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误惹冷王妃
【宅斗】+【江湖】+【阴谋】+【虐恋】★嫁娶路上，她是凤城第一个走路嫁的新娘；为何如此待遇？新婚之夜，她是凤城第一个被警告的王妃；为何如此殊荣？宫廷宴会，她是凤城第一个落水的燕王妃；为何如此落魄？弥留之际，她是凤城第一个被赐毒酒的妃子；为何如此悲惨？……★她，冷雅竹，性情冷淡、为人懒散却渴望平静的过完一生；一道圣旨，让她成了众矢之的、风口浪尖之人；在妻妾成群勾心斗角的燕王府中她该如何求生存；他，凌俊逸，整个事件的罪魁祸首，却冷眼看一切；与妾室秀爱，不知刺痛了谁的心？当他心深陷不已时，却为时已晚。她冷漠却不懦弱，且看冷雅竹如何成就一代冷王妃。★半个月后，极其隐蔽的牢房中。“快说！”“你还让我说什么？”望着一脸冷肃的凌俊逸，整个人瘦了一圈的冷雅竹撇过眼去淡淡一笑，“人证、物证俱在，连我都想替你宣告破案了，你何必多此一举还来逼问我的口供？”“妳……”凌俊逸简直不敢相信自己听到的话。都半个月了，她还是依然不肯说出实情；而他，何时变得这么伤怀与心疼了！★灵堂上，她跪了三天三夜，滴水未进；堂屋外，绵绵细雨下了三天三夜，丝毫未停；她灵动的身形摇晃着站起来，走出灵堂，走进雨中，随着细雨而翩翩起舞，足尖点地，踩着雨水，一圈圈地舞动她的身体，舞的悲伤，舞的悲恸，舞的绝望。不知多少圈了，顺着她旋转的身体慢慢朝着地面倒去。“竹儿……”一声嘶哑的喊声，人影一晃冲进雨中，拖起她即将要落地的身体，她的脸上不知是雨水还是泪水，早已没有了往日的神采飞扬，冷漠孤傲的神情，代替的只是苍白无血丝的脸。让人心疼的碎掉。★“冷雅竹，凭什么你说什么就是什么？”气焰高涨的桃玉儿朝着冷雅竹大声吼道，完全不把这个王妃放在眼里。“就凭我是这个王府的王妃，女主人，而你——什么都不是。”悠闲的冷雅竹端起茶碗，轻轻吹动着茶水上漂浮的茶叶，轻启朱唇道。“来人，还不拖出去，等什么！！！”冷雅竹突然高声严厉呵斥道。“你……”顿时，桃玉儿为之气结。★★★喜欢的亲们，请戳一下右下方的【放入书架】喜欢的亲们，请戳一下右下方的【放入书架】喜欢的亲们，请戳一下右下方的【放入书架】新文《娘子要劈叉》简介落花跌碎在心田恍惚映出你容颜是谁执意别谁凋谢了誓言却只是当年月光染白了思念……御剑江湖，一生情一生殇摘自董贞的《御剑江湖》
Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.
