登陆注册
5451400000053

第53章

Hence whatever men did from a sense of propriety, or from a regard to what was praiseworthy, they really did from a love of praise, from pride or vanity. This love of praise was one of the strongest of mans selfish affections, and the foundation of the love of honour. In conduct apparently the most disinterested, this selfish motive was present. If a man sacrificed his own interest to that of his fellows, he knew that his conduct would be agreeable to their self-love, and that they would not fail to express their satisfaction by bestowing on himself the most extravagant praises. The pleasure he would derive from this source counterbalanced the interest he abandoned to procure it. Hence all public spirit, or preference of public to private interest was a mere cheat and imposition on mankind.

The fallacy of this system lies, according to Adam Smith, in a sophistical use of the word vanityin its application to a remote affinity that prevails between two really very different things. To desire praise for qualities which are not praise- worthy in any degree, or for qualities praiseworthy in themselves but unpossessed by the individual concerned, is vanity proper;but this frivolous desire for praise at any price is very different from the desire of rendering our- selves the proper objects of honour and esteem, or of acquiring honour and esteem by really deserving them. The affinity between these very different desires, of which Mandeville made so much use, lay in the fact that vanity as well as the love of true glory aims at acquiring esteem and approbation; but the difference consists in this, that the desire of the one is unjust and ridiculous, while that of the other is just and reasonable.

There is also an affinity between the love of virtue and the love of true glory, which gives a certain speciousness to Mandeville's theory.

For there is a close connexion between the desire of becoming what is honourable and estimable, which is the love of virtue, and the desire of actual honour and esteem, which is the love of true glory. They both have and herein lies their superficial resemblance to vanitysome reference to the sentiments of others. Even in the love of virtue there is still some reference, if not to what is, yet to what in reason and propriety ought to be, the opinion of others. The man of the greatest magnanimity, who desires virtue for its own sake, and is most indifferent about the actual opinions of mankind, is still delighted with the thoughts of what those opinions ought to be, and with the consciousness that though he may neither be honoured nor applauded, he is yet the proper object of honour and applause.

Another feature of Mandeville's system was to deny the existence of any self-denial or disinterestedness in human virtue of any kind. Thus wherever temperance fell short of the most ascetic abstinence, he treated it as gross luxury; and all our pretensions to self-denial were based, not on the conquest, but on the concealed indulgence, of our passions.

Here the fallacy lay in representing every passion as wholly vicious, which is so in any degree and in any direction. There are some of our passions which have no other names than those which mark the disagreeable and offensive degree, they being more apt to attract notice in this degree than in any other. It is not therefore to demolish the reality of such a virtue as temperance, to show that the same indulgence of pleasure which when unrestrained is regarded as blameable, is also present when the passion is restrained.

The virtue in such cases consists, not in an entire insensibility to the objects of passion, but in the restraint of our natural desire of them.

The same fallacy underlies the famous paradox that "private vices are public benefits," and that it is not the good, but the evil qualities of men, which lead to greatness. By using the word luxury, as it was used in the fashionable asceticism of his time, as in every respect evil, it was easy for Mandeville to show that from this evil all trade and wealth and prosperity flowed, and that without it no society could flourish. "If;"Adam Smith replies, "the love of magnificence, a taste for the elegant arts and improvements of human life; for whatever is agreeable in dress, furniture, or equipage; for architecture, statuary, painting, and music, is to be regarded as luxury, sensuality, and ostentation, even in those whose situation allows, without any inconvenieney, the indulgence of those passions, it is certain that luxury, sensuality, and ostentation are public benefits." If everything is to be reprobated as luxury which exceeds what is absolutely necessary for the support of human nature, "there is vice even in the use of a clean shirt, or of a convenient habitation.' Hence the whole point of the paradox rests on a loose ant unscientific use of the word luxury.

II. To turn now to the other great question of ethics, to the nature of moral approbation, and its source in the mind.

As the different theories of the nature of virtue may all be reduced to three, so all the different theories concerning the origin of moral approbation may be reduced to a similar number. Self-love, reason, and sentiment, are the three different sources which have been assigned for the principle of moral approbation. According to some, we approve or disapprove of our own actions and of those of others from self-love only, or from some view of their tendency to our own happiness or disadvantage; according to others, we distinguish what is fit or unfit, both in actions and affections, by reason, or the same faculty by which we distinguish truth from falsehood;and according to yet a third school, the distinction is altogether the effect of immediate sentiment and feeling, arising from the plea sure or disgust with which certain actions or affections inspire us.

