The unusual splendor which accompanied Graslin's marriage had disturbed all his habits and constantly annoyed him. The mind of the great financier was a very small one. Veronique had had no means of judging the man with whom she was to pass her life. During his fifty- five visits he had let her see nothing but the business man, the indefatigable worker, who conceived and sustained great enterprises, and analyzed public affairs, bringing them always to the crucial test of the Bank. Fascinated by the million offered to him by Sauviat, he showed himself generous by calculation. Carried away by the interests of his marriage and by what he called his "folly," namely, the house which still goes by the name of the hotel Graslin, he did things on a large scale. Having bought horses, a caleche, and a coupe, he naturally used them to return the wedding visits and go to those dinners and balls, called the "retours de noces," which the heads of the administration and the rich families of Limoges gave to the newly married pair. Under this impulsion, which carried him entirely out of his natural sphere, Graslin sent to Paris for a man-cook and took a reception day. For a year he kept the pace of a man who possesses a fortune of sixteen hundred thousand francs, and he became of course the most noted personage in Limoges. During this year he generously put into his wife's purse every month twenty-five gold pieces of twenty francs each.
Society concerned itself much about Veronique from the day of her marriage, for she was a boon to its curiosity, which has little to feed on in the provinces. Veronique was all the more studied because she had appeared in the social world like a phenomenon; but once there, she remained always simple and modest, in the attitude of a person who is observing habits, customs, manners, things unknown to her, and endeavoring to conform to them. Already voted ugly but well- shaped, she was now declared kindly but stupid. She was learning so many things, she had so much to hear and to see that her looks and speech did certainly give some reason for this judgment. She showed a sort of torpor which resembled lack of mind. Marriage, that hard calling, as she said, for which the Church, the Code, and her mother exhorted her to resignation and obedience, under pain of transgressing all human laws and causing irreparable evil, threw her into a dazed and dizzy condition, which amounted sometimes to a species of inward delirium.
Silent and self-contained, she listened as much to herself as she did to others. Feeling within her the most violent "difficulty of existing," to use an expression of Fontenelle's, which was constantly increasing, she became terrified at herself. Nature resisted the commands of the mind, the body denied the will. The poor creature, caught in the net, wept on the breast of that great Mother of the poor and the afflicted,--she went for comfort to the Church; her piety redoubled, she confided the assaults of the demon to her confessor; she prayed to heaven for succor. Never, at any period of her life, did she fulfil her religious duties with such fervor. The despair of not loving her husband flung her violently at the foot of the altar, where divine and consolatory voices urged her to patience. She was patient, she was gentle, and she continued to live on, hoping always for the happiness of maternity.
"Did you notice Madame Graslin this morning?" the women would say to each other. "Marriage doesn't agree with her; she is actually green."
"Yes," some of them would reply; "but would you give your daughter to a man like Graslin? No woman could marry him with impunity."
Now that Graslin was married, all the mothers who had courted him for ten years past pursued him with sarcasms.
Veronique grew visibly thinner and really ugly; her eyes looked weary, her features coarsened, her manner was shy and awkward; she acquired that air of cold and melancholy rigidity for which the ultra-pious are so often blamed. Her skin took on a grayish tone; she dragged herself languidly about during this first year of married life, ordinarily so brilliant for a young wife. She tried to divert her mind by reading, profiting by the liberty of married women to read what they please.
She read the novels of Walter Scott, the poems of Lord Byron, the works of Schiller and of Goethe, and much else of modern and also ancient literature. She learned to ride a horse, and to dance and to draw. She painted water-colors and made sepia sketches, turning ardently to all those resources which women employ to bear the weariness of their solitude. She gave herself that second education which most women derive from a man, but which she derived from herself only.
