Anselmo was completely satisfied by the words of Lothario, and believed them as fully as if they had been spoken by an oracle; nevertheless he begged of him not to relinquish the undertaking, were it but for the sake of curiosity and amusement; though thenceforward he need not make use of the same earnest endeavours as before; all he wished him to do was to write some verses to her, praising her under the name of Chloris, for he himself would give her to understand that he was in love with a lady to whom he had given that name to enable him to sing her praises with the decorum due to her modesty; and if Lothario were unwilling to take the trouble of writing the verses he would compose them himself.
"That will not be necessary," said Lothario, "for the muses are not such enemies of mine but that they visit me now and then in the course of the year. Do thou tell Camilla what thou hast proposed about a pretended amour of mine; as for the verses will make them, and if not as good as the subject deserves, they shall be at least the best I can produce." An agreement to this effect was made between the friends, the ill-advised one and the treacherous, and Anselmo returning to his house asked Camilla the question she already wondered he had not asked before- what it was that had caused her to write the letter she had sent him. Camilla replied that it had seemed to her that Lothario looked at her somewhat more freely than when he had been at home; but that now she was undeceived and believed it to have been only her own imagination, for Lothario now avoided seeing her, or being alone with her. Anselmo told her she might be quite easy on the score of that suspicion, for he knew that Lothario was in love with a damsel of rank in the city whom he celebrated under the name of Chloris, and that even if he were not, his fidelity and their great friendship left no room for fear. Had not Camilla, however, been informed beforehand by Lothario that this love for Chloris was a pretence, and that he himself had told Anselmo of it in order to be able sometimes to give utterance to the praises of Camilla herself, no doubt she would have fallen into the despairing toils of jealousy; but being forewarned she received the startling news without uneasiness.
The next day as the three were at table Anselmo asked Lothario to recite something of what he had composed for his mistress Chloris; for as Camilla did not know her, he might safely say what he liked.
"Even did she know her," returned Lothario, "I would hide nothing, for when a lover praises his lady's beauty, and charges her with cruelty, he casts no imputation upon her fair name; at any rate, all I can say is that yesterday I made a sonnet on the ingratitude of this Chloris, which goes thus:
SONNET
At midnight, in the silence, when the eyes Of happier mortals balmy slumbers close, The weary tale of my unnumbered woes To Chloris and to Heaven is wont to rise.
And when the light of day returning dyes The portals of the east with tints of rose, With undiminished force my sorrow flows In broken accents and in burning sighs.
And when the sun ascends his star-girt throne, And on the earth pours down his midday beams, Noon but renews my wailing and my tears;
And with the night again goes up my moan.
Yet ever in my agony it seems To me that neither Heaven nor Chloris hears."
The sonnet pleased Camilla, and still more Anselmo, for he praised it and said the lady was excessively cruel who made no return for sincerity so manifest. On which Camilla said, "Then all that love-smitten poets say is true?"
"As poets they do not tell the truth," replied Lothario; "but as lovers they are not more defective in expression than they are truthful."
"There is no doubt of that," observed Anselmo, anxious to support and uphold Lothario's ideas with Camilla, who was as regardless of his design as she was deep in love with Lothario; and so taking delight in anything that was his, and knowing that his thoughts and writings had her for their object, and that she herself was the real Chloris, she asked him to repeat some other sonnet or verses if he recollected any.
"I do," replied Lothario, "but I do not think it as good as the first one, or, more correctly speaking, less bad; but you can easily judge, for it is this.
SONNET
I know that I am doomed; death is to me As certain as that thou, ungrateful fair, Dead at thy feet shouldst see me lying, ere My heart repented of its love for thee.
If buried in oblivion I should be, Bereft of life, fame, favour, even there It would be found that I thy image bear Deep graven in my breast for all to see.
This like some holy relic do I prize To save me from the fate my truth entails, Truth that to thy hard heart its vigour owes.
Alas for him that under lowering skies, In peril o'er a trackless ocean sails, Where neither friendly port nor pole-star shows."
Anselmo praised this second sonnet too, as he had praised the first; and so he went on adding link after link to the chain with which he was binding himself and making his dishonour secure; for when Lothario was doing most to dishonour him he told him he was most honoured; and thus each step that Camilla descended towards the depths of her abasement, she mounted, in his opinion, towards the summit of virtue and fair fame.
It so happened that finding herself on one occasion alone with her maid, Camilla said to her, "I am ashamed to think, my dear Leonela, how lightly I have valued myself that I did not compel Lothario to purchase by at least some expenditure of time that full possession of me that I so quickly yielded him of my own free will. I fear that he will think ill of my pliancy or lightness, not considering the irresistible influence he brought to bear upon me."
"Let not that trouble you, my lady," said Leonela, "for it does not take away the value of the thing given or make it the less precious to give it quickly if it be really valuable and worthy of being prized; nay, they are wont to say that he who gives quickly gives twice."
"They say also," said Camilla, "that what costs little is valued less."