同类推荐
  • 押座文类

    押座文类

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 云南野乘

    云南野乘

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 华严经持验记

    华严经持验记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 小儿诊视门

    小儿诊视门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 洞玄灵宝道士明镜法

    洞玄灵宝道士明镜法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 时间煮雨我煮你

    时间煮雨我煮你

    苏楠爱贺楚慎,爱了好多年好多年,从青葱时光一直到她一个人的地老天荒她瞒过了许多人,唯独瞒不了那个始终将自己置于局外的最为清醒的人等一年,等十年,都是同样的结果。他不爱她,已成定局裴先生这辈子致力于两件事:一,将沈黎私有化,这件事,正在做,挖人墙角这种事情压根儿不需要人教,无师自通。二,将沈黎这个女人宠上天,把她的坏脾气全养出来,最好见人就欺,人见就跑。老公跟同父异母的姐姐暗度陈仓,她却被那个男人威胁“小黎,玩把刺激的怎么样?”沈黎大惊失色,他却说,“乖,别动,对,就是这个姿势。”
  • 独家新婚:误嫁黑钻男神大人

    独家新婚:误嫁黑钻男神大人

    一纸婚约,她居然跟陌生男人领证了!“少爷,少奶奶把您前天拍卖回来的古董花瓶砸碎了。”“砸了就砸了,随她去。”“少爷,少奶奶偷偷又跑了。”“派人跟着。”“少爷,有人邀请少奶奶跳舞……”该死,男人危险地眯起了冷眸,俊美的脸上布满阴霾,大步跨出房门——
  • 锁空之麒麟龙

    锁空之麒麟龙

    本书作者以真心打造,希望大家喜欢。作品的主角是以上古两大超神兽大战死亡后的能量,集合生命源珠重生于异界大陆。其间慢慢的成长,最终走向极限境界。大家要是喜欢的话,可以加我的qq群号:106104960满本书二群61915713本书三群121433218已开通另外希望喜欢看本书的朋友能够,看完之后,推荐收藏一下感激涕零
  • 威尼斯商人(莎士比亚经典作品集)

    威尼斯商人(莎士比亚经典作品集)

    《威尼斯商人》是莎士比亚早期的重要作品,是一部具有极大讽刺性的喜剧。大约作于1596—1597年。剧本的主题是歌颂仁爱、友谊和爱情,同时也反映了资本主义早期商业资产阶级与高利贷者之间的矛盾,表现了作者对资产阶级社会中金钱、法律和宗教等问题的人文主义思想。这部剧作的一个重要文学成就,就是塑造了夏洛克这一唯利是图、冷酷无情的高利贷者的典型形象。
  • A Village Stradivarius

    A Village Stradivarius

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 平生相见,不如怀念

    平生相见,不如怀念

    本书力图折射85,90后一代人的生活变迁——从高中到大学毕业,寻找工作,在陌生的城市扎根的奋斗故事。本书的主题是在无常的岁月中,85,90后人群友情,爱情的变迁和他们的成长。 陈文武,何乔木,来自同一个南方小城。个性迥异的两个人,从小玩到大的铁哥们,因为不同的选择和共同心爱的女孩——李然,走向了南辕北辙的人生航向……
  • 铁花仙史

    铁花仙史

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 天墟帝主

    天墟帝主

    老王新书开启,幼苗需要呵护,喜欢召唤流的书友可以入坑了。新书《诸天群雄召唤系统》
  • 花语水岸

    花语水岸

    沧海霁月,落崖惊风。一花一世界,一叶一菩提。在灯红酒绿的都市中,在余音绕梁的低回处,在清风送爽,点点星光之下,人,如同窗外的帘燕,在归途中几度徘徊。
  • 琉璃

    琉璃

    吴文君,女,浙江海宁人,浙江省作家协会会员,上海首届作家研究生班学员,鲁迅文学院第十七届中青年作家高研班学员,作品发表在《北京文学》、《大家》、《收获》、《上海文学》、《中国作家》、《钟山》、《山花》等多家文学期刊。