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感谢我的世界里,你曾来过
两个相爱的人结婚四年,原以为会和爱人执手到老,不想因为要孩子的事而产生了很深的误会,继而引发家庭暴力。女主角终无法忍受,即使知道自己怀孕了,依然选择离婚。因缘巧合,离婚后的她遇到了真正珍惜、爱惜自己的人,找到了属于自己的幸福……不交作业之七十二般变化(好看系列)
叙事艺术的时尚化表达,是王钢作品最受儿童读者欢迎的一个重要的因素。王钢小说呈现了今天儿童生活的时尚性的一面,而且用很新鲜的、具有当下气息的语言准确地表现了校园生活和儿童内心。王钢的时尚化表达,是从两个方面进行的:一是用幽默的场景和夸张而富有情感冲击力的语言来展现形象的特征。二是小说里每一个小角色的性格和语言都是很独立性的,作家给每一个孩子都画下了一幅喜剧化的脸谱。值得注意的是,王钢意识到了儿童生活时尚化的一面,将这种时尚化加以艺术的呈现,给予审美的观照,赋予爱的色彩。The Penelopiad
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.穿越星际之美食征服世界
我堂堂一个缥缈大陆华陽门派剑修首席女大弟子,呃,也是唯一的女弟子,裕华金丹老祖。金丹修为的我——刀剑不入,水火不侵,竟被众师兄弟争抢……嗯,我手中的刚出锅的蛋炒饭,不小心推下无尽崖……想我金丹老祖,媣荥一世英名毁于一旦啊……唉,要不是师傅在我八岁时丢我给鲜羡门五味老头,逼我学美食之道。50年啊……悲催的我好不容易回来后,师傅不满意我的修为和体质(哼,还不是师傅,虽然我也喜欢)把我丢到浴火峰里呆了200年,刚出来煮了一碗蛋炒饭就死了,悲催啊……媣荥:“星际辣么发达,都能穿越大千世界了,为什么就没有吃的啊……,营养剂,那是什么鬼,你们外星人好恐怖”