登陆注册
5450300000023

第23章

Scene I

Enter ANTONY and DOLABELLA

DOLABELLA. Why would you shift it from yourself on me?

Can you not tell her, you must part?

ANTONY. I cannot.

I could pull out an eye, and bid it go, And t'other should not weep. O Dolabella, How many deaths are in this word, DEPART!

I dare not trust my tongue to tell her so:

One look of hers would thaw me into tears, And I should melt, till I were lost again.

DOLABELLA. Then let Ventidius;

He's rough by nature.

ANTONY. Oh, he'll speak too harshly;

He'll kill her with the news: Thou, only thou.

DOLABELLA. Nature has cast me in so soft a mould, That but to hear a story, feigned for pleasure, Of some sad lover's death, moistens my eyes, And robs me of my manhood. I should speak So faintly, with such fear to grieve her heart, She'd not believe it earnest.

ANTONY. Therefore,--therefore Thou only, thou art fit: Think thyself me;And when thou speak'st (but let it first be long), Take off the edge from every sharper sound, And let our parting be as gently made, As other loves begin: Wilt thou do this?

DOLABELLA. What you have said so sinks into my soul, That, if I must speak, I shall speak just so.

ANTONY. I leave you then to your sad task: Farewell.

I sent her word to meet you.

[Goes to the door, and comes back.]

I forgot;

Let her be told, I'll make her peace with mine, Her crown and dignity shall be preserved, If I have power with Caesar.--Oh, be sure To think on that.

DOLABELLA. Fear not, I will remember.

[ANTONY goes again to the door, and comes back.]

ANTONY. And tell her, too, how much I was constrained;I did not this, but with extremest force.

Desire her not to hate my memory, For I still cherish hers:--insist on that.

DOLABELLA. Trust me. I'll not forget it.

ANTONY. Then that's all.

[Goes out, and returns again.]

Wilt thou forgive my fondness this once more?

Tell her, though we shall never meet again, If I should hear she took another love, The news would break my heart.--Now I must go;For every time I have returned, I feel My soul more tender; and my next command Would be, to bid her stay, and ruin both.

[Exit.]

DOLABELLA. Men are but children of a larger growth;Our appetites as apt to change as theirs, And full as craving too, and full as vain;And yet the soul, shut up in her dark room, Viewing so clear abroad, at home sees nothing:

But, like a mole in earth, busy and blind, Works all her folly up, and casts it outward To the world's open view: Thus I discovered, And blamed the love of ruined Antony:

Yet wish that I were he, to be so ruined.

Enter VENTIDIUS above VENTIDIUS. Alone, and talking to himself? concerned too?

Perhaps my guess is right; he loved her once, And may pursue it still.

DOLABELLA. O friendship! friendship!

Ill canst thou answer this; and reason, worse:

Unfaithful in the attempt; hopeless to win;And if I win, undone: mere madness all.

And yet the occasion's fair. What injury To him, to wear the robe which he throws by!

VENTIDIUS. None, none at all. This happens as I wish, To ruin her yet more with Antony.

Enter CLEOPATRA talking with ALEXAS;

CHARMION, IRAS on the other side.

DOLABELLA. She comes! What charms have sorrow on that face!

Sorrow seems pleased to dwell with so much sweetness;Yet, now and then, a melancholy smile Breaks loose, like lightning in a winter's night, And shows a moment's day.

VENTIDIUS. If she should love him too! her eunuch there?

That porc'pisce bodes ill weather. Draw, draw nearer, Sweet devil, that I may hear.

ALEXAS. Believe me; try [DOLABELLA goes over to CHARMION and IRAS;seems to talk with them.]

To make him jealous; jealousy is like A polished glass held to the lips when life's in doubt;If there be breath, 'twill catch the damp, and show it.

CLEOPATRA. I grant you, jealousy's a proof of love, But 'tis a weak and unavailing medicine;It puts out the disease, and makes it show, But has no power to cure.

ALEXAS. 'Tis your last remedy, and strongest too:

And then this Dolabella, who so fit To practise on? He's handsome, valiant, young, And looks as he were laid for nature's bait, To catch weak women's eyes.

He stands already more than half suspected Of loving you: the least kind word or glance, You give this youth, will kindle him with love:

Then, like a burning vessel set adrift, You'll send him down amain before the wind, To fire the heart of jealous Antony.

CLEOPATRA. Can I do this? Ah, no, my love's so true, That I can neither hide it where it is, Nor show it where it is not. Nature meant me A wife; a silly, harmless, household dove, Fond without art, and kind without deceit;But Fortune, that has made a mistress of me, Has thrust me out to the wide world, unfurnished Of falsehood to be happy.

ALEXAS. Force yourself.

