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来我童年旅行的舅舅
我妈说,要想不被人欺负,就得努力学习,学习好了那些大个子才不会欺负你。我觉得她说得很对,就努力学习。我的成绩很好,那些大个子的确不怎么欺负我了,因为老师们都喜欢我。全天下的老师都喜欢成绩好的学生。但遗憾的是,尽管他们不欺负我了,可他们也不怎么和我玩耍。这种事情的反复出现与不断叠加,让我无比渴望着长大,我坚信只要我长大了,就会摆脱这种处处劣势的局面,变得高兴和快乐起来。就像那些我羡慕的高年级大个子们一样,我也可以随心所欲地出门远足、打鸟、游泳以及在大街小巷瞎逛,直到很晚才回家。我梦想中的生活就是那个样子的。如果那样生活了,我觉得即便有烦恼,也是一种快乐的烦恼,就像钱太多不知道该怎么花的烦恼吧。不过,众所周知,待到长大以后,就会发现长大的人也很无聊。这是后话。我现在要讲的是,我是怎么弄丢我的童年的,又是谁来弄丢的。重生之胖女逆袭
她是神秘作词人V,是网络当红写手九九,是从小处处压他一头的邻家小妹,重生而来,惊才艳艳,只求一世安稳。他是乔氏只手遮天的少年总裁,情商智商高人一等,却是从小被她欺压的宝宝,有一本记仇录专门记录她的“暴行”,最后将她刻在自己心头。小片段1:秋蕴:宝宝?乔亦然:乖,叫老公,大庭广众的别叫小名儿。秋蕴:哦,宝宝。乔亦然:……小片段2:乔亦然:宝宝乖,来老公这里。秋蕴:老公我错了,我再也不叫你宝宝了,求放过!乔亦然:那老公过去,乖~秋蕴:……纯情小正太变腹黑大灰狼了,快逃!(青梅竹马,1v1,身心皆净。无阴谋无误会无虐的三无正常恋爱小甜文,女主男二双重生)PS:新书《第一千金:梁上相公非君子》敬请期待修罗小姐,谁敢惹
受伤之前,她是个胡闹任性的废柴,人称吊车尾是也;受伤之后,她是个笑里藏刀的阳光少年,人称笑面修罗是也。墨氏惊羽,金发蓝眸天使外表,黑心阴险恶魔内在,表里不一。有点腐,有点怪,还特爱恶搞捣蛋,气得老师同学无奈摇头兴叹。偶尔嚣张跋扈,偶尔乖巧听话,偶尔邪恶腹黑,偶尔热血愤青。有事没事炼丹炼器,练习体术开发忍术,打击人,那是必然的。时而发癫忽悠算计,吸引魔兽招惹伙伴,折腾人,那是肯定的。前有老师护航,后有城主撑腰,外加一个素未闻面的老爸在背后帮衬着,身世不明的男装少女,在被一缕异世幽魂顶替之后,又将掀起怎样风暴?************************************************如果你看多了那些西方魔法,想要换换口味的话,不妨点击进来,看看有些腹黑无耻的老颜自创的忍术。这是一个孤儿仔寻找老爸的发展史,主要萌父女感情,外带有些小腐,喜欢的请戳,不喜的可以退出,但是别留言轰我。老颜是个性格很直的人,写了玄幻之后更加暴力猥琐了,恶评者,爷不会手下留情,该删的绝不手软,言之有理的,也绝不吝啬,欢迎各种长评、建议!PS:本文纯属虚构,如有雷同,算我倒霉!*********************************有小朋友为老颜建了贴吧,大家有喜欢玩这个的可以去看看附上地址:http://m.wkkk.net/f?kw=%BE%AA%D3%F0*********************************好文推荐::《豪门夺爱,贵妇难当》古幸铃:《腹黑二少》爷的完结文:《重生之名门千金》金小邪:《冰缘凌风》踏破红尘:《腹黑魔女绝色男》墨水传:《妖娆傻神》罗苑在移动手机阅读平台上使用的名称为《修罗小姐,谁敢惹》How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.