Let the reader, then, betake himself in the spirit we have recommended to some of the quieter kinds of English landscape. In those homely and placid agricultural districts, familiarity will bring into relief many things worthy of notice, and urge them pleasantly home to him by a sort of loving repetition; such as the wonderful life-giving speed of windmill sails above the stationary country; the occurrence and recurrence of the same church tower at the end of one long vista after another: and, conspicuous among these sources of quiet pleasure, the character and variety of the road itself, along which he takes his way. Not only near at hand, in the lithe contortions with which it adapts itself to the interchanges of level and slope, but far away also, when he sees a few hundred feet of it upheaved against a hill and shining in the afternoon sun, he will find it an object so changeful and enlivening that he can always pleasurably busy his mind about it. He may leave the river-side, or fall out of the way of villages, but the road he has always with him; and, in the true humour of observation, will find in that sufficient company. From its subtle windings and changes of level there arises a keen and continuous interest, that keeps the attention ever alert and cheerful. Every sensitive adjustment to the contour of the ground, every little dip and swerve, seems instinct with life and an exquisite sense of balance and beauty. The road rolls upon the easy slopes of the country, like a long ship in the hollows of the sea. The very margins of waste ground, as they trench a little farther on the beaten way, or recede again to the shelter of the hedge, have something of the same free delicacy of line - of the same swing and wilfulness. You might think for a whole summer's day (and not have thought it any nearer an end by evening) what concourse and succession of circumstances has produced the least of these deflections; and it is, perhaps, just in this that we should look for the secret of their interest. A foot-path across a meadow - in all its human waywardness and unaccountability, in all the GRATAPROTERVITAS of its varying direction - will always be more to us than a railroad well engineered through a difficult country. No reasoned sequence is thrust upon our attention: we seem to have slipped for one lawless little moment out of the iron rule of cause and effect;and so we revert at once to some of the pleasant old heresies of personification, always poetically orthodox, and attribute a sort of free-will, an active and spontaneous life, to the white riband of road that lengthens out, and bends, and cunningly adapts itself to the inequalities of the land before our eyes. We remember, as we write, some miles of fine wide highway laid out with conscious aesthetic artifice through a broken and richly cultivated tract of country. It is said that the engineer had Hogarth's line of beauty in his mind as he laid them down. And the result is striking. One splendid satisfying sweep passes with easy transition into another, and there is nothing to trouble or dislocate the strong continuousness of the main line of the road. And yet there is something wanting. There is here no saving imperfection, none of those secondary curves and little trepidations of direction that carry, in natural roads, our curiosity actively along with them. One feels at once that this road has not has been laboriously grown like a natural road, but made to pattern; and that, while a model may be academically correct in outline, it will always be inanimate and cold. The traveller is also aware of a sympathy of mood between himself and the road he travels. We have all seen ways that have wandered into heavy sand near the sea-coast, and trail wearily over the dunes like a trodden serpent. Here we too must plod forward at a dull, laborious pace; and so a sympathy is preserved between our frame of mind and the expression of the relaxed, heavy curves of the roadway. Such a phenomenon, indeed, our reason might perhaps resolve with a little trouble. We might reflect that the present road had been developed out of a tract spontaneously followed by generations of primitive wayfarers; and might see in its expression a testimony that those generations had been affected at the same ground, one after another, in the same manner as we are affected to-day. Or we might carry the reflection further, and remind ourselves that where the air is invigorating and the ground firm under the traveller's foot, his eye is quick to take advantage of small undulations, and he will turn carelessly aside from the direct way wherever there is anything beautiful to examine or some promise of a wider view; so that even a bush of wild roses may permanently bias and deform the straight path over the meadow; whereas, where the soil is heavy, one is preoccupied with the labour of mere progression, and goes with a bowed head heavily and unobservantly forward. Reason, however, will not carry us the whole way; for the sentiment often recurs in situations where it is very hard to imagine any possible explanation;and indeed, if we drive briskly along a good, well-made road in an open vehicle, we shall experience this sympathy almost at its fullest. We feel the sharp settle of the springs at some curiously twisted corner; after a steep ascent, the fresh air dances in our faces as we rattle precipitately down the other side, and we find it difficult to avoid attributing something headlong, a sort of ABANDON, to the road itself.
同类推荐
热门推荐
成大事必备的148个成功法则(教你成功丛书15本)
由于所处环境和生活背景的不同,每个人对成功的理解也各不相同,然而殊途同归,目标都是一样的——实现自己的人生价值。本书收集了大量中外成功人士的例子,并对他们的成功经验加以分析研究,从而总结出了确保你人生成功的148个法则。遵照这些法则,一步一步完善自我,你就会逐渐实现你的成功之梦。酒店管理制度表格流程规范大全
从思想上来说,管理是哲学的;从理论上来说,管理是科学的;从操作上来说,管理是艺术的。然而,不论管理是哲学的、科学的还是艺术的,首先它都需要健全规范的管理制度作为支撑。制度是一切管理运行的标尺与准则。因此,建立一套体系完备、规范化的管理制度和操作表格在现代酒店管理中就显得尤为重要。为此酒店管理制度表格流程规范大全酒店管理制度表格流程规范大全,我们总结了许多成功酒店先进的管理经验与做法,借鉴了同类书籍的相关知识,在此基础上,编写了本书。快穿系统:反派boos好凶猛
毕冉有两大愿望。征服世界和赚钱。然后她绑定了一个专业反派系统。很好,可以名正言顺的征服世界和赚钱了。系统:赚钱?您明明是抢劫?懂?*毕冉:系统,你听说过外挂吗?毕冉:通知你一声,我要开挂。系统:……?系统:……你要干嘛?宿主,我不许!你回来!毕冉:待我打爆男女主的狗头,在来见你!夭寿啊,我的宿主她成精了!毕冉很谦虚:我低调,我不说。但其实我是个大佬。*文本1V1双洁偶有夸张