登陆注册
10443700000007

第7章

A FEMA SITUATION

When I go down to the kitchen late the following Saturday morning, Sam and David are slurping cereal, my dad is reading the paper, and my mom is standing by the window, cereal bar in hand, looking at a tree in the yard.

"I can't believe that's a robin," she says. "It's October. Something weird is going on. Morning, Meals."

"Goddamn Mets," my father grunts, turning the page. "Morning," he says to me.

"Daddy cursed," Sam says. "Cursing is a sin."

"Don't be a tattletale," David says.

"I'm not," Sam whines.

David scoffs.

Sam scowls.

"Boys," my dad says in his this-is-my-day-off-so-don't-make-me-mad tone.

"I'm not a tattletale. I'm really good at keeping secrets. I never told Mom that I painted her a candleholder for Christmas, and I didn't tell Daddy about the mug. Did I?" Sam looks at our parents.

My mom nods. "You're good at secrets, Sammy."

"See!" Sam glares at David. "And I didn't tell on Toby for letting you play Grand Theft Auto last night."

My mom looks at David. "He did? He let you play that violent game?"

"Sam! You idiot!"

Sam bursts into tears and runs up to his room.

My mom looks at me.

"Don't look at me," I say. "I didn't have anything to do with the video games. I was at Muppet's last night." Muppet's was a bust since she spent most of the night texting Toast. Sadly, the best part of the night was watching the last half of Trainwreck with her stepmom.

"Lou?" My mom looks at my dad.

My dad sighs loudly and turns the page of his paper.

Wails ring out from upstairs. My mom leaves to comfort my brother.

"Sam's such a scaredy-cat," David tells me. "He couldn't even watch Pan's Labyrinth."

"You watched Pan's Labyrinth?"

"It wasn't scary. Sam's a wimp. Toby said I'd be fine and I was. I am."

"Guillermo del Toro is a great director," I say, horrified and impressed that Toby showed that movie to the twins. Poor Sam might be traumatized for life. "I was creeped out."

"I like Star Wars more," David says as my mom comes back into the kitchen. "Star Wars is the best movie ever."

"Where's Toby?" she asks me.

"Sleeping, probably," I say.

She shakes her head. "He's not in his room. I went to tell him that it's inappropriate to let seven-year-olds play that game, but he's not there."

My dad puts down the paper and looks at me.

"I was at Muppet's till eleven. Her stepmom drove me home and I went to bed."

My dad walks out of the kitchen and down to my grandmother's apartment. In less than a minute, he silently walks back through the kitchen and upstairs.

"He hasn't texted?" my mom asks.

"No." My most recent text was from Epstein last night.

My dad barrels back into the room. "He's not here," he booms. "And his room is a FEMA situation, Meg."

"I told you that," my mom snaps. "Did you think I just didn't see him?"

"What's FEMA?" David asks.

"Federal Emergency … it's not important, David. Go play, okay?"

David slides off his chair and shoves it forcefully under the table. "You always make me leave during the good parts."

"Upstairs," my dad says. My brother books it. My dad is not someone who tells you to do something more than once. He's very tall, has a bunch of tattoos on his arms, and has a shaved head. When he wants to be, he can be really intimidating.

"Amelia," my mom says. "What do you know? Were there any parties or anything?"

"I think Toast had people over. I'll text him."

have u seen/heard from toby? I text Toast and Ray.

Ray: No. ??????

Me: just wondering

Toast: Not since 6th period Fryday

"They haven't seen him," I say.

My mom rubs her palms over her eyes. I feel terrible. My parents are the hardest-working people I know. They probably weren't home till like 1:00 AM and then up early with the twins. How could my brother do this?

"I'm sure he's just at someone's house, Mom."

"But he knows to check in," my mom says. "It's always been the house rule. Just tell us where you are and when you're going to be home."

My dad nods.

She looks at me expectantly. "What's going on with Toby, Meals? He's been so … so distant. He's in his room all the time. Has he seemed distant to you?"

"He's probably got senioritis. A lot of them do."

"You're supposed to get senioritis when you've gotten into college." My mom picks at her cuticle. "You'd tell us if Toby were in trouble. Drugs or something."

I think back to the night after the eighth grade dance when Ray and I drank peach schnapps. Toby snuck us into the house and stealthily cleaned up gallons of our vomit. He wouldn't tell on me in a million years. How can I tell them he owes me more than a hundred dollars, which I think he's spent all on Toast's pot? "Yeah, I'd tell you," I say, crossing my fingers like I'm five.

