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《故事会》所说的故事,不仅高雅、高尚,而且贴近老百姓的生活,并能始终以老百姓喜闻乐见的形式表达出来,尤为关键的是,其绝大多数故事,基本上都相当准确地切合着社会审美心理中三个最为关键的部位,即情感性、幽默性、传奇性。因此,尽管我们所处的是一个信息爆炸的资讯时代,或各种各样文化快餐层出不穷的娱乐时代,其所提供的故事仍能从一片喧嚣的声浪中脱颖而出。其二是由《故事会》编辑部所营造的“《故事会》编辑部文化”。恋爱百分:冰山校草赖上我
她好凄惨,一夜之间失去双亲,一回国就被车撞了,这也是没谁了,可是自此就惹上了一个高冷之人,她的人生好凄惨。这人居然还是艾蒂兰贵族学院的高冷冰山校草,从此以后苏锦锦只能被这位爷给奴役了?校草:苏锦锦,本少爷的饭了?倒霉女:你的饭在食堂,你没有脚吗?要懂得自力更生。校草:苏锦锦,我不是说过你被欺负了就报我的名号吗?倒霉女:你的名号?我跟你不熟为什么要报上你名号?校草:苏锦锦,我对你的心,你是真的不明白吗?倒霉女摸了摸某校草的额头:没有发烧啊,怎么老说胡话?The Penelopiad
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.