POULTRY MEG was the only person who lived in the new stately dwelling that had been built for the fowls and ducks belonging to the manor house. It stood there where once the old knightly building had stood with its tower, its pointed gables, its moat, and its drawbridge. Close by it was a wilderness of trees and thicket; here the garden had been, and had stretched out to a great lake, which was now moorland. Crows and choughs flew screaming over the old trees, and there were crowds of birds; they did not seem to get fewer when any one shot among them, but seemed rather to increase. One heard the screaming into the poultry-house, where Poultry Meg sat with the ducklings running to and fro over her wooden shoes. She knew every fowl and every duck from the moment it crept out of the shell; and she was fond of her fowls and her ducks, and proud of the stately house that had been built for them. Her own little room in the house was clean and neat, for that was the wish of the gracious lady to whom the house belonged. She often came in the company of grand noble guests, to whom she showed "the hens' and ducks' barracks," as she called the little house.
Here were a clothes cupboard, and an, arm-chair, and even a chest of drawers; and on these drawers a polished metal plate had been placed, whereon was engraved the word "Grubbe," and this was the name of the noble family that had lived in the house of old. The brass plate had been found when they were digging the foundation; and the clerk has said it had no value except in being an old relic. The clerk knew all about the place, and about the old times, for he had his knowledge from books, and many a memorandum had been written and put in his table-drawer. But the oldest of the crows perhaps knew more than he, and screamed it out in her own language; but that was the crow's language, and the clerk did not understand that, clever as he was.
After the hot summer days the mist sometimes hung over the moorland as if a whole lake were behind the old trees, among which the crows and the daws were fluttering; and thus it had looked when the good Knight Grubbe had lived here- when the old manor house stood with its thick red walls. The dog-chain used to reach in those days quite over the gateway; through the tower one went into a paved passage which led to the rooms; the windows were narrow, and the panes were small, even in the great hall where the dancing used to be; but in the time of the last Grubbe, there had been no dancing in the hall within the memory of man, although an old drum still lay there that had served as part of the music. Here stood a quaintly carved cupboard, in which rare flower-roots were kept, for my Lady Grubbe was fond of plants and cultivated trees and shrubs. Her husband preferred riding out to shoot wolves and boars; and his little daughter Marie always went with him part of the way. When she was only five years old, she would sit proudly on her horse, and look saucily round with her great black eyes. It was a great amusement to her to hit out among the hunting-dogs with her whip; but her father would rather have seen her hit among the peasant boys, who came running up to stare at their lord.
The peasant in the clay hut close by the knightly house had a son named Soren, of the same age as the gracious little lady. The boy could climb well, and had always to bring her down the bird's nests. The birds screamed as loud as they could, and one of the greatest of them hacked him with its beak over the eye so that the blood ran down, and it was at first thought the eye had been destroyed; but it had not been injured after all. Marie Grubbe used to call him her Soren, and that was a great favor, and was an advantage to Soren's father- poor Jon, who had one day committed a fault, and was to be punished by riding on the wooden horse. This same horse stood in the courtyard, and had four poles for legs, and a single narrow plant for a back; on this Jon had to ride astride, and some heavy bricks were fastened to his feet into the bargain, that he might not sit too comfortably. He made horrible grimaces, and Soren wept and implored little Marie to interfere. She immediately ordered that
Soren's father should be taken down, and when they did not obey her, she stamped on the floor, and pulled at her father's sleeve till it was torn to pieces. She would have her way, and she got her way, and
Soren's father was taken down.
Lady Grubbe, who now came up, parted her little daughter's hair from the child's brow, and looked at her affectionately; but Marie did not understand why.
She wanted to go to the hounds, and not to her mother, who went down into the garden, to the lake where the water-lily bloomed, and the heads of bulrushes nodded amid the reeds; and she looked at all this beauty and freshness. "How pleasant!" she said. In the garden stood at that time a rare tree, which she herself had planted. It was called the blood-beech- a kind of negro growing among the other trees, so dark brown were the leaves. This tree required much sunshine, for in continual shade it would become bright green like the other trees, and thus lose its distinctive character. In the lofty chestnut trees were many birds' nests, and also in the thickets and in the grassy meadows. It seemed as though the birds knew that they were protected here, and that no one must fire a gun at them.
Little Marie came here with Soren. He knew how to climb, as we have already said, and eggs and fluffy-feathered young birds were brought down. The birds, great and small, flew about in terror and tribulation; the peewit from the fields, and the crows and daws from the high trees, screamed and screamed; it was just such din as the family will raise to the present day.
"What are you doing, you children?" cried the gentle lady; "that is sinful!"
Soren stood abashed, and even the little gracious lady looked down a little; but then he said, quite short and pretty,
"My father lets me do it!"
"Craw-craw! away-away from here!" cried the great black birds, and they flew away; but on the following day they came back, for they were at home here.