"He's a teenage boy," my dad says. "Teenage boys don't want to talk to their mothers. I was the same way. Not that leaving like this is in any way excusable. He's working the next ten weekends. We can always use another busser."

"Maybe we shouldn't have made Ginger's a full restaurant," my mom says. "If we'd kept it a coffee shop, we'd be home more. I could have taken Toby to look at more colleges over the summer."

"He probably fell asleep at a friend's house," I tell her. "It has nothing to do with Ginger's." A few times a year my mom gets on a running-a-restaurant-takes-me-away-from-my-children kick. "You guys are here. You really are."

"I don't know." She doesn't sound convinced. "It's so much work, Meals. Something is always going wrong. The dishwasher is on the fritz. A waitress quits. It was simpler before."

"But it was boring," I remind her. "You and Dad were miserable just making muffins."

"Your dad was miserable. I was okay. I like making muffins." She looks at my dad.

I'm not sure what to say. And I guess my father doesn't either because he just picks up the paper again.

"Well, Prudence is here, so at least he's not driving," my mom says. "It's the driving that really scares me. There are so many accidents on these dark roads."

"Amelia doesn't drive," my dad reminds her.

I actually hope that my parents will have another why-won't-Amelia-get-her-license-already conversation because at least then they'll stop talking about Toby. But they don't tell me to get my license. They just sit there looking at me, as if I know something I'm not telling them, until my mom says that when Toby comes home, they'll talk to him about being a responsible member of the family, which means, in addition to checking in with his whereabouts, not letting the twins play violent video games and keeping his room cleaner. Then she asks me to write down the phone numbers of all his friends so she can call them herself.

"What's up?" Epstein says when he answers his phone an hour later. He's spending the weekend at Brown University.

I think about how my mom just called practically every senior at Washington Lincoln, but none of the ones who answered had seen Toby. Epstein is a senior, too. If he went to school here, my mom would have called him. Should I tell him? But Epstein doesn't go to school with my brother, has no idea that Toby played Peter Pan in sixth grade or got asked to the prom by three girls his sophomore year. Epstein barely knows anything about my brother so I don't want to tell him this.

When my pause is just a bit too long, I say, "Nothing. How's Brown?"

"Pretty awesome. I'm definitely going to apply. You sound kind of weird."

"I'm tired."

"Me too. I stayed up late at this improv comedy sketch thing last night. It was really funny."

"Sounds fun," I say.

"I miss you."

"You do?"

"Horribly."

"My parents loved you," I tell him. "So did the twins and Ray and Toby—"

"Hey, Amelia. I have to go. An informational thing is starting. I'll call you later."

After we hang up, I lie down on my bed and look at the ceiling. Out of nowhere I get a sour feeling, like a piece of ice is slowly and painfully melting in my stomach. Why would Toby just leave? My parents aren't strict about curfew. Most of the time, especially on weekends, they're home later than we are. Is he a drug addict? Owes the Mafia money? What if he killed someone?

When I can't get past the cheesy movie plots, I go into Toby's room and dig through mounds of clothes and crumpled potato chip bags like I know what I'm looking for. I find: three legal pads with lots of random things written on them, a Bible, four empty packs of M&M's, two black-and-white composition notebooks with some poems/lyrics written in them, a bong, three Sharpie markers, a half-eaten Snickers bar, two crushed Budweiser cans, a bunch of socks, and a family-sized bottle of laundry detergent. There's a Blu-ray of The Lord of the Rings: The Two Towers, a beat-up copy of The Silmarillion, and a pile of T-shirts and jeans heaped on the floor. I also find two old flip phones that have been taken apart.

Like my dad said, his room is a total mess, but I don't discover any drugs, duffel bags of money, or, thank goodness, dead bodies.

By lunch, my parents are borderline frantic. They don't talk about it in front of the twins and I know they haven't told my grandmother because she would have come back from the weekend she's spending with Harry in Montreal, but my mom is glued to her phone and my dad shovels handfuls of potato chips into his mouth. After lunch I paint my nails, send Epstein a photo of my freshly painted nails that he doesn't respond to, take Kepler on a walk, and then, out of desperation, watch The Lego Movie with Sam, David, and Kepler.

When we sit down to dinner, my dad dumps a mountain of mashed potatoes on his plate and barks, "Everyone eat."

"Did Toby run away?" Sam asks. His eyes get big and buggy.

"Shut up," David tells him.

"David told me to shut up, Mommy."

"Boys!" my father barks.

My mom gives my dad a look and then says, "I want you both to think good, happy thoughts that Toby comes home safe very soon. Okay?" My mom sounds like she might cry.

