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别哭黛玉
二宝大婚,潇湘逝,时间停止,闺阁才女附身于励志搜集天下所有美男的二十一世纪的千金大小姐身上,黛玉依旧还是黛玉,又不是黛玉,等着黛玉明白安排自己现代之旅的苦心之后,再次回到大观园,回事怎样一番景象。场景一“可是要去黄泉路?”黛玉看着两人的装扮有些明白地问道,不过对于自由没有见过其他男子的黛玉来说,心里还是有些别扭跟恐惧的。“因为你是自己放弃自己的生命的,对不起你的父母,所以你不用走黄泉路,直接打入十八层地狱。”黑无常接着说道。场景二想到这里医生开口问道:“小姐,你叫什么名字?”黛玉猛然间听到一个男人的声音,又惊又怒地看着这个蒙着面的奇怪男人,想着为何这里会有男子出现,想着自己还在床上躺着,黛玉羞愤得昏了过去,只是之前轻轻地包含愤怒地说了两个字:“无耻。”场景三“你,你,你这个登徒子。”黛玉看着猛然间出现的大脸,更是慌得不知所措,心里一激动,拿着手帕的手指着李力言颤抖地说完就晕了过去。场景四纯洁如仙子,高贵如公主的黛玉搅动了现代一片优秀男子的心之后,再完成了贾府的事情之后,她是选择回到现代,还是继续呆在古代?推荐我的完结文《我们三个都是穿越来的》《穿越之无泪潇湘》新文《极品花痴》The Painted Bird
Originally published in 1965, The Painted Bird established Jerzy Kosinski as a major literary figure. Kosinski's story follows a dark-haired, olive-skinned boy, abandoned by his parents during World War II, as he wanders alone from one village to another, sometimes hounded and tortured, only rarely sheltered and cared for. Through the juxtaposition of adolescence and the most brutal of adult experiences, Kosinski sums up a Bosch-like world of harrowing excess where senseless violence and untempered hatred are the norm. Through sparse prose and vivid imagery, Kosinski's novel is a story of mythic proportion, even more relevant to today's society than it was upon its original publication.