登陆注册
5394200000002

第2章

The altars of all the Gods Drip with the blood of slain beasts:

Nothing, nothing avails.

(From the women's quarters in the left wing of the Palace comes a woman in tears. She is not a slave, but one of the personal attendants on the Queen.)But now from the house comes one of her women servants, all in tears. What now shall I learn? (To the weeping Servant) It is well to weep when our lords are in sorrow-but tell us, we would know, is she alive, is she dead?

SERVANT

You may say she is both alive and dead.

LEADER

How can the same man be dead and yet behold the light?

SERVANT

She gasps, she is on the verge of death.

LEADER

Ah, unhappy man! For such a husband what loss is such a wife!

SERVANT

The King will not know his loss until he suffers it.

LEADER

Then there is no hope that her life may be saved?

SERVANT

The fated day constrains her.

LEADER

Are all things befitting prepared for her?

SERVANT

The robes in which her lord will bury her are ready.

LEADER

Then let her know that she dies gloriously, the best of women beneath the sun by far!

SERVANT

How should she not be the best! Who shall deny it? What should the best among women be? How better might a woman hold faith to her lord than gladly to die for him? This the whole city knows, but you will marvel when you hear what she has done within the house. When she knew that the last of her days was come she bathed her white body in river water, she took garments and gems from her rooms of cedar wood, and clad herself nobly; then, standing before the hearth-shrine, she uttered this prayer:

'O Goddess, since now I must descend beneath the earth, for the last time I make supplication to you: and entreat you to protect my motherless children. Wed my son to a fair bride, and my daughter to a noble husband. Let not my children die untimely, as I their mother am destroyed, but grant that they live out happy lives with good fortune in their own land!'

To every altar in Admetus's house she went, hung them with garlands. offered prayer, cut myrtle boughs-unweeping, unlamenting;nor did the coming doom change the bright colour of her face.

Then to her marriage-room she went, flung herself down upon her bed, and wept, and said:

'O my marriage-bed, wherein I loosed my virgin girdle to him for whom I die! Farewell! I have no hatred for you. Only me you lose.

Because I held my faith to you and to my lord-I must die. Another woman shall possess you, not more chaste indeed than I, more fortunate perhaps.'

She fell upon her knees and kissed it, and all the bed was damp with the, tide of tears which flooded to her eyes. And when she was fulfilled of many tears, drooping she rose from her bed and made as if to go, and many times she turned to go and many times turned back, and flung herself once more upon the bed.

Her children clung to their mother's dress, and wept; and she clasped them in her arms and kissed them turn by turn, as a dying woman.

All the servants in the house wept with compassion for their Queen, But she held out her hand to each, and there was none so base to whom she did not speak, and who did not reply again.

Such is the misery in Admetus's house. If he had died, he would be nothing now; and, having escaped, he suffers an agony he will never forget.

LEADER

And does Admetus lament this woe-since he must be robbed of so noble a woman?

SERVANT

He weeps, and clasps in his arms his dear bedfellow, and cries to her not to abandon him, asking impossible things. For she pines, and is wasted by sickness. She falls away, a frail burden on his arm; and yet, though faintly, she still breathes, still strives to look upon the sunlight, which she shall never see hereafter-since now for the last time she looks upon the orb and splendour of the sun II go, and shall announce that you are here; for all men are not so well-minded to their lords as loyally to stand near them in misfortunes, but you for long have been a friend to both my lords.

(She goes back into the women's quarters of the Palace. The CHORUS now begins to sing.)FIRST SEMI-CHORUS

O Zeus, What end to these woes?

What escape from the Fate Which oppresses our lords?

SECOND SEMI-CHORUS

Will none come forth?

Must I shear my hair?

Must we wrap ourselves In black mourning folds?

FIRST SEMI-CHORUS

It is certain, O friends, it is certain?

But still let us cry to the Gods;

Very great is the power of the Gods.

CHORUS

O King, O Healer, Seek out appeasement To Admetus's agony!

Grant this, Oh, grant it!

Once before did you find it;

Now once more Be the Releaser from death.

The Restrainer of blood-drenched Hades!

SECOND SEMI-CHORUS

Alas!

O son of Pheres.

What ills shall you suffer Being robbed of your spouse!

FIRST SEMI-CHORUS

At sight of such woes Shall we cut our throats?

Shall we slip A dangling noose round our necks?

CHORUS

See! See!

She comes From the house with her lord!

Cry out, Oh, lament.

O land of Pherae, For the best of women Fades away in her doom Under the earth, To dark Hades!

(From the central door of the Palace comes a splendid but tragical procession. Preceded by the royal guards, ADMETUS enters, supporting ALCESTIS. The two children, a boy and a girl, cling to their mother's dress. There is a train of attendants and waiting women, who bring a low throne for the fainting ALCESTIS.)LEADER OF THE CHORUS (chanting)

Never shall I say that we ought to rejoice in marriage, but rather weep; this have I seen from of old and now I look upon the fate of the King, who loses the best of wives, and henceforth until the end his life shall be intolerable.

ALCESTIS (chanting)

Sun, and you, light of day, Vast whirlings of swift cloud!

ADMETUS

The sun looks upon you and me, both of us miserable, who have wrought nothing against the Gods to deserve death.