I realize that my parents haven't said that Toby isn't missing, that he hasn't run away, and I feel sick.

When Epstein calls back later that night he tells me he might apply early decision to Brown and all this other random stuff that I sort of listen to.

"Did you watch seven movies already this weekend?"

"Just one. The Lego Movie with the twins."

"That was nice of you," he says. "You don't seem like the Lego Movie type."

Not really, I think, wondering if I should tell him what's going on. You gave him a blow job. He licked your vagina!

You're 99.9 percent sure he's your boyfriend.

"Well, Toby is, uh, kind of, uh, missing," I say. "He's been gone all day. That's why I watched the movie with my brothers. I needed something mindless."

"Oh no, Amelia. That's terrible. You must be so worried." Epstein sounds alarmed, which isn't the reaction I wanted. I'm not sure what I wanted but definitely not alarm. "I'm sorry, Amelia. That's really …" He trails off.

"Scary," I say. "It's really scary. Toby wouldn't do this. It doesn't make sense."

"I heard once that one in five teens under the age of eighteen will run away at least once."

"Oh." I'm not in the mood for a list of Random Epstein Facts. Especially when they're about runaway teens. "He hasn't run away. It's not like that."

"Did you ever tell your parents about what happened?"

"About what?"

"The stuff by the washing machine that night? His hallucinations."

I feel annoyed that Epstein's bringing up that night. Is this how he sees my brother?

"Amelia?"

"I gotta go."

"Keep me posted."

As soon as I end the call with Epstein, Ray calls.

"Toby home yet?"

"No."

"Your mom left me two voicemails."

"I know. She's been calling everyone. It's embarrassing."

"It's not embarrassing. She's worried. Where could he be?"

I close my eyes, trying to connect with Toby's spirit, but that's ridiculous. "What if he was kidnapped?"

"Why would he be kidnapped?"

"I don't know. Do you think he's a heroin addict?"

"No."

"A lot of people secretly do heroin. You have no idea they have a drug problem until you read that they're dead on PerezHilton.com. Philip Seymour Hoffman, Heath Ledger."

"You watch too many movies."

"He's been smoking tons of pot, Ray." Philip Seymour Hoffman was a pothead in Boogie Nights. And a drug addict in Before the Devil Knows You're Dead. And Plutarch Heavensbee in The Hunger Games, which doesn't really work with the drug theme.

"Pot isn't heroin," Ray says. "It's mostly legal."

I want to stop thinking about Philip Seymour Hoffman. "I know. Toby is probably at some girl's house. He wouldn't run away, would he?"

"No."

"I know," I say, feeling relieved. Silly Epstein and his silly stats.

"Should I come over?"

"Nah. I think I might go to sleep."

"Really? It's not even eight o'clock."

"I'm tired."

"Okay. Text me the second you hear something."

"I will."

I call Toby twice more after Ray and I hang up, but it goes straight to voicemail each time.

I lie on my bed, thinking that I'll get up to brush my teeth and put on pajamas, but surprisingly I really do fall asleep because the next thing I know my mom is gently shaking me and I'm still in my clothes. "Amelia," she says softly. "Sorry to wake you, but Dad and I are going to work."

"Is …" I look at my clock, totally shocked that it's already 6:00 AM.

"No," she says, sitting on the edge of my bed. "Toby's not home. I left last year's yearbook and three recent pictures of him on the table … The cops need a picture. Someone will stop by. Jesus."

"It's going to be okay," I tell my mom. "He's not really missing." It doesn't surprise me that my dad is going to work, but I'm surprised that my mom is going, too.

"I'll leave work as soon as I can. Dad thinks it's better for me to be busy, and we're really short-staffed." She sighs and I feel mad at my dad. If my mom wants to worry about Toby at home, why can't she?

"Honey, I didn't call Grandma yet. I don't want her to worry or rush back from Montreal. Can you stay here? She'll be back this afternoon." My mom sighs deeply.

"I can be here all day."

She hugs me.

After my mom leaves, I can't fall back asleep so I go downstairs where the twins are on the couch, head to head, already glazed over by TV. A box of cereal and a gallon of milk are on the coffee table. Spoons and bowls are noticeably absent. Such a Toby move. I look at the clock. 6:55. Come on, Toby—come home.

"Scoot over," I say, standing over Sam and David. Grudgingly they make room for me. I sit in between them, vaguely comforted by their matching Halloween pajamas and comatose presence.

"Did Toby run away, Meals?" Sam asks.

David flicks Sam in the head with his fingers. "Probably from your tattle-telling, Shithead."

