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Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.
戏子不好当无情戏女却留情
封若姣不信，不信自己无能的四妹一下子变强了，废物成了天才；不信心悦自己的两大公子齐齐迷上了四妹；不信维护自己的人偏向四妹……她不信。这年头白莲花不好当啊，她好几次被四妹弄破功，不行，不能放弃。突然出现个傻子，算了看你长得好看的份上让你跟着，可你为什么去找四妹了呢？说好一直跟着我呢？都是这样。可她好像动了情。师傅说的对：人生如戏。那她就演下去吧，放心吧，我会笑到落幕。
弃妃难宠，洞房不拜堂
他娶她的那一天，万人空巷，热闹空前。她是全天下女人羡慕的对象，因为她的夫君是西凉最宠爱的贤王。他休离她的那一天，天下易主，众望所归。她成为全天下女人笑话的对象，因为她曾经的身份曝光人前。她一个青楼女子，如何能成为母仪天下的皇后？从云端跌入泥中，个中滋味只有自己知晓。再次相见，他温润一笑，她却释然颔首。听着她身后的稚童甜甜的叫她一声“娘亲”。为何他的心有刹那间的疼痛。衣袂翩然，指尖轻擦。他想握，却再也握不住……情节虚构，请勿模仿
