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Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.米塞斯评传
米塞斯评传关于米塞斯的传记主要有两种,一种是米塞斯自己撰写的早年回忆录;另一种是他人写的米塞斯传记,其中包括其夫人在其去世后写的回忆录和许古斯曼的详实巨作,当然也包括本书。本书全面而简明地介绍了米塞斯的一生,主要包括其经济学思想和其影响。柯兹纳作为米塞斯的学生和一名极富影响力的自由市场经济学家,他追溯了米塞斯一生的关键时刻和重要事件,解释了其对经济理论的核心贡献,并评价了米塞斯对20世纪经济思想和政治思想的影响。篇幅虽小,但要言不烦,这只有深刻把握米塞斯和奥地利学派思想的大家才能做到。弱尊
(成长型女强文,斗气为尊,魔兽多多)叶步弱,21世纪佣兵界第一人,一张倾城的美貌下藏着一颗千疮百孔的心,冷漠无情。虽如此,但此生她没有因为拼杀而死,却因误点自己的笑腰穴而笑死,世人叹怎一个囧字了得?然,这一切只是意外?还是另有秘密?一袭男儿装,一张俊秀颜,游戏异世逍遥大陆,谈笑风生,流连花丛,十足的一贪图享乐的废物。只是世人皆不知,这废物已然是成了祸害,一笑一颦间不知颠覆了多少男子心,残伤了多少女子眼?血莲胎记,命中劫,命中难,今生喋血,终究是一朝变,世界颠,倾世容颜惊羡,他怎会是她?高手如云,一手狂澜,巧笑倩兮,前世今生,玩笑之大,她宁愿负了这无情的天下!女主语录——“血莲胎记会颠覆天下么?好,既然如此,我绝不负众望,这天下,我必覆!”“我叶步弱从来就不是良善之辈。没有什么不伤小孩妇女的规矩。触犯了我叶步弱的底线,就只有一个字——死!”