Sam howls.

"Apologize," I tell David.

David says nothing.

"Say you're sorry," Sam demands. "That hurt."

"I'm going to turn off the TV if you can't get along," I say. "You're taking total advantage. You're never allowed screen time this early."

"Sorry, Sam," David says robotically.

"When I was your age I went to church," I say, knowing I sound like a boring grown-up. "Grandma took me and Toby every Sunday. And Toby didn't run away. There's a simple explanation." Please let there be a simple explanation.

They nod, back in the trance of Phineas and Ferb, so I get up and walk into the kitchen, sit at the table, and look at the pictures of my brother. In one picture he's holding up a jar of applesauce and grinning. Another picture is of the four kids sitting on the porch. The twins are on Toby's lap and Kepler is on mine. The picture in last year's yearbook is the best, though. Most guys wear button-downs or sweaters for picture day, but last year Toby wore my grandfather's porkpie hat and tight pin-striped suit, with an enormous wing-tip-collared shirt he bought at the Salvation Army. He looked so outrageous that even the teachers talked about it.

"Where is he?" I ask Kepler as I let her out. I wipe a trail of crumbs off the table and into the garbage. How did it get to be 8:15? I sit back down at the table. I look at my fingernails. I kick my left slipper off with my right foot. Then I bend down and put my slippers back on. I can't help but think of 12 Years a Slave, The Call, and the stupid Michael Bay one with Mark Wahlberg. Plus there's Changeling and Gone Baby Gone and Argo and Gone Girl. Ben Affleck is kind of into kidnapping. I let the dog back in. Come on, Toby. I squeeze my eyes shut. Come home, come home, come home. I pick up the landline, hang it up. No more movies, I tell myself. Come on, Toby. I will my thoughts to travel into his brain. Come home.

The doorbell rings.

"I'll get it!" Sam screams.

Please don't be the cops. The cops only come for the picture of the missing teenager in the movies. And they never find them alive and well.

"Toby!" David howls. "Toby's home!"

I call Ginger's. My mom picks up in half a ring.

"He's home!"

"Thank God," my mom says. I can practically feel her relief pulsing through the phone. "Is he okay? Put him on."

"Yeah. Okay." I walk into the living room, where Toby is sitting on the couch. He looks terrible. His sweatshirt is ripped in the back; there are dark bags under his eyes. The twins stand five feet in front of him, like they're afraid to get too close.

"He'll call you back." I hang up before she can say anything.

"I can't find my keys," my brother says. "I've looked everywhere."

"Toby! Where the—? Where have you been?"

"Looking for my keys," he says calmly.

"Where are your shoes?" Sam asks.

I look at my brother's feet and see that he's only wearing filthy socks.

"Lost 'em," Toby says, as if it's the most natural thing in the world to come home without shoes.

"Sam, David, go get … Go get Toby a juice."

"Can I have one too?" David asks.

I nod. "Yeah."

They run into the kitchen.

"What the fuck, Toby? We've been totally freaking out. Why didn't you answer your phone or leave a note? I sent you like fifty texts."

"I didn't have time to leave a note."

I shake my head. "What are you talking about? It takes two seconds. You've been totally unreachable. Mom and Dad called the freaking police! They were going to come over for your picture!"

"I thought I wrote a letter," he says.

"Now that they know you're alive, Mom and Dad are going to be super pissed."

I shut up when David comes back in with Toby's juice.

"I don't know where my keys are," Toby tells us again.

"Yeah. You said that. It's okay." I take a deep breath. "Thanks," I tell Sam and David. "Why don't you go up to your room now."

"Can I use your iPad?" David asks.

"Yeah."

The house phone rings. I know my parents want to talk to Toby. But is he just going to tell them he couldn't find his keys?

"Don't answer it!" I yell upstairs as loudly as I can. "Don't pick up, guys." I feel guilty, but it's better to protect my brother.

"Who picked you up?" I ask, pretending not to hear my cell phone ringing. "Who were you out with?"

"It's not important, Amelia. What's important is the keys. Anyone could find them."

"They'll give them back. Everyone knows your yellow submarine keychain."

"Will you help me look for them?"

I remember the time when I was around the twins' age and tried on my mom's diamond earrings. Then I forgot about them and went scootering. When I discovered I'd lost one, instead of ratting me out, Toby helped me look for almost two hours until we found it inside my sweatshirt hood.

"I'll help you look," I say. "But what are we going to tell Mom and Dad?"

He looks at me.

"You need to say something more than you lost your keys. You've been gone for more than twenty-four hours! Where were you?"

