One inference may be drawn from this anecdote.It appears that Addison, on his death-bed, called himself to a strict account, and was not at ease till he had asked pardon for an injury which it was not even suspected that he had committed, for an injury which would have caused disquiet only to a very tender conscience.Is it not then reasonable to infer that, if he had really been guilty of forming a base conspiracy against the fame and fortunes of a rival, he would have expressed some remorse for so serious a crime? But it is unnecessary to multiply arguments and evidence for the defence, when there is neither argument nor evidence for the accusation.
The last moments of Addison were perfectly serene.His interview with his step-son is universally known."See," he said, "how a Christian can die." The piety of Addison was, in truth, of a singularly cheerful character.The feeling which predominates in all his devotional writings, is gratitude.God was to him the all-wise and all-powerful friend who had watched over his cradle with more than maternal tenderness; who had listened to his cries before they could form themselves in prayer; who had preserved his youth from the snares of vice; who had made his cup run over with worldly blessings; who had doubled the value of those blessings, by bestowing a thankful heart to enjoy them, and dear friends to partake them; who had rebuked the waves of the Ligurian gulf, had purified the autumnal air of the Campagna, and had restrained the avalanches of Mont Cenis.Of the Psalms, his favourite was that which represents the Ruler of all things under the endearing image of a shepherd, whose crook guides the flock safe, through gloomy and desolate glens, to meadows well watered and rich with herbage.On that goodness to which he ascribed all the happiness of his life, he relied in the hour of death with the love which casteth out fear.He died on the seventeenth of June 1710.He had just entered on his forty-eighth year.
His body lay in state in the Jerusalem Chamber, and was borne thence to the Abbey at dead of night.The choir sang a funeral hymn.Bishop Atterbury, one of those Tories who had loved and honoured the most accomplished of the Whigs, met the corpse, and led the procession by torchlight, round the shrine of Saint Edward and the graves of the Plantagenets, to the Chapel of Henry the Seventh.On the north side of that Chapel, in the vault of the House of Albemarle, the coffin of Addison lies next to the coffin of Montague.Yet a few months; and the same mourners passed again along the same aisle.The same sad anthem was again chanted.The same vault was again opened; and the coffin of Craggs was placed close to the coffin of Addison.
Many tributes were paid to the memory of Addison; but one alone is now remembered.Tickell bewailed his friend in an elegy which would do honour to the greatest name in our literature, and which unites the energy and magnificence of Dryden to the tenderness and purity of Cowper.This fine poem was prefixed to a superb edition of Addison's works, which was published, in 1721, by subscription.The names of the subscribers proved how widely his fame had been spread.That his countrymen should be eager to possess his writings, even in a costly form, is not wonderful.
But it is wonderful that, though English literature was then little studied on the Continent, Spanish Grandees, Italian Prelates, Marshals of France, should be found in the list.Among the most remarkable names are those of the Queen of Sweden, of Prince Eugene, of the Grand Duke of Tuscany, of the Dukes of Parma, Modena, and Guastalla, of the Doge of Genoa, of the Regent Orleans, and of Cardinal Dubois.We ought to add that this edition, though eminently beautiful, is in some important points defective; nor, indeed, do we yet possess a complete collection of Addison's writings.
It is strange that neither his opulent and noble widow, nor any of his powerful and attached friends, should have thought of placing even a simple tablet, inscribed with his name, on the walls of the Abbey.It was not till three generations had laughed and wept over his pages that the omission was supplied by the public veneration.At length, in our own time, his image, skilfully graven, appeared in Poet's Corner.It represents him, as we can conceive him, clad in his dressing-gown, and freed from his wig, stepping from his parlour at Chelsea into his trim little garden, with the account of the "Everlasting Club," or the "Loves of Hilpa and Shalum," just finished for the next day's Spectator, in his hand.Such a mark of national respect was due to the unsullied statesman, to the accomplished scholar, to the master of pure English eloquence, to the consummate painter of life and manners.It was due, above all, to the great satirist, who alone knew how to use ridicule without abusing it, who, without inflicting a wound, effected a great social reform, and who reconciled wit and virtue, after a long and disastrous separation, during which wit had been led astray by profligacy, and virtue by fanaticism.
