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How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.蜜婚之权少的爱妻
陆七,京都陆家千金,结婚当天被未婚夫抛弃,新娘成了她同父异母的妹妹。母亲气得气血攻心,被送进医院抢救。家道中落,她成了京都最大的笑柄。未婚夫说:当初选择和你在一起,是因为你能助我事业有成。妹妹说:姐姐,他爱的人是我,这些年他有碰过你吗?一段痴心付出换来这样的结果,她被憋成了内伤,在众人的嘲笑中黯然转身,一怒之下很快闪婚了这样一个人物。没钱,没房,没车,典型的三没人物。却没想到某天,她身边躺着的某人摇身一变成了顶级钻石王老五,一时间,她成了整个京都人人羡煞的女人。——他是年轻权贵,英俊多金,成熟稳重,更是京都赫赫有名权家的长孙,手握重权。等某天权某人身份曝光,陆七却退宿了。陆七:我家境不好。权少:我养的起你。陆七:我脾气不好。权少:我能受就行。陆七:我不够漂亮。权大少挑了下眉:我不嫌弃。陆七咬牙……她明明也是风情万种的,就不能说句好听的?陆七抿唇:我身材不够好。这次权大少终于看了她一眼,笑得诡异,“够我摸就好!!”陆七:……越说越不正经。——(夫妻私房话)权太太听到风声,说权大少有宝贝要送给她,她期待了好几天没音讯,某天晚上两人就寝时终于按耐不住,问权先生。“听说你有宝贝要送给我?”这么久不拿出来,难道是要送给别的女人?权先生看着她数秒,欺压上身。陆七抗议:“权奕珩,不带你这么玩的,说好的宝贝呢?”“宝贝不是在被你抱着么?”男人在她耳旁低喃。陆七一脸懵逼的望着他:“……”“我身上的一切,全世界的女人,我只交给你。”他笑容和煦,连耍流氓都那么义正言辞,“包括为夫的身体!”除了这些,难道他身上还有比这更珍贵的宝贝?“权奕珩!”权太太怒。“权太太你悠着点儿,我的命在你手里!”陆七:权奕珩,姐要废了你!Naondel
Booklist called Maresi "utterly satisfying and completely different from standard YA fantasy." Now, Naondel goes back to establish the world of the trilogy and tells the story of the First Sisters —the founders of the female utopia the Red Abbey. Imprisoned in a harem by a dangerous man with a dark magic that grants him power over life and death, the First Sisters must overcome their mistrust of one another in order to escape. But they can only do so at a great cost, both for those who leave and for those left behind. Told in alternating points of view, this novel is a vivid, riveting look at a world of oppression and exploitation, the mirror opposite of the idyllic Red Abbey.