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The Storyteller
Anna and Abel couldn't be more different. They are both seventeen and in their last year of school, but while Anna lives in a nice old town house and comes from a well-to-do family, Abel, the school drug dealer, lives in a big, prisonlike tower block at the edge of town. Anna is afraid of him until she realizes that he is caring for his six-year-old sister on his own. Fascinated, Anna follows the two and listens as Abel tells little Micha the story of a tiny queen assailed by dark forces. It's a beautiful fairy tale that Anna comes to see has a basis in reality. Abel is in real danger of losing Micha to their abusive father and to his own inability to make ends meet.青少年励志成长丛书:积极人生的思考
人生在世、哪一个不渴望成功,但并非人人如愿。其实,人与人之间只有很小的差异,这很小的差异就是心态,很大的差异就是不同的心态产生的结果。虽然影响成功的因素顾多,但决定因素仍是心态。只要调理好心态,就能促进其他因素的好转。从而达到成功的目的。“青少年励志成长丛书”是帮助青少年朋友比较全面地了解社会,发扬人性中真诚、善良、宽容的一面,克服人性中的懒惰、懈怠、怯懦、自卑等不足,以健康、乐观、积极的态度面对人生,以热情、友善、真诚对待亲人、朋友、同学,以坚定的信念和毅力追求自己的理想。帮助青少年朋友在进入社会以前,对人性有一个比较充分的认识,在人生的道路上尽量少走些弯路,能够比较顺利地实现自己的理想。大宋江山(第一卷):高平飞雪
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Few of Richard Matheson's readers know that he had hopes for writing popular music. At a very early age, Matheson taught himself how to write sheet music, but his family could not afford art supplies and so he had to give up composition. But music never left his mind and when Matheson found a creative new outlet through his writing (cheaper than music, requiring only a pencil and paper), he quickly began composing both prose stories as well as poetry. He picked up music composition again at the age of seventeen, adding music to his poems. Here in Lyrics are the compositions that Matheson created, in publication for the very first time.吸血鬼
《吸血鬼》所讲述的故事始于19世纪初,一位名为鲁思文的举止怪异的英国贵族活跃于伦敦上流社会。青年奥布雷对鲁思文产生了浓重的好奇心,和他一起外出旅游。二人在罗马因为兴趣不合而分手,奥布雷一个人去了雅典,在那里结识了一位美丽的女子,后者却在一个风雨交加的夜晚死于吸血鬼的袭击,奥布雷也因此一病不起。随后鲁思文勋爵来到雅典照顾奥布雷,待病好后二人再次结伴同行。二人途中遭遇强盗,鲁思文身受重伤,临死前让奥布雷立誓隐瞒自己的死讯。随后奥布雷返回伦敦,得知妹妹已有了婚约,而她的未婚夫正是那已死的鲁斯文勋爵!Murphy
Edited by J. C. C. Mays Murphy, Samuel Beckett's first novel, was published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiance Celia tries with tragic pathos to draw him back, but her attempts are doomed to failure. Murphy's friends and familiars are simulacra of Murphy, fragmented and incomplete. But Beckett's achievement lies in the brilliantly original language used to communicate this vision of isolation and misunderstanding. The combination of particularity and absurdity gives Murphy's world its painful definition, but the sheer comic energy of Beckett's prose releases characters and readers alike into exuberance.