He shrugs. "I can't really tell you at this time."

"What? What do you mean?"

"I will tell you. When the time is right."

"When the time is right? Are you stoned?"

"Maybe a little?"

"Jeez, Toby." I glance at his arms to see if there are any track marks, but I'm not even sure I'd know what a track mark looked like. Besides, Toby's arms look normal.

"Sorry." He gives me a sheepish Toby smile.

The phone rings again.

"It's not me you have to apologize to," I say, although I do feel like I deserve an apology. "How are you going to explain all this?"

"My foot hurts," he says, ignoring everything I've said. He holds up his left foot and I see there's a hole in his sock and a blistery wound under his big toe.

"That doesn't look good. Where are your shoes?"

The phone rings again.

"Can I answer it?" David yells down.

"No," I say. "Toby, look—I have to call Mom and Dad back. They're so worried. We have to tell them you're okay. But, Toby—"

"I had no choice, Amelia. I had no choice. I had to get out of here."

That doesn't make any sense. Nothing makes sense. For a second I consider telling my parents how much pot he's been smoking, how most mornings he doesn't bother to get up in time for school, and how he only seems to be hanging out with stoner Toast. But what good would that do? My parents will come flying back from Ginger's, and Toby will be grounded for life and furious that I hadn't helped him out the way siblings in the Secret Sibling Society are supposed to.

"We need an explanation," I tell him. "We need a version that makes sense. A simple explanation."

He looks at me intently.

"Okay … We'll say that you woke me up super early Saturday morning and told me you were leaving. You were going … camping? No, too cold. How about you went skiing … it has to be with someone they don't really know. I know! Arianna. Arianna Kaufman. Ari came home from school and you guys went skiing in Vermont. You lost your phone on the slopes. We'll say that you told me early in the morning that you were leaving, but I was half asleep and completely forgot. You couldn't call because you had no phone."

He yawns.

I can almost picture it. Me, half asleep, cool Toby dressed in hip snowboard gear, whispering to me that he was going with Ari to learn how to snowboard.

Toby coughs deep and rattly.

"Shower before Mom and Dad get home. Clean your foot. You don't want an infection."

He slowly stands up. "And then we'll look for my keys, right?"

"Yeah," I say, even though I have no idea where to look since he hasn't told me where he was. "I'm glad you're okay, Toby." I go into the kitchen to call my parents. My mom answers right away, answering with, "Amelia!" instead of "Ginger's."

"He's fine," I tell her. "He just came home. We don't need the police."

"You're sure? How come no one answered the phone? It's been ringing and ringing. I almost called the police."

"We don't need the police, Mom. Toby is here."

"Thank God. Here's Dad."

"Put him on," my dad says. Unlike my mom, he sounds more angry than relieved.

"He's showering."

"Why did you hang up?"

"Sam broke a glass." I look at the dishes in the sink. "I had to clean it up before someone cut an artery."

Please don't let him ask me any questions, I pray. Please just say you're happy Toby is home and the restaurant is busy so I should be a good egg and hold down the fort.

"Where the hell was he?"

Shit. "Well, see, it was kind of my fault, Dad."

"Your fault? What the hell do you mean your fault?"

I need to just say it and say it quickly. "He went snow-boarding. With Ari, his kind-of girlfriend. Remember her? She came back from college. Toby came into my room really early Saturday morning to tell me, but I totally forgot because I was half asleep. He didn't want to wake you guys. Then he, like, lost his phone on the slopes but he didn't think it was such a big deal since he figured I would've told you." I take a deep breath. "I'm just mad I didn't think to text Ari …"

My dad breathes heavily. "He doesn't ski."

"Snowboarding. He's good at it—you know, from all his skateboarding." This isn't really a lie, I tell myself. Toby is definitely the kind of person who could be an excellent snowboarder.

"This sounds a little far-fetched, Amelia."

"It's true, Dad. It really was my mistake."

"He went skiing? With his prom date?"

"Yeah. Snowboarding."

"In Vermont?"

"Yeah."

"And he lost his phone?"

"Uh-huh."

"Really?"

"Yeah. And his keys, too. I guess he had some terrific wipe out and everything in his pocket just went sailing into a crazy snowbank." You're talking too much. I glance over at the hooks on the shelf and see Toby's keys. They were here the whole time? Toby is going to be so happy!

"You're not lying, are you, Amelia? You're not trying to cover up for Toby?" My dad's questions jolt me back to reality. Am I lying for my brother? I wonder. Nothing he wouldn't do for me.

"Amelia?"

