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Hiroshima Mon Amour
One of the most influential works in the history of cinema, Alain Renais's Hiroshima Mon Amour gathered international acclaim upon its release in 1959 and was awarded the International Critics' Prize at the Cannes Film festival and the New York Film Critics' Award. Ostensibly the story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is a stunning exploration of the influence of war on both Japanese and French culture and the conflict between love and inhumanity.将女为谋:皇上,请入瓮
【男女主身心干净,1v1,放心入坑】重活一世,她为家人,为朋友,刀山火海,万死不辞。她曾以为这一辈子就这么过去了,可谁知半路杀出个妖艳贱货,于是乎撩得她面红耳赤,宠得她自此残废。偏偏世上总有一个人,你从未见过她,但一看见她,你便知道,就是她。“猫儿,过来,为夫教你造小人~”某贱侧躺在床沿上,一片红纱只起了遮羞的作用,那双瑞凤眼像是会说话儿似的,让人忍不住上前。花溯屿咬一咬牙,转头直道:“妖孽!”(前面剧情发展有点慢,介意慎入)To hell,上海
“妈的,上海人怎么这样,鸡肠狗肚。凭什么不要外地人?不问可否、不管曲直,非秦者去,为客者逐,此非所以跨海内制诸侯之术也。” 末了,还在叽咕《谏逐客书》——这小子要生在春秋战国准是个朝秦暮楚顶呱呱的纵横家。我想想:也是,把两个大活人劈了,你再去自首,就算免你一条死罪,你也得抵一条命。又何苦在死前上法庭丢人现眼一通呢?吴宇报上去的《论当代文学中的现实主义走向》的毕业论文题目给王连生教授打了回来,附带上边还写了一大堆诸如“时代性不强”、“开拓性不够”、“僵化”等等让吴宇头疼的评语。