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Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.
祭司神妃：魔君，慢走不送
第一年，他威逼利诱带着记忆不全的她入了八荒殿给她冠上了魔后娘娘的称号，同年，他带着她领略了人间四季红尘。第二年，他为了她与百家对抗，将这山河覆灭，雾灵花落了满地，碎了琉璃殿宇千万。第三年，她逼着他放手，她本该与另一人黄泉白首……第四年……她为了那一纸契约付出了所有！棋局之上，他执黑子落下一步，自此布下将她囚禁在身旁的牢笼！她亦是执白子不顾一切落与那角落，从此与他对立天涯……那天，她笑着望着他的眼一字一句：“阿璟，我要你废后，可答应？”他望着她唇角那极致的笑意他亦是笑着回应她，吐出的字句却冰冷如霜：“本君，不应！”梦流莺气急：“司璟，你一个骗婚的你还有理了？”
御赐痞妃：邪魅王爷太勾人
她本是异世亡魂，机缘巧合之后遇见了他，此后便死皮赖脸的粘上了他。“夫君，一夜夫妻百日恩，你忘记妾身了吗？”某男眉头一挑，再然后……“母妃，父王他又失踪了……”某个小宝贝佯装着急的说道。