"No. I'm a terrible liar, remember?"

He grunts into the phone. "He's there now?"

"Yeah. In the shower."

"Alright. Mom's coming home. Hold down the fort till she's there, will ya?"

"Sure, Dad," I say, incredibly relieved. I hang up and pick up my brother's keys. Having the yellow submarine keychain in my hand makes me feel a million times better. Toby is home. I've got the keys. I'm pretty sure my parents believe me. Everything is fine.

Act II: Scene 3

AMELIA is twelve years old.

TOBY is fourteen years old.

FADE IN:

INT. AMELIA'S ROOM. NIGHT. A CLOCK ON THE DRESSER SAYS 9:30 PM.

AMELIA is lying on her bed with her head in her arms.

TOBY knocks on the door.

Amelia, looking miserable, opens it.

AMELIA

What?

TOBY

What's wrong? I thought I heard you crying or moaning or something.

AMELIA

I have a book report due on stupid C. S. Lewis. I have to compare and contrast The Voyage of the Dawn Treader and Prince Caspian.

TOBY

And? You haven't finished?

AMELIA

I haven't even read them and Mrs. O'Brien is going to kill me. She hates me and Mom and Dad will kill me and—

TOBY

Calm down. I'll help you.

AMELIA

Did you read them? Even one of them would be good. Do you have a report on it? Do you think Mrs. O'Brien will remember that you wrote it?

TOBY

Dude, relax. I don't have a report. I didn't read those books. But I'll help you.

AMELIA

But they're long books. And Mrs. O'Brien is a hawk for stuff on the Internet.

She flunked Matt Daley for the whole quarter when he did it!

TOBY

We don't need to steal anything. Relax, you look up biographical information about the author. Don't use Wikipedia. Use sites from colleges.

Amelia shrugs.

TOBY

It'll totally work. You read the first half of Voyage. That's only seven chapters. Maybe read the last five pages, too. I'll read the first five pages of Prince Caspian and the last seven chapters. That'll give us plenty to write about.

AMELIA

We're still going to be up so late.

TOBY

You have a date or something?

FADE OUT.

FADE IN:

INT. AMELIA'S ROOM. CLOCK SAYS 2:30 AM. The report is in Amelia's backpack. Both kids are yawning.

AMELIA

Thanks so much, Toby. That was so nice of you. I feel like I actually read both books!

TOBY

No problem. You should go to bed. School starts in five hours.

AMELIA

Aren't you going to bed?

TOBY

I have to study for a math test.

AMELIA

You stayed up to help me when you have a test? Are you crazy?

TOBY

It's not a big deal. You seemed really upset. And you're my sister.

FADE OUT.

同类推荐
  • The Rise and Fall of the Gallivanters

    The Rise and Fall of the Gallivanters

    In Portland in 1983, girls are disappearing. Noah, a teen punk with a dark past, becomes obsessed with finding out where they've gone —and he's convinced their disappearance has something to do with the creepy German owners of a local brewery, the PfefferBrau Haus. Noah worries about the missing girls as a way of avoiding the fact that something's seriously wrong with his best friend, Evan. Could it be the same dark force that's pulling them all down? When the PfefferBrau Haus opens its doors for a battle of the bands, Noah pulls his band, the Gallivanters, back together in order to get to the bottom of the mystery. But there's a new addition to the band: an enigmatic David Bowie look-alike named Ziggy. And secrets other than where the bodies are buried will be revealed. From Edgar-nominated author M. J. Beaufrand, this is a story that gets to the heart of grief and loss while also being hilarious, fast paced, and heartbreaking.
  • Sidekicks

    Sidekicks

    Batman has Robin, Wonder Woman has Wonder Girl, and Phantom Justice has Bright Boy, a.k.a. Scott Hutchinson, an ordinary schoolkid by day and a superfast, superstrong sidekick by night, fighting loyally next to his hero. But after an embarrassing incident involving his too-tight spandex costume, plus some signs that Phantom Justice may not be the good guy he pretends to be, Scott begins to question his role. With the help of a fellow sidekick, once his nemesis, Scott must decide if growing up means being loyal or stepping boldly to the center of things. Great for boys, comics fans, and anyone looking for a superhero tale that's also an insightful look at adolescence.
  • A Confederacy of Dunces

