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The Penelopiad
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.落木萧萧滚滚红尘
好风凭借力,送我上青云。她是凤平唯一的圣血公主,有传言:得此女者得天下!然而,命运却始终待她不公,从二八芳华到酩酊盛年,她却被自愿地顶着旁人的名字,背井离乡,企求生存。红尘滚滚,多番身不由己,又有谁知她所求?杞:拥我为帝,凤平王位与你,孤都要!予穠:我帮你复国那日,是否就是你弃我之时?羽结:因着一声姐姐,吾得以伴你身侧;也因着这声姐姐,吾不得近你半步。右相府徐灵儿,圣朝宫女赵灵儿,安平王妃予潇氏,圣血女帝凤灵儿,谁有我颠沛一生。吾以一身圣血,拥君九霄云上。红尘滚滚,粗布衣裳,再与我笑叹好了一场! (上午十点,下午四点,准点更新。存稿充足,不太监,不断更,不拖更,不水文,节奏紧凑,入坑不亏。欢迎收藏订阅撒豆评论,爱你们。)醉仙觞
我若成佛,天下无魔;我若成魔,佛奈我何;我若成仙,浩瀚尽握,我若成鬼,执掌天下,此生我便以死为生,不觉得痛苦,有泪可落,却不是悲凉片段一:我靠,离殇你还是不是人,你...你...某人一个气喘不过来光荣晕倒。小月牙高兴的晃着自己小小的短腿,对于爹爹气晕某人很是乐意片段二:大长老”王...小月牙拿了王殿的玉印...”二长老“王...小月牙放了魔殿中冰仪恶魔...”三长老“王啊!...小月牙摘了万年仙草苇箔”某小月牙正一手抱着玉印,一手拿着仙草苇箔,身后还跟着万分委屈的冰仪恶魔......“哦..."...三大长老一听离殇冰冷的语气,顿时就感觉有望了,没想到...”凑合着给小月牙玩吧!“...三大长老一阵捶胸顿足,还凑合着玩...宝物啊,宝物啊片段三:”北月,我愿背负千生万世的错,换你这一生一世再爱上我,我愿沦陷幻境哪怕为爱成魔,只要你记得,命中注定昙花一瞬间,也许这就是有缘.....“”不,霄...“逝去的风流(清末立宪精英传稿)
本书讲述清末十年,国危民困,为平息革命声浪,立宪派人士掀起并领导了一场旨在通过和平改革,铲除专制制度,建立民主政治体制的立宪运动。投入到这一运动者,既有名不见经传的上百万草民,也有不少各界头面人物,奔赴呼号,为民请命,声势所向,掀起绝大的政治革新巨潮,甚至波及民国初年的政局。