Margaret Henan would have been a striking figure under any circumstances, but never more so than when I first chanced upon her, a sack of grain of fully a hundredweight on her shoulder, as she walked with sure though tottering stride from the cart-tail to the stable, pausing for an instant to gather strength at the foot of the steep steps that led to the grain-bin. There were four of these steps, and she went up them, a step at a time, slowly, unwaveringly, and with so dogged certitude that it never entered my mind that her strength could fail her and let that hundred-weight sack fall from the lean and withered frame that wellnigh doubled under it. For she was patently an old woman, and it was her age that made me linger by the cart and watch.
Six times she went between the cart and the stable, each time with a full sack on her back, and beyond passing the time of day with me she took no notice of my presence. Then, the cart empty, she fumbled for matches and lighted a short clay pipe, pressing down the burning surface of the tobacco with a calloused and apparently nerveless thumb. The hands were noteworthy. They were large- knuckled, sinewy and malformed by labour, rimed with callouses, the nails blunt and broken, and with here and there cuts and bruises, healed and healing, such as are common to the hands of hard-working men. On the back were huge, upstanding veins, eloquent of age and toil. Looking at them, it was hard to believe that they were the hands of the woman who had once been the belle of Island McGill.
This last, of course, I learned later. At the time I knew neither her history nor her identity.
She wore heavy man's brogans. Her legs were stockingless, and I had noticed when she walked that her bare feet were thrust into the crinkly, iron-like shoes that sloshed about her lean ankles at every step. Her figure, shapeless and waistless, was garbed in a rough man's shirt and in a ragged flannel petticoat that had once been red. But it was her face, wrinkled, withered and weather- beaten, surrounded by an aureole of unkempt and straggling wisps of greyish hair, that caught and held me. Neither drifted hair nor serried wrinkles could hide the splendid dome of a forehead, high and broad without verging in the slightest on the abnormal.
The sunken cheeks and pinched nose told little of the quality of the life that flickered behind those clear blue eyes of hers.
Despite the minutiae of wrinkle-work that somehow failed to weazen them, her eyes were clear as a girl's - clear, out-looking, and far-seeing, and with an open and unblinking steadfastness of gaze that was disconcerting. The remarkable thing was the distance between them. It is a lucky man or woman who has the width of an eye between, but with Margaret Henan the width between her eyes was fully that of an eye and a half. Yet so symmetrically moulded was her face that this remarkable feature produced no uncanny effect, and, for that matter, would have escaped the casual observer's notice. The mouth, shapeless and toothless, with down-turned corners and lips dry and parchment-like, nevertheless lacked the muscular slackness so usual with age. The lips might have been those of a mummy, save for that impression of rigid firmness they gave. Not that they were atrophied. On the contrary, they seemed tense and set with a muscular and spiritual determination. There, and in the eyes, was the secret of the certitude with which she carried the heavy sacks up the steep steps, with never a false step or overbalance, and emptied them in the grain-bin.
"You are an old woman to be working like this," I ventured.
She looked at me with that strange, unblinking gaze, and she thought and spoke with the slow deliberateness that characterized everything about her, as if well aware of an eternity that was hers and in which there was no need for haste. Again I was impressed by the enormous certitude of her. In this eternity that seemed so indubitably hers, there was time and to spare for safe-footing and stable equilibrium - for certitude, in short. No more in her spiritual life than in carrying the hundredweights of grain was there a possibility of a misstep or an overbalancing. The feeling produced in me was uncanny. Here was a human soul that, save for the most glimmering of contacts, was beyond the humanness of me.
And the more I learned of Margaret Henan in the weeks that followed the more mysteriously remote she became. She was as alien as a far-journeyer from some other star, and no hint could she nor all the countryside give me of what forms of living, what heats of feeling, or rules of philosophic contemplation actuated her in all that she had been and was.
"I wull be suvunty-two come Guid Friday a fortnight," she said in reply to my question.
"But you are an old woman to be doing this man's work, and a strong man's work at that," I insisted.
Again she seemed to immerse herself in that atmosphere of contemplative eternity, and so strangely did it affect me that I should not have been surprised to have awaked a century or so later and found her just beginning to enunciate her reply -"The work hoz tull be done, an' I am beholden tull no one."
"But have you no children, no family, relations?"
"Oh, aye, a-plenty o' them, but they no see fut tull be helpun' me."
She drew out her pipe for a moment, then added, with a nod of her head toward the house, "I luv' wuth meself."
I glanced at the house, straw-thatched and commodious, at the large stable, and at the large array of fields I knew must belong with the place.
"It is a big bit of land for you to farm by yourself."
"Oh, aye, a bug but, suvunty acres. Ut kept me old mon buzzy, along wuth a son an' a hired mon, tull say naught o' extra honds un the harvest an' a maid-servant un the house."
She clambered into the cart, gathered the reins in her hands, and quizzed me with her keen, shrewd eyes.
"Belike ye hail from over the watter - Ameruky, I'm meanun'?"
"Yes, I'm a Yankee," I answered.
"Ye wull no be findun' mony Island McGill folk stoppun' un Ameruky?"
