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第67章 ON THE PAVEMENT(5)

So we held our peace in the odious uproar of that wide roadway thronged with heavy carts. Great vans carrying enormous piled-up loads advanced swaying like mountains. It was as if the whole world existed only for selling and buying and those who had nothing to do with the movement of merchandise were of no account.

"You must be tired," I said. One had to say something if only to assert oneself against that wearisome, passionless and crushing uproar. She raised her eyes for a moment. No, she was not. Not very. She had not walked all the way. She came by train as far as Whitechapel Station and had only walked from there.

She had had an ugly pilgrimage; but whether of love or of necessity who could tell? And that precisely was what I should have liked to get at. This was not however a question to be asked point-blank, and I could not think of any effective circumlocution. It occurred to me too that she might conceivably know nothing of it herself--Imean by reflection. That young woman had been obviously considering death. She had gone the length of forming some conception of it.

But as to its companion fatality--love, she, I was certain, had never reflected upon its meaning.

With that man in the hotel, whom I did not know, and this girl standing before me in the street I felt that it was an exceptional case. He had broken away from his surroundings; she stood outside the pale. One aspect of conventions which people who declaim against them lose sight of is that conventions make both joy and suffering easier to bear in a becoming manner. But those two were outside all conventions. They would be as untrammelled in a sense as the first man and the first woman. The trouble was that I could not imagine anything about Flora de Barral and the brother of Mrs.

Fyne. Or, if you like, I could imagine ANYTHING which comes practically to the same thing. Darkness and chaos are first cousins. I should have liked to ask the girl for a word which would give my imagination its line. But how was one to venture so far? Ican be rough sometimes but I am not naturally impertinent. I would have liked to ask her for instance: "Do you know what you have done with yourself?" A question like that. Anyhow it was time for one of us to say something. A question it must be. And the question Iasked was: "So he's going to show you the ship?"She seemed glad I had spoken at last and glad of the opportunity to speak herself.

"Yes. He said he would--this morning. Did you say you did not know Captain Anthony?""No. I don't know him. Is he anything like his sister?"She looked startled and murmured "Sister!" in a puzzled tone which astonished me. "Oh! Mrs. Fyne," she exclaimed, recollecting herself, and avoiding my eyes while I looked at her curiously.

What an extraordinary detachment! And all the time the stream of shabby people was hastening by us, with the continuous dreary shuffling of weary footsteps on the flagstones. The sunshine falling on the grime of surfaces, on the poverty of tones and forms seemed of an inferior quality, its joy faded, its brilliance tarnished and dusty. I had to raise my voice in the dull vibrating noise of the roadway.

"You don't mean to say you have forgotten the connection?"She cried readily enough: "I wasn't thinking." And then, while Iwondered what could have been the images occupying her brain at this time, she asked me: "You didn't see my letter to Mrs. Fyne--did you?""No. I didn't," I shouted. Just then the racket was distracting, a pair-horse trolly lightly loaded with loose rods of iron passing slowly very near us. "I wasn't trusted so far." And remembering Mrs. Fyne's hints that the girl was unbalanced, I added: "Was it an unreserved confession you wrote?"She did not answer me for a time, and as I waited I thought that there's nothing like a confession to make one look mad; and that of all confessions a written one is the most detrimental all round.

Never confess! Never, never! An untimely joke is a source of bitter regret always. Sometimes it may ruin a man; not because it is a joke, but because it is untimely. And a confession of whatever sort is always untimely. The only thing which makes it supportable for a while is curiosity. You smile? Ah, but it is so, or else people would be sent to the rightabout at the second sentence. How many sympathetic souls can you reckon on in the world? One in ten, one in a hundred--in a thousand--in ten thousand? Ah! What a sell these confessions are! What a horrible sell! You seek sympathy, and all you get is the most evanescent sense of relief--if you get that much. For a confession, whatever it may be, stirs the secret depths of the hearer's character. Often depths that he himself is but dimly aware of. And so the righteous triumph secretly, the lucky are amused, the strong are disgusted, the weak either upset or irritated with you according to the measure of their sincerity with themselves. And all of them in their hearts brand you for either mad or impudent . . . "I had seldom seen Marlow so vehement, so pessimistic, so earnestly cynical before. I cut his declamation short by asking what answer Flora de Barral had given to his question. "Did the poor girl admit firing off her confidences at Mrs. Fyne--eight pages of close writing--that sort of thing?"Marlow shook his head.

"She did not tell me. I accepted her silence, as a kind of answer and remarked that it would have been better if she had simply announced the fact to Mrs. Fyne at the cottage. "Why didn't you do it?" I asked point-blank.

She said: "I am not a very plucky girl." She looked up at me and added meaningly: "And YOU know it. And you know why."I must remark that she seemed to have become very subdued since our first meeting at the quarry. Almost a different person from the defiant, angry and despairing girl with quivering lips and resentful glances.

"I thought it was very sensible of you to get away from that sheer drop," I said.

She looked up with something of that old expression.

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