My Departure--Letter from Henriette--Marsellies--History of Nina--Nice--
Turin--Lugano--Madame De
As soon as I had regained my usual strength, I went to take leave of the Marquis d'Argens and his brother. I dined with them, pretending not to observe the presence of the Jesuit, and I then spent three delightful hours in conversation with the learned and amiable Marquis d'Argens. He told me a number of interesting anecdotes about the private life of Frederick II. No doubt the reader would like to have them, but I lack the energy to set them down. Perhaps some other day when the mists about Dux have dispersed, and some rays of the sun shine in upon me, I shall commit all these anecdotes to paper, but now I have not the courage to do so.
Frederick had his good and his bad qualities, like all great men, but when every deduction on the score of his failings has been made, he still remains the noblest figure in the eighteenth century.
The King of Sweden, who has been assassinated, loved to excite hatred that he might have the glory of defying it to do its worst. He was a despot at heart, and he came to a despot's end. He might have foreseen a violent death, for throughout his life he was always provoking men to the point of despair. There can be no comparison between him and Frederick.
The Marquis d'Argens made me a present of all his works, and on my asking him if I could congratulate myself on possessing the whole number, he said yes, with the exception of a fragment of autobiography which he had written in his youth, and which he had afterwards suppressed.
"Why so?" I asked.
"Because I was foolish enough to write the truth. Never give way to this temptation, if it assails you. If you once begin on this plan you are not only compelled to record all your vices and follies, but to treat them in the severe tone of a philosophical historian. You must not, of course, omit the good you may have done; and so praise and blame is mingled on every page. All the evil you say of yourself will be held for gospel, your peccadilloes will be made into crimes, and your good deeds will not only be received with incredulity, but you will be taxed with pride and vanity for having recorded them. Besides, if you write your memoirs, you make an enemy in every chapter if you once begin to tell the truth. A man should neither talk of himself nor write of himself, unless it be to refute some calumny or libel."
I was convinced, and promised never to be guilty of such a folly, but in spite of that I have been writing memoirs for the last seven years, and though I repent of having begun, I have sworn to go on to the end.
However, I write in the hope that my Memoirs may never see the light of day; in the first place the censure would not allow them to be printed, and in the second I hope I shall be strong-minded enough, when my last illness comes, to have all my papers burnt before my eyes. If that be not the case I count on the indulgence of my readers, who should remember that I have only written my story to prevent my going mad in the midst of all the petty insults and disagreeables which I have to bear day by day from the envious rascals who live with me in this castle of Count Waldstein, or Wallenstein, at Dux.
I write ten or twelve hours a day, and so keep black melancholy at bay.
My readers shall hear more of my sufferings later on, if I do not die before I write them down.
The day after Corpus Christi I left Aix for Marseilles. But here I must set down a circumstance that I had forgotten; I mean the procession of Corpus Christi.
Everyone knows that this festival is celebrated with great ceremony all over Christendom; but at Aix these ceremonies are of such a nature that every man of sense must be shocked at my recital.
It is well known that this procession in honour of the Being of beings, represented under the sacramental forms, is followed by all the religious confraternities, and this is duly done at Aix; but the scandalous part of the ceremony is the folly and the buffoonery which is allowed in a rite which should be designed to stir up the hearts of men to awe and reverence their Creator.
Instead of that, the devil, death, and the seven deadly sins, are impersonated in the procession. They are clad in the most absurd costumes, and make hideous contortions, beating and abusing each other in their supposed vexation at having to join in the Creator's praises. The people hoot and hiss them, the lower classes sing songs in derision of them, and play them all manner of tricks, and the whole scene is one of incredible noise, uproar, and confusion, more worthy of some pagan bacchanalia than a procession of Christian people. All the country-folk from five or six leagues around Aix pour into the town on that day to do honour to God. It is the only occasion of the kind, and the clergy, either knavish or ignorant, encourage all this shameful riot. The lower orders take it all in good faith, and anyone who raised any objection would run some risk, for the bishop goes in front of the saturnalia, and consequently it is all holy.
I expressed my disapproval of the whole affair, as likely to bring discredit on religion, to a councillor of parliament, M. de St. Marc; but he told me gravely that it was an excellent thing, as it brought no less than a hundred thousand francs into the town on the single day.
I could find no reply to this very weighty reason.
Every day I spent at Aix I thought of Henriette. I knew her real name, and remembering the message she had sent me by Marcoline I hoped to meet her in some assembly, being ready to adapt my conduct to hers. I had often heard her name mentioned, but I never allowed myself to ask any question, not wishing our old friendship to be suspected. Believing her to be at her country house, I had resolved on paying her a visit, and had only stayed on at Aix so as to recover my health before seeing her. In due course I left Aix with a letter in my pocket for her, resolving to send it in, and to remain in my carriage till she asked me to get down.