ALCESTIS (chanting)

O Earth, O roof-tree of my home, Bridal-bed of my country, Iolcus!

ADMETUS

Rouse up, O unhappy one, and, do not leave me! Call upon the mighty Gods to pity!

ALCESTIS (starting up and gazing wildly in terror, chanting)I see the two-oared boat, I see the boat on the lake!

And Charon, Ferryman of the Dead, Calls to me, his hand on the oar:

'Why linger? Hasten! You delay me!'

Angrily he urges me.

同类推荐
  • 文中子中说

    文中子中说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 胡文穆杂著

    胡文穆杂著

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 善谋上

    善谋上

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 药名离合夏日即事三

    药名离合夏日即事三

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Billy Baxter's Letters

    Billy Baxter's Letters

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 不找借口找方法

    不找借口找方法

    世界500强企业优秀员工职业化最佳培训读本,卓越员工自我修炼必不可少的思维与行动准则。培育不找借口的员工,打造高执行力的团队。放弃借口,赢在方法。绞尽脑汁找理由,不如千方百计想方法。
  • 牧野寻青

    牧野寻青

    空难穿越很俗,但是很有效,飞机上所有人对着红色的月亮指指点点,而此时的我却心如刀绞双眼模糊,耳边隐隐听到:驹隙百年,谁可安然平生?还是散了去罢…直到很久以后,听说,鬼魂眼中的月亮才是红色的…呃,回来回来,本篇为穿越言情,并非穿越灵异。希望写一个娱人娱已的故事^_^
  • 我的大不列颠帝国

    我的大不列颠帝国

    新书:大唐再起,五代十国,晚期,从两广开始,北伐,收安南,云南,福建,湖南,南唐,吴越,党项……中世纪的余晖还未散尽,而最好的时代已经来临。主角穿越十六世纪英国都铎(duo)王朝的爱德华六世,中央集权,重建议会,建立不列颠联合王国,带您领略英国这个王权最强大的王朝,日不落帝国黎明前的曙光。新书:剑之王冠,披着奇幻皮的历史文,希望大家多多支持。欢迎加群:631774182
  • 冒险团的旅程

    冒险团的旅程

    一个孤儿穿越到异世的冒险旅途,斗气与魔法的世界,铁与血的交织…简介啥的还是别信吧
  • 绝世鬼医:废材四小姐

    绝世鬼医:废材四小姐

    纪栎(yue)祈,22世纪令人闻风丧胆的鬼医,既可救人,也可杀人!一朝穿越,成了人人唾弃的小废物,原以为人生此行多艰难,却不料遇见了他。“诶,那个谁,帮我捏个肩膀。”某女指着某男使唤。某男屁颠屁颠跑过去帮她捏肩膀。“诶,那个谁,帮我买个东西。”某女继续使唤。某男自觉拎着自己的钱上街买东西。“诶,就是你,帮我生个孩子!”某女噘着嘴巴,水汪汪的看着某男。他邪笑:“这种事,还是夫人你来做比较好,没关系,为夫来帮你……”某女惊恐摇头,第二天晚上,某男进不了房门。这里栖昀!QQ群:577434481欢迎大家么么么!
  • 甜妻别闹,我们不离婚

    甜妻别闹,我们不离婚

    “我要离婚!”人人都知道,权势滔天的帝国首富后院起火了,家里的小娇妻,一哭二闹三上吊,整天闹离婚,甚至为达到目的,不惜三次将他告上法庭,告得他灰头土脸。更要命的是,儿子还对他的小娇妻虎视眈眈,“老爸,你和欧小澜离婚后,我娶她。”老婆这么作,儿子这么熊,他能怎么办?宠呗,宠他们上天!【双洁1V1,带小包子】
  • 牛轭山

    牛轭山

    牛轭山的正门堂,是子孙下跪向祖宗请罪和思过的地方,一跪至少半天。转眼入秋。经历了海啸一般一波又一波的千股跌停,早已打回原形,再说股票的事已有些多余。我独自回到了牛轭山,双膝在正门堂的麻石地上跪了下来……
  • Misc Writings and Speeches

    Misc Writings and Speeches

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 如意事

    如意事

    许明意再次睁开眼睛的时候,回到了十六岁身患怪病的那一年。这时,她那老当益壮的祖父正值凯旋归京——“路上救下的这位年轻人长得颇好,带回家给孙女冲喜再合宜不过。”于是,昏迷中被安排得明明白白的定南王世孙就这么被拐回了京城……——————正版读者群:734187674(任意一本书粉丝值满2000进)
  • 失忆三十年

    失忆三十年

    改革开放四十年来,我们的生活发生了翻天覆地的变化,钱越来越多,物质越来越丰富,我们的精神却变得越来越犹如失去记忆一般,疯狂的恣意的生长。这片作品描述了一个失忆的人从1985年—2015年间寻找精神归宿的故事。这一历程犹如我们的民族在开创历史先河的过程中寻找精神家园的心路。故事的主人翁从沉溺于疯狂建设到开始逃避,再到遁于荒村,到一手建设一座纯粹的城,最后看着自己的城变成一座废墟,故事没有结局,我们寻找民族精神的道路没有终止。