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青萍之末
与来时一样,子衿依旧着一袭深蓝色的旗袍,她从的士后坐探出头来招手向风道珍重时,旗袍领口两侧的两朵纯白的风信子在桔红色的晨曦里显得特别宁静而醒目……子衿就这么宁静地远去了,正如她远天远地的来,不是跟她的风说再见,而只道了一声珍重!还有,风忽然又想起来,还有“更不能占用阿姨的……”半句谜一般的话。子衿走了,她从来处来,到去处去,从肉体到灵魂,只为喜欢与爱。已经过去有一个多月时间了,她没有再在微信里出现过。风也在努力地克制着自己不去打扰她,或许他原本就喜欢着这样的一种开始,也喜欢着这样的一种收鞘。如同生命只有一次,人生至少应有一次全然抛开道德与责任的真欢喜与真相吸的从灵魂到肉体的爱……蜜恋小青梅:傲娇竹马宠上天
小时候,他帮了她,安倾谣说了一句“谢谢”的同时还踮起了脚尖……陆慕言气的当场离开……长大后,他帮了她,安倾谣朝他微微一笑:“谢谢。”陆慕言轻嗯一声,低垂下眼瞥了瞥两人之间的距离,双手插兜,不着痕迹往安倾谣身边靠了靠,没有反应,他再靠近,再靠近,再靠近,直到贴着她。安倾谣微红了小脸,用手推了推他:“陆慕言,你……离我太近了。”话落,陆慕言气的再次转身离去留下安倾谣看着陆慕言气愤离去的背影,似乎有种熟悉的模样?男孩穷养,女孩富养(大全集)
“穷养儿子富养女”是中国家庭几千年来的育儿传统,包含着朴素而深刻的人生智慧,其道理可以很容易地从中国传统上男孩和女孩将来要在社会上承担的角色来解释。现代生理学、心理学、教育学、社会学的研究也表明,男孩和女孩天生就是不同的,在教育上必须区别对待,而“男孩穷养,女孩富养”的教育方法正契合了男孩与女孩的先天差异,有利于他们的后天成长。Dropping Ashes on the Buddha
Somebody comes into the Zen center with a lighted cigarette, walks up to the Buddha statue, blows smoke in its face, and drops ashes on its lap. You are standing there. What can you do? This is a problem that Zen Master Seung Sahn is fond of posing to his American students who attend his Zen centers. Dropping Ashes on the Buddha is a delightful, irreverent, and often hilariously funny living record of the dialogue between Korean Zen Master Seung Sahn and his American students. Consisting of dialogues, stories, formal Zen interviews, Dharma speeches, and letters using the Zen Master's actual words in spontaneous, living interaction with his students, this book is a fresh presentation of the Zen teaching method of instant dialogue between Master and student which, through the use of astonishment and paradox, leads to an understanding of ultimate reality.