    A Confederacy of Dunces

    A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).
  • Spencer's Mountain

    Spencer's Mountain

    High up on a mountain, young Clay-Boy Spencer joins his father and eight uncles to hunt the mythical white deer. What he finds on the mountainside changes his life—and marks him for a special destiny. Years later, Clay-Boy is the first in his family to get the chance to go to college; but success as an adult is much more complicated and bittersweet than the legendary success of Clay-Boy's childhood quest.A heartwarming novel of love, family, and hope, Spencer's Mountain inspired the popular television show The Waltons, which starred Richard Thomas, Andrew Duggan, and Patricia Neal, and ran for nine years between 1972 and 1981. More than fifty years after its publication, this novel still has the power to inspire and move readers all over the world.
  • The Boy with 17 Senses

    The Boy with 17 Senses

    Every resident of the planet Yipsmix has synesthesia —they don't just hear sounds; they see and taste them, too. On this unusual planet, poor Jaq Rollop must save his family's farm. To do so, Jaq is forced to sell his beloved pet and only friend. Trusting and wkkk.net, Jaq gets swindled into trading his pet for a seemingly worthless key. But then something very strange happens. The key leads Jaq through a wormhole to a terrifying and magical land full of riches, overwhelming sensations, and giants. The name of this frightening land? Earth. This clever middle-grade fantasy will appeal to fans of the Sisters Grimm, A Tale Dark & Grimm, and the Land of Stories series.
热门推荐
  • 超级版图:蒙古帝国的鼎盛荣光(下册)

    超级版图:蒙古帝国的鼎盛荣光(下册)

    下册蒙哥上台后继承祖辈事业,发动西征和南侵,兵锋波及整个西亚、大半个欧洲及北非,创建了中国历史上最大的版图,实现了最大的一次民族融合。不过,蒙哥在发动征伐的同时,汗位却受到了来自二弟忽必烈的巨大威胁;同时,他的亲征又遭到了弹丸之地合州钓鱼城长达七个月的阻击。蒙哥能否突破重围,再展雄风?蒙古大帝国的超级版图能否保持完整?
  • 奶奶的老堂屋

    奶奶的老堂屋

    我正这么想着,送葬队伍走进了一条冗长的巷道,这时,前面的棺材突然趔趄了一下,然后慢慢落地了。出殡的头天晚上,小好子跟举重的都说好了,棺材从出门到墓地只能歇两次,而且在哪里歇都有规定,现在棺材突然停了下来有点让人意外。大家正在疑惑,就发现前面不远处的地面上有一层光冉冉地升了起来,当那光连成了圆圆的一大片后,我们看清了,原来是胡龙老两口子挡在了棺材前面,这时,只见老两口子冲着奶奶的棺材慢慢地跪了下来,先是笨拙地磕了三个头,然后一边烧纸,一边点燃了一挂不到半尺长的纸炮。那纸炮蚂蚱大小,可在这夜里放开时,就跳起来响,惊天动地的。“谁放炮?谁放炮?”小好子大惊失色,捏着嗓子喊。可是他的话没说完,前面又有一扇大门被慢慢地打开了,这次出来的是傅全华夫妇,两口子蹲下来后,女人从身旁的小柳斗里抓出一大把火纸点燃起来,男人则点燃了鞭炮。几乎在傅全华夫妇点燃鞭炮的同时,梁家箩、王布林、李兆香等几家也一一打开了门,接着在一片片火光中,鞭炮声就不断地响开了……
  • 盛世妖宠

