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重生为灵亲爱的,别撩火
韩暮雨重生了,重生在了十五年前。重生的韩暮雨看着自己透明的身体,欲哭无泪。不过还好,她看着年仅5岁的自己笑了,这一世,她发誓要将过去的自己培养成一个有钱,有权,有男人的白富美!当韩暮雨辛辛苦苦将自己拉扯大,自豪的看着即将达成目标的过去自己,功成身退的准备当一个背景板的时候,有boss却不愿意了。看着眼前一言不发就壁咚自己的陌生男子,她嘴角抽了抽。“嫁给我,我有钱,有权,有颜,还忠犬。”莫名被求婚的韩暮雨懵了“大哥,你谁?”顾尘看着容貌清秀的少女,眉毛挑了挑,温和阳光而又精致的面容一笑倾城。“自我介绍一下,我叫顾辰,是你老公,来自未来。”甜妻100分:老公大人,高调宠
“颜宝,乖……别怕……跟我走。”清冷矜贵的男人蹲下身,轻抚着女孩软嫩的脸颊。一夜之间,顾朝颜被自己那个神秘莫测的小叔惦记上了。人前,他是权势滔天、富可敌国的帝国总裁,人后,他宠她、护她、布下天罗地网诱捕她。直到一步步上了贼船,她才猛然觉得哪里不对:“顾北霆,原来这一切都是你早就算计好的!”男人大方承认:“是,我早有预谋。”他低声诱哄:“成为我的太太,集团是你的,我的一切都是你的,有什么不好?”她不从:“你年纪太大了,我们不合适。”“年纪大的男人会疼人。”他将她逼到墙角,在她耳边呢喃:“只要是你想要的,凡是我能给的都给你。”(1V1双C,非血缘,超甜宠文)心悦你,时光美好而悠长
言公子的前半生,生活在黑暗的泥淖里,阴暗、冰冷,所以后来当他可以肆意的沐浴在阳光下,光明正大的怼天怼地怼社会,成了影视界一朵有名的“霸王花”。直到遇见了那个人,再次心甘情愿迈入黑暗。很久以后,言公子才发现,自家一直凶悍的魔君大人,似乎是一团被黑暗包裹的光明,让人忍不住一点一点打碎黑暗,一并沉沦。世界上总是有些人,浑浑噩噩很多年,不期然相遇,不期然改变。不管多久的时间,不管怎样的相遇,让人意外还是欣喜,让人痛苦还是甜蜜。或早或晚,或好或坏,冷暖自知。豪门强娶:误惹神秘冷少
淘宝美男,七天无条件退换,更是洗衣做饭哄开心,外加高大粗。魏雨雪欢欢喜喜抢购,可是谁知美男驾到,整天无所事事,只会吸干她的钱包。第六天,她蹲在墙角洗衣服,才幡然醒悟,自己是花钱享受,为何要受这样的鸟气?不行不行,上网退货。可是谁知道,原本存在的网站,却忽然消失,美男赖在家里不肯走,更是指使她做这做那。第七天早上,打包好他的衣物扔在门外,姑奶奶不玩了。“饶子轩,给你两个选择,要不换你来伺候我,要不,拿着你的东西,从哪来的回哪去?”美男呆滞片刻,咬牙答应。“好。”魏雨雪听他答应,一脸欢喜。“给我洗衣做饭打扫整间屋子,做不好不准吃饭。”说完,不顾美男一脸的黑线,吃水果吹空调看电视。
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杀手妃:妖孽殿下别太坏
21世纪,残忍、冷漠的杀手,水若影,一朝穿越,成了有名的灵术废柴,廉初歌。他说,廉初歌我不怕你堕魔,我只怕你为神。若你堕魔,记得我把我一并带走。他一袭红衣,风华绝代,睥睨天下的皇者之气,却不想最后竟然爱上了自己游戏中的人物……狗血版文案:她为了他斩了三千青丝,断了三生石。他为了她,一夜间白了青丝,白了睫眉,他要用血红的曼珠沙华铺成一条血路,他要让她目之所及,皆是亡灵之渡……(情节虚构,切勿模仿)How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.