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Ethiopia Boy
Chris Beckett grew up in 1960s Ethiopia, a country he describes as a 'barefoot empire, home of black-maned lions… old priests decked out like butterflies and blazing young singers of Ethio-jazz'. Ethiopia Boy plunges the reader into praise poems that sing and boast and glory in the colours and textures of this extraordinary country. Here is a world of feasting on spicy kikwot and of famine sucking the water from rivers, of lion buses and a prayer child, where Earth sings greetings to the feet that walk on her. Haunted by the memory of his friend Abebe, the cook's son, Beckett celebrates and laments a lost boyhood in poems of vivid immediacy.豪门盛宠:误惹天价老公
一次荒唐,她怀孕了。家人将她扫地出门,初恋痛恨她的不忠与其恩断义绝。五年后,她带着一只萌宝回归。却被G市权势滔天,杀伐决断,多金帅气的靳少看上。“靳少,你别太过分了,否则……”她咬牙,怒瞪他。“否则你想怎样?”男人薄唇勾出邪肆的弧度,无视她的警告,依然步步紧逼。--情节虚构,请勿模仿故事会(2015年8月下)
《故事会》所说的故事,不仅高雅、高尚,而且贴近老百姓的生活,并能始终以老百姓喜闻乐见的形式表达出来,尤为关键的是,其绝大多数故事,基本上都相当准确地切合着社会审美心理中三个最为关键的部位,即情感性、幽默性、传奇性。因此,尽管我们所处的是一个信息爆炸的资讯时代,或各种各样文化快餐层出不穷的娱乐时代,其所提供的故事仍能从一片喧嚣的声浪中脱颖而出。其二是由《故事会》编辑部所营造的“《故事会》编辑部文化”。