“Of the first absolute transformation there are copies in phenomenal Nature; therefore Nature, regarded in itself, is nothing else than that first transformation as it exists in the absolute (unseparated from the other). For by means of the infinite passing into the finite, existence passes into form; since then form obtains reality only by means of existence, existence, when it has passed into form without form having (according to the assumption) similarly passed into existence, can be represented only as potentiality or ground of reality, but not as indifference of possibility and actuality. But that which may be described thus, namely as existence, in so far as that is mere ground of reality, and therefore has really passed into form, although form has not in turn passed into it, is what presents itself as Nature. - Existence makes its appearance in form, but in return form, also makes its appearance in existence; this is the other unity,” that of mind. “This unity is established by the finite being received into the infinite. At this point form, as the particular, strikes into existence, and itself becomes absolute. Form which passes into existence places itself as absolute activity and positive cause of reality in opposition to the existence which passes into form, and which appears only as ground. The passing of absolute form into existence is what we think of as God, and the images or copies of this transformation are in the ideal world, which is therefore in its implicitude the other unity.” (24) Each of these two transformations, then, is the whole totality, not, however, posited and not appearing as totality, but with the one or the other factor preponderating; each of the two spheres has, therefore, in itself again these differences, and thus in each of them the three potencies are to be found.
The ground or basis, Nature as basis merely, is matter, gravity, as the first potency; this passing of form into existence is in the actual world universal mechanism, necessity. But the second potency is “the light which shineth in darkness, form which has passed into existence. The absolute unification of the two unities in actuality, so that matter is altogether form, and form is altogether matter, is organism, the highest expression of Nature as it is in God, and of God as He is in Nature, in the finite.” On the ideal side “Knowledge is the essence of the Absolute brought into the daylight of form; action is a transformation of form, as the particular, into the essence of the Absolute. As in the real world form that is identified with essence appears as light, so in the ideal world God Himself appears in particular manifestation as the living form which has emerged in the passing of form into essence, so that in every respect the ideal and real world are again related as likeness and symbol. The absolute unification of the two unities in the ideal, so that material is wholly form and form wholly material, is the work of art; and that secret hidden in the Absolute which is the root of all reality comes here into view, in the reflected world itself, in the highest potency and biggest union of God and Nature as the power of imagination.” On account of that permeation art and poetry therefore hold the highest rank in Schelling's estimation. But art is the Absolute in sensuous form alone. Where and what could the work of art be, which should correspond to the Idea of the spirit? “The universe is formed in the Absolute as the most perfect organic existence and the most perfect work of art: for Reason, which recognizes the Absolute in it, it possesses absolute truth; for the imagination, which represents the Absolute in it, it possesses absolute Beauty. Each of these expresses the very same unity,” regarded “from different sides;and both arrive at the absolute in difference point in the recognition of which lies both the beginning and the aim of real knowledge.” (25) This highest Idea, these differences, are grasped as a whole in a very formal manner only.
3. The relation of Nature to Spirit, and to God, the Absolute, has been stated by Schelling elsewhere, i.e. in his later expositions, as follows: he defines the existence of God as Nature - in so far as God constitutes Himself its ground or basis, as infinite perception - and Nature is thus the negative moment in God, since intelligence and thought exist only by means of the opposition of one Being. For in one of his writings, directed on some particular occasion against Jacobi, Schelling explains himself further with regard to the nature of God and His relation to Nature. He says: “God, or more properly the existence which is God, is ground: He is ground of Himself as a moral Being. But” then “it is ground that He makes Himself " - not cause. Something must precede intelligence, and that something is Being - "since thought is the exact opposite of Being.
That which is the beginning of an intelligence cannot be in its turn intelligent, since there would otherwise be no distinction; but it cannot be absolutely unintelligent, for the very reason that it is the potentiality of an intelligence. It will accordingly be something between these, i.e. it will operate with wisdom, but as it were with an innate, instinctive, blind, and yet, unconscious wisdom; just as we often bear those who are under a spell uttering words fall of understanding, but not uttering them with comprehension of their meaning, but as it were owing to an inspiration.” God, therefore, as this ground of Himself, is Nature - Nature as it is in God; this is the view taken of Nature in Natural Philosophy.(26) But the work of the Absolute is to abrogate this ground, and to constitute itself Intelligence. On this account Schelling's philosophy has later been termed a Philosophy of Nature, and that in the sense of a universal philosophy, while at first Natural Philosophy was held to be only a part of the whole.
