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半夏之恋：小子，赖上你
半夏在反应到自己的钱包被偷的下一秒，便发现身后有人加快了脚下的步伐从自己身旁追了上去。钱包递到了自己眼前时，视线之内，是张早已被多数女生在心中反复描摹千百万遍的脸，穿着蓝白相间运动服的纪渊言，苍白的没有任何表情的脸，好像是被匆匆经过的冬日阳光冻结了一样。
Mezzanine
In his startling, witty, and inexhaustibly inventive first novelfirst published in 1986 and now reissued as a Grove Press paperbackthe author of Vox and The Fermata uses a one-story escalator ride as the occasion for a dazzling reappraisal of everyday objects and rituals. From the humble milk carton to the act of tying one's shoes, The Mezzanine at once defamiliarizes the familiar world and endows it with loopy and euphoric poetry. Nicholson Baker's accounts of the ordinary become extraordinary through his sharp storytelling and his unconventional, conversational style. At first glance, The Mezzanine appears to be a book about nothing. In reality, it is a brilliant celebration of things, simultaneously demonstrating the value of reflection and the importance of everyday human human experiences.
朕心爱的丑姑娘，请多指教
未婚夫从千尊万贵的太子爷变成了半死不活的瘫子，豪门贵女气性大直接抹脖儿死了，剩下破相了的倒霉丫鬟被摁着头坐上了花轿。“你是瘫子，我是丑女，咱俩半斤对八两，谁都别嫌弃谁。”初见之时，她虚张声势、一派趾高气昂。“余生还请你指教。”经年之后，昔日半死不活的瘫子款款向她走来，亲手给她戴上了凤冠。“咋、咋指教？”平日上蹿下跳的丑丫头，难得一副小媳妇儿模样。“这样指教……”他一脸柔情满溢，手指却邪恶地解开了她的琵琶扣。某日，刚下早朝的万岁爷直冲后宫，满宫上下一片哗然：这是要出大事儿啊！寝宫内：九五天子一把撩开床帏……
歌仔戏音乐三十年（1980-2010）
《歌仔戏音乐三十年(1980～2010)》，从歌仔戏音乐的历史与审美引领我们进入“十年动乱”之后，大陆传统艺术复苏，歌仔戏音乐传统得到恢复和渐变的1980～1990年。紧接着李晖以学术的眼光分析了1990～2000年，随着大陆经济步伐的加快，娱乐方式的丰富多彩，戏曲在日渐式微的时候，歌仔戏音乐人无法回避地把流行音乐的思维引入歌仔戏的创作之中，在传统与流行乐的碰撞中产生出了创新的潮流。