    盛世妖宠

    天界仙女,一朝母亲被父亲所杀,而自己成为妖孽,带着滔天恨意她决绝赴死。濒死之时遇见妖界至尊——暗王,宠她入骨的男人,从此她剔去仙骨,重生为妖。传说妖界的夜离洛俊美邪魅天下第一,可生来残忍,杀伐成性,无人见过他发自内心的笑,也无人触及他心。只因为一个毫无心机的拥抱,如命中注定一般虏获了夜离洛波澜不惊的心,他抱起还是孩子的她,笑的邪魅,对她身后的追兵轻声说道,“既然是上天送的礼,那从今往后你就是爷的人,谁若敢动,诛他全族。”当她身份暴露,天女现世,传说得其血肉炼丹便可百毒不侵长生不老,一时间惊动天、妖、魔、人四界,争抢不断。妖孽腹黑男却挽着她,一同杀伐天下,征服四界,只为替她救出母亲,还她一片安静清幽之地。她亦愿为他化身成魔,斩巨兽,收仙兽,治理反叛者,统一妖界,玩转人界,收服魔界,最后征战杀伐仙界,因为她说过,她若不死,必定颠覆天界!最后和心爱的男子一统四界,共创盛世。绝对宠文,盛世豪宠,双强,无虐,无小三,一对一。<片段一>“小若离,你变回人形,爷带你去赏花可好?”某王抱着怀里软绵绵的某狐狸真身的某女,诱骗着。“赏美人我就变。”某银白色的小狐狸一脸渴望。“……为什么。”“洛喜欢的我就喜欢。”某王看着怀里粉雕玉砌的小娃娃,瞬间觉得自己仿佛出轨了,厉声命令到,“把宫里长得有些姿色的女人都赶走,以后本王不赏美女只赏花。”<片段二>“王!鬼魅魍魉他们正被小姐追的满宫跑。”“哦。随她高兴吧,难得她对其他的人有兴趣。”某王正在计划着接下来的日程。“可是……可是,小姐追着他们说要问好,可那分明是要亲他们!!”某属下惶恐道。“什么?”某王瞬间消失。花园里,某王抱着某天真女,心里暗自后悔,当初就不该诱导她说亲吻就是问好。“小若离,爷不是说过吗,这种问好只能和爷来?”“可是洛每次都笑我不会问好,我想找他们练练……”还没说完,某王就低头封上某女的嘴,含糊见只听见,“练也只能和爷练。”<片段三>“王,不知这些人觊觎小姐的人怎么处置?”某王拥着正在看医书的某女,头也不抬的说道,“既然他们想炼丹,那就拿他们去炼丹好了。”“等一下。”某王突然唤道,“他们的族人,男的世世为奴,女的世世为娼,看谁还敢觊觎我的宝贝。”
  • 妙趣仙医:漂亮娘亲嫁人吧

    妙趣仙医:漂亮娘亲嫁人吧

    穿越有喜,天才变废材,还附送萌娃一枚。家人欺辱,自带绝技逆袭。萌娃教育,自有现代育儿手册。可是萌娃没爹,肿么办?“比武招亲,谁美谁是爹!”“小犊子,给我滚下来!”“不要,我在给娘亲找暖床!”“下不下来?”“我不,我不,我就不……”某女直接抓起身边的美男,一个甩手扔给某萌宝。“以后,他就是你爹爹!”某萌宝:“……”好随意的娘亲,不过,此男子貌似有点美——“帅哥,就你了。”【情节虚构,请勿模仿】
  • 异世小魔女冥王江山来聘

    异世小魔女冥王江山来聘

    她,21世纪的“混世小魔女”,意外穿越到了另外一个大陆,被卷入一场世纪混战中。他,冥界尊贵的王,却为了她与整个世界为敌。一场大战过后,他莫名消失。她抱着希望坚持寻找。一步一步地走进真相,一层一层地解开面纱,好不容易找到了他却发现,他们天生为敌一边是挚友,挚亲,一边是挚爱她,该如何选择?
  • 跨文化传播引论:语言·符号·文化

    跨文化传播引论:语言·符号·文化

    本书是作者李岗在多年研究生教学材料基础上整理而成。全书共分十章,内容包括:跨文化传播研究的产生背景,跨文化传播学的性质、对象与任务,跨文化传播研究的学科基础,跨文化传播原理和模式,跨文化传播研究的理论与方法,文化的认知要素和文化类型,语言与跨文化传播,非言语行为与跨文化传播,视觉符号与跨文化传播,跨文化传播研究作为一种理论观照。
  • 五苦章句经

    五苦章句经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 青楼王妃

    青楼王妃

    她清雅若芙蓉,却因一颗眉间红砂,沦落风尘青楼,她淡泊如止水,却逃脱不掉一个无稽预言,成为“神女”,卷入乱世权谋。人道红颜祸水,她即使躲避这祸水之咒,奈何倾世容颜终难掩,偏偏惹得众生妒。一切是造化弄人,还是有人居心叵测?多事之秋,他既然一心天下大业,为何偏与她一小女子过不去。世事沉浮,辗转几何,几番沉沦后,她只问他:“你既然唱了这出戏,为何不将戏唱到底?”他淡漠地答她:“我怎会料到这世上会有一人让我假戏真做,如今,我已然分不清哪一出是戏,哪一出是真,还如何唱下去?”可惜,戏再真,依然是一出戏,入戏太深,谁将万劫不复?她将头轻伏在他肩上,莞尔一笑:“不论它真真假假,妾身愿与你夫唱妇随。”
  • 杂阿含经五十卷

    杂阿含经五十卷

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 幻影剑灵

    幻影剑灵

    我柳灵风手握一剑,修炼天下最绝妙最诡异的剑法,踏遍四洲,寻找五百年前遗落的幻影神剑,重振神剑门,守护家人,对抗残暴的魔军,成就一代剑灵的传奇人生。