail to perceive the impressions as simultaneous, we notice a shorter or longer empty time between them, which seems to correspond to the sinking of one of the ideas and to the rise of the other....For our attention may share itself equally between the two impressions, which will then compose one total percept ; or it may be so adapted to one event as to cause it to be perceived immediately, and then the second event can be perceived only after a certain time of latency, during which the attention reaches its effective maximum for it and diminishes for the first event.In this case the events are perceived as two , and in successive order -- that is, as separated by a time-interval in which attention is not sufficiently accommodated to either to bring a distinct perception about....While we are hurrying from one to the other, everything between them vanishes in the twilight of general consciousness."

One might call this the law of discontinuous succession in time, of percepts to which we cannot easily attend at once.Each percept then requires a separate brain-process; and when one brain-process is at its maximum, the other would appear perforce to be in either a waning or a waxing phase.If our theory of the time-feeling be true, empty time must then subjectively appear to separate the two percepts, no matter how close together they may objectively be; for, according to that theory, the feeling of a time-duration is the immediate effect of such an overlapping of brain-pro-

cesses of different phase -- wherever and from whatever cause it may occur.

To pass, now, to conceptual processes: Suppose I think of the Creation, then of the Christian era, then of the battle of Waterloo, all within a few seconds.These matters have their dates far outside the specious present.

The processes by which I think them, however, all overlap.What events, then, does the specious present seem to contain? Simply my successive acts of thinking these long-past things, not the long-past things themselves.As the instantly-present thought may be of a long-past thing, so the just-past thought may be of another long-past thing.When a long-past event is reproduced in memory and conceived with its date, the reproduction and conceiving traverse the specious present.The immediate content of the latter is thus all my direct experiences , whether subjective or objective.Some of these meanwhile may be representative of other experiences indefinitely remote.

The number of these direct experiences which the specious present and immediately-intuited past may embrace measures the extent of our 'primary,'

as Exner calls it, or, as Richet calls it, of our 'elementary' memory.

The sensation resultant from the overlapping is that of the duration which the experiences seem to fill.As is the number of any larger set of events to that of these experiences, so we suppose is the length of that duration to this duration.But of the longer duration we have no direct 'realizing sense.' The variations in our appreciation of the same amount of real time may possibly be explained by alterations in the rate of fading in the images, producing changes in the complication of superposed processes, to which changes changed states of consciousness may correspond.But however long we may conceive a space of time to be, the objective amount of it which is directly perceived at any one moment by us can never exceed the scope of our 'primary memory' at the moment in question.

We have every reason to think that creatures may possibly differ enormously in the amounts of duration which they intuitively feel, and in the fineness of the events that may fill it.Von Bær has indulged

in some interesting computations of the effect of such differences in changing the aspect of Nature.Suppose we were able, within the length of a second, to note 10,000 events distinctly, instead of barely 10, as now; if our life were then destined to hold the same number of impressions, it might be 1000 times as short.We should live less than a month, and personally know nothing of the change of seasons.If born in winter, we should believe in summer as we now believe in the heats of the Carboniferous era.The motions of organic beings would be so slow to our senses as to be inferred, not seen.The sun would stand still in the sky, the moon be almost free from change, and so on.But now reverse the hypothesis and suppose a being to get only one 1000th part of the sensations that we get in a given time, and consequently to live 1000 times as long.Winters and summers will be to him like quarters of an hour.Mushrooms and the swifter-growing plants will shoot into being so rapidly as to appear instantaneous creations;

annual shrubs will rise and fall from the earth like restlessly boiling-water springs; the motions of animals will be as invisible as are to us the movements of bullets and cannon-balls; the sun will scour through the sky like a meteor, leaving a fiery trail behind him, etc.That such imaginary cases (barring the superhuman longevity) may be realized somewhere in the animal kingdom, it would be rash to deny.

同类推荐
热门推荐
  • 盛宠娇妻,这个总裁不好惹

    盛宠娇妻,这个总裁不好惹

    春风吹,战鼓擂,遇见流氓谁怕谁。醉酒后的顾小溪不一小心就惹上了腹黑又自恋的沈少。从此生活在了水生火热之中。
  • 魂噬无双

    魂噬无双

    生死的苦斗,魂意的觉醒,身怀禁忌魂意的戚笑白踏上修炼之途,前路有死无生,身陷无尽争锋,且看魂噬无双!
  • 晚清落日(1900-1909)

    晚清落日(1900-1909)

    伴随着义和团最后的呐喊声和八国联军入侵的枪炮声,中国跨入了20世纪的第一年1900年。这似乎预示古老的中国将延续着自19世纪40年代开始的民族危亡、救亡图存、旧与新的搏杀格局。在20世纪的第二个年头的1901年,清朝政府被迫与八国联军签定了辛丑条约……
  • 西游浮世绘

    西游浮世绘

    作者用最生活化的笔触,再现了唐僧师徒驾驭官场游戏规则、运用丰富的管理经验、施展深邃的计谋智慧,不畏艰难险阻,勇于拼搏进取,最后功成名就的感人画面。漫画式的大写意,跳跃式的非线性思维,都适合我们现代人快节奏的生活。旨在茶余饭后,冀博读者诸君粲然一笑的同时,使之有所感悟和启迪,可资成功人生以借鉴。
  • 游清远禺峡飞来寺记

    游清远禺峡飞来寺记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 八零拯救大作战

    八零拯救大作战

    如果有机会回到过去,亦或是重生回到小时候,你会选择怎样的生活呢?大龄女青年无意中穿越到父母辈生活过的年代,面对相见不相识的亲人,王璐毅然决定要改变他们的命运。可是,那个谁,你怎么回事儿?钱郁:媳妇儿我给你买!钱郁:宝宝你别动,放着我来!钱郁:给,我的钱包,我的心,通通给你!王璐:……你开心就好。--情节虚构,请勿模仿
  • 释氏稽古略

    释氏稽古略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 芦苇花与红豆荚

    芦苇花与红豆荚

    XX年X月X日,我终于将自己在画室珍藏多年的那幅画拿出来办了一个小众的画展,取名为《恋》。人们背地里窃窃私语,交头接耳,讨论这画里肖似我的佛的脸,以及疑似我的学生的女尼的脸,但他们面对我时无不夸奖我的才华,认为其光芒四射直逼梵高。我也虚与委蛇,心里却冷笑不已。第1001根香烟灭掉以后,我又用这幅画装点了我们美术系的楼。于是,一切就这样炸开了锅。师生恋,道德败坏……各种闲言碎语,各种版本的猜想铺天盖地而来。迫于压力,我被迫离职。那一天,飘着绵绵细雨,我爬上美术系顶楼之前,最后一次看了一眼那幅画。
  • 约翰·博格传

    约翰·博格传

    本书从近距离向我们展示了当代最伟大的投资思想以及整个投资行业的“良知”,向我们展现了博格在行业中的颠覆性行为——在其他共同基金经理们疯狂兜售基金、贪婪地向普通大众攫取管理费用时,博格却开创了以低成本为导向、以普通投资者的利益为先的被动型指数基金之路。博格因其努力构建的指数基金王国而获得了业内外的广泛美誉,被誉为“金融行业的良知”。
  • 当你途径我的盛放:一个行者的心灵旅程

    当你途径我的盛放:一个行者的心灵旅程

    这是一个行者的心灵旅程。也是每一个向往自由的人都应该阅读的文字。它是来自人和自然互赠性情的心灵之歌。书中收录多多诗作60余首,随笔40多篇,另有作者行脚途中若干摄影作品。