The fever of passion which possessed Theodore made a year fly over the young couple without a single cloud to dim the blue sky under which they lived. Life did not hang heavy on the lovers' hands. Theodore lavished on every day inexhaustible /fioriture/ of enjoyment, and he delighted to vary the transports of passion by the soft languor of those hours of repose when souls soar so high that they seem to have forgotten all bodily union. Augustine was too happy for reflection;she floated on an undulating tide of rapture; she thought she could not do enough by abandoning herself to sanctioned and sacred married love; simple and artless, she had no coquetry, no reserves, none of the dominion which a worldly-minded girl acquires over her husband by ingenious caprice; she loved too well to calculate for the future, and never imagined that so exquisite a life could come to an end. Happy in being her husband's sole delight, she believed that her inextinguishable love would always be her greatest grace in his eyes, as her devotion and obedience would be a perennial charm. And, indeed, the ecstasy of love had made her so brilliantly lovely that her beauty filled her with pride, and gave her confidence that she could always reign over a man so easy to kindle as Monsieur de Sommervieux. Thus her position as a wife brought her no knowledge but the lessons of love.
In the midst of her happiness, she was still the simple child who had lived in obscurity in the Rue Saint-Denis, and who never thought of acquiring the manners, the information, the tone of the world she had to live in. Her words being the words of love, she revealed in them, no doubt, a certain pliancy of mind and a certain refinement of speech; but she used the language common to all women when they find themselves plunged in passion, which seems to be their element. When, by chance, Augustine expressed an idea that did not harmonize with Theodore's, the young artist laughed, as we laugh at the first mistakes of a foreigner, though they end by annoying us if they are not corrected.
In spite of all this love-making, by the end of this year, as delightful as it was swift, Sommervieux felt one morning the need for resuming his work and his old habits. His wife was expecting their first child. He saw some friends again. During the tedious discomforts of the year when a young wife is nursing an infant for the first time, he worked, no doubt, with zeal, but he occasionally sought diversion in the fashionable world. The house which he was best pleased to frequent was that of the Duchesse de Carigliano, who had at last attracted the celebrated artist to her parties. When Augustine was quite well again, and her boy no longer required the assiduous care which debars a mother from social pleasures, Theodore had come to the stage of wishing to know the joys of satisfied vanity to be found in society by a man who shows himself with a handsome woman, the object of envy and admiration.
To figure in drawing-rooms with the reflected lustre of her husband's fame, and to find other women envious of her, was to Augustine a new harvest of pleasures; but it was the last gleam of conjugal happiness.
She first wounded her husband's vanity when, in spite of vain efforts, she betrayed her ignorance, the inelegance of her language, and the narrowness of her ideas. Sommervieux's nature, subjugated for nearly two years and a half by the first transports of love, now, in the calm of less new possession, recovered its bent and habits, for a while diverted from their channel. Poetry, painting, and the subtle joys of imagination have inalienable rights over a lofty spirit. These cravings of a powerful soul had not been starved in Theodore during these two years; they had only found fresh pasture. As soon as the meadows of love had been ransacked, and the artist had gathered roses and cornflowers as the children do, so greedily that he did not see that his hands could hold no more, the scene changed. When the painter showed his wife the sketches for his finest compositions he heard her exclaim, as her father had done, "How pretty!" This tepid admiration was not the outcome of conscientious feeling, but of her faith on the strength of love.
Augustine cared more for a look than for the finest picture. The only sublime she knew was that of the heart. At last Theodore could not resist the evidence of the cruel fact--his wife was insensible to poetry, she did not dwell in his sphere, she could not follow him in all his vagaries, his inventions, his joys and his sorrows; she walked groveling in the world of reality, while his head was in the skies.