The event will be, your lover will return, Doubly desirous to possess the good Which once he feared to lose.

CLEOPATRA. I must attempt it;

But oh, with what regret!

[Exit ALEXAS. She comes up to DOLABELLA.]

VENTIDIUS. So, now the scene draws near; they're in my reach.

CLEOPATRA. [to DOLABELLA.]

Discoursing with my women! might not I

Share in your entertainment?

CHARMION. You have been The subject of it, madam.

CLEOPATRA. How! and how!

IRAS. Such praises of your beauty!

CLEOPATRA. Mere poetry.

Your Roman wits, your Gallus and Tibullus, Have taught you this from Cytheris and Delia.

DOLABELLA. Those Roman wits have never been in Egypt;Cytheris and Delia else had been unsung:

I, who have seen--had I been born a poet, Should choose a nobler name.

CLEOPATRA. You flatter me.

But, 'tis your nation's vice: All of your country Are flatterers, and all false. Your friend's like you.

I'm sure, he sent you not to speak these words.

DOLABELLA. No, madam; yet he sent me--

CLEOPATRA. Well, he sent you--

DOLABELLA. Of a less pleasing errand.

CLEOPATRA. How less pleasing?

Less to yourself, or me?

DOLABELLA. Madam, to both;

For you must mourn, and I must grieve to cause it.

CLEOPATRA. You, Charmion, and your fellow, stand at distance.--Hold up, my spirits. [Aside.]--Well, now your mournful matter;For I'm prepared, perhaps can guess it too.

同类推荐
  • 医方歌括

    医方歌括

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Frances Waldeaux

    Frances Waldeaux

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 徐霞客传

    徐霞客传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 妙法莲华经

    妙法莲华经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 台案汇录辛集

    台案汇录辛集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • The Vital Message

    The Vital Message

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 择己者云陆

    择己者云陆

    我在院中徘徊,突生一个念头。一个再次选择的机会,你会如何面对?这是否有对错?
  • 天天营养百味:风味百姓菜

    天天营养百味:风味百姓菜

    本书汇百家之所长,列举的菜式都是普通的家常菜,做法简单易学,让您可以在自家的厨房里,利用最简单的器具,轻松制作出好吃、好看、好营养、好创意的各种家常菜。您只需要举一反三,便能让普通的家常菜因独特的做法而与众不同。
  • 草庐经略

    草庐经略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 血字的研究

    血字的研究

    为英国著名侦探小说作家柯南道尔的一篇中篇小说,讲述了从阿富汗战场受伤退役的华生医生,和福尔摩斯合租了伦敦贝克街221号乙的一套公寓。很快,他发现这个人具有超越常人的缜密观察力和非凡的推理分析能力,同时,时常有一些神秘的访客出入他们的寓所。直到有一天,他们卷入了一起谋杀案之中。本作推理引人入胜,结构起伏跌宕,人物形象鲜明,涉及当时英国的社会现实。
  • 乾坤霸帝

    乾坤霸帝

    浊夜。隐龙热血,梦魇依然。时过境迁,恩怨难断。佳人。与君别恨,三千垂下,侧耳缠绵。征途。九族神血,万兽心肝。乾坤大道,逆者霸天。我的刀,劈天裂地;我的剑,灭神诛仙。鸿蒙绝唱,天地逆转。乾坤无梦,日月无眠。看我纵横寰宇,让这三界尽情惊颤。
  • 订正太素脉秘诀

    订正太素脉秘诀

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 天地唯我唤仙

    天地唯我唤仙

    恶兽横世,紫星异象,帝源破碎,神物现世,再临毁灭,只为生存,追寻传说,再创无上,这一次,为生,为你,而战……
  • 明廷

    明廷

    明朝是东林党的,是阉党的,是崇祯的,终究是我的!——公布三个群号:景仁宫:983546750(普)乾清宫:177745561(普)官笙vip群:985519799(须2000粉丝验证)。欢迎大家加入。
  • 凶萌娇妻来撩

    凶萌娇妻来撩

    朵朵新书《掌家娘子的团宠日常》已发布,欢迎阅读!莫名其妙来的穿越到了一个好吃懒做,人人唾弃的小姑娘身上,听说还十分不要脸的赖上了救命恩人???这也太糟心了吧?然而当康小桥看了一眼被原主赖上的小哥哥之后,果断的就认命了。糟心就糟心吧,别人想糟心还轮不上呢!PS:朵的完本作品,《傲娇萌妻嫁到》《恋爱吧大首席官》《国民影帝太会撩》肥美可宰,欢迎阅读。普通书友群:285699337,敲门砖,朵所有书的主角名字都可,VIP书友群:611482740粉丝值2000+,或者朵的任意一本书全定可加。