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Sitting in Bars with Cake
It's hard to meet people in a big city, let alone any city. And after living in LA for several years as a single lady, Audrey Shulman turned to baking. But rather than eating her cakes solo over the sink, she brought them to bars, luring guys with a heady dose of butter and wkkk.net in Bars with Cake recounts Audrey's year spent baking, bar-hopping, and offering slices of cake to men in the hope of finding her boyfriend (or, at the very least, a date). With 35 inventive recipes based on her interactions with guys from all walks of life, from a Sticky Maple Kiss Cake to a Bitter Chocolate Dump Cake, this charming book pairs each cake with a short essay and tongue-in-cheek lesson about picking up boys in bars.中国古代演唱技术理论研究
中国古代演唱技术理论是一个内容繁杂、自成体系、独具特色的表演理论体系。古代声乐艺术以“唱”为本位的形态特色制约了唱技理论的形态构成。因此,就古代唱技理论的整体构成而言,演唱的技术技巧成为其主体和贯穿始终的重要理论线索,具有明显的统一性。同时,由于历代的唱技研究者多为文人士大夫,其思维模式、美学理想基本一致,故在理论观点上多是一脉相承,且体现了越来越细致繁密的趋势,具有发展的延续性。因而,尽管古代唱技理论看似零散、随意,实际上仍然具有较强的系统性,是比较发达的演唱理论。不同时期的唱技理论有其特定的内在特点和精神,阶段性特征十分明显,体现了古人对演唱实践不断思考、积累的发展过程和规律。