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妃常穿越:太子的嚣张萌妻
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我快50岁了,脸皱得像一个擂姜钵,头发如同剪得稀烂的棉纱布,眼皮抹布一样老往眼珠子上罩,三颗牙也跟菜蔸被锄头铲动了一般,摇摇晃晃要倒不倒。我随时哪天就会一觉睡到阎王爹那边去。就算我被阎王爹的笔划漏了,再活10年20年,可再长有意思吗?政府不齿我,干部不齿我,邻里不齿我,亲戚不齿我,唱我的埋怨,念我的零碎,说我的空话,我成了什么?成了讨死万人嫌的臭狗屎,成了遇着就躲看见就避的烂肠瘟。我从36岁起就成了一个废人。一个女人没了男人不就等于废了么?一个好女人配个废男人不也等于废了吗?俗话说不怕天干,只要地润。没了男人,我这块地再润再湿又有何用?既不能长出高粱稻谷,也不能生出红花绿叶,地润只能长杂草,地湿只能生蚂蟥。How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.