DEATH.
The pantomime opening, by which was introduced the combat of Morok with the black panther, was so unmeaning, that the majority of the audience paid no attention to it, reserving all their interest for the scene in which the lion-tamer was to make his appearance.
This indifference of the public explains the curiosity excited in the theatre by the arrival of Faringhea and Djalma--a curiosity which expressed itself (as at this day, when uncommon foreigners appear in public) by a slight murmur and general movement amongst the crowd.The sprightly, pretty face of Rose-Pompon, always charming, in spite of her singularly staring dress, in style so ridiculous for such a theatre, and her light and familiar manner towards the handsome Indian who accompanied her, increased and animated the general surprise; for, at this moment, Rose-Pompon, yielding without reserve to a movement of teasing coquetry, had held up, as we have already stated, her large bunch of roses to Djalma.But the prince, at sight of the landscape which reminded him of his country, instead of appearing sensible to this pretty, provocation, remained for some minutes as in a dream, with his eyes fixed upon the stage.Then Rose-Pompon began to beat time on the front of the box with her bouquet, whilst the somewhat too visible movement of her pretty shoulders showed that this devoted dancer was thinking of fast-life dances, as the orchestra struck up a more lively strain.
Placed directly opposite the box in which Faringhea, Djalma, and Rose-
Pompon had just taken their seats, Lady Morinval soon perceived the arrival of these two personages, and particularly the eccentric coquetries of Rose-Pompon.Immediately, the young marchioness, leaning over towards Mdlle.de Cardoville, who was still absorbed in memories ineffable, said to her, laughing: "My dear, the most amusing part of the performance is not upon the stage.Look just opposite."
"Just opposite?" repeated Adrienne, mechanically: and, turning towards Lady Morinval with an air of surprise, she glanced in the direction pointed out.
She looked--what did she see?--Djalma seated by the side of a young woman, who was familiarly offering to his sense of smell the perfume of her bouquet.Amazed, struck almost literally to the heart, as by an electric shock, swift, sharp, and painful, Adrienne became deadly pale.
From instinct, she shut her eyes for a second, in order not to see--as men try to ward off the dagger, which, having once dealt the blow, threatens to strike again.Then suddenly, to this feeling of grief succeeded a reflection, terrible both to her love and to her wounded pride.
"Djalma is present with this woman, though he must have received my letter," she said to herself,--"wherein he was informed of the happiness that awaited him."
At the idea of so cruel an insult, a blush of shame and indignation displaced Adrienne's paleness, who overwhelmed by this sad reality, said to herself: "Rodin did not deceive me."
We abandon all idea of picturing the lightning-like rapidity of certain emotions which in a moment may torture--may kill you in the space of a minute.Thus Adrienne was precipitated from the most radiant happiness to the lowest depths of an abyss of the most heart-rending grief, in less than a second; for a second had hardly elapsed before she replied to Lady Morinval: "What is there, then, so curious, opposite to us, my dear Julia?"
This evasive question gave Adrienne time to recover her self-possession.
Fortunately, thanks to the thick folds of hair which almost entirely concealed her cheeks, the rapid and sudden changes from pallor to blush escaped the notice of Lady Morinval, who gayly replied: "What, my dear, do you not perceive those East Indians, who have just entered the box immediately opposite to ours? There, just before us!"
"Yes, I see them; but what then?" replied Adrienne, in a firm tone.
"And don't you observe anything remarkable?" said the marchioness.
"Don't be too hard, ladies," laughingly interposed the marquis; "we ought to allow the poor foreigners some little indulgence.They are ignorant of our manners and customs; were it not for that, they would never appear in the face of all Paris in such dubious company."
"Indeed," said Adrienne, with a bitter smile, "their simplicity is touching; we must pity them."
"And, unfortunately, the girl is charming, spite of her low dress and bare arms," said the marchioness; "she cannot be more than sixteen or seventeen at most.Look at her, my dear Adrienne; what a pity!"
"It is one of your charitable days, my dear Julia," answered Adrienne;
"we are to pity the Indians, to pity this creature, and--pray, whom else are we to pity?"
"We will not pity that handsome Indian, in his red-and-gold turban," said the marquis, laughing, "for, if this goes on, the girl with the cherry-
colored ribbons will be giving him a kiss.See how she leans towards her sultan."
"They are very amusing," said the marchioness, sharing the hilarity of her husband, and looking at Rose-Pompom through her glass; then she resumed, in about a minute, addressing herself to Adrienne: "I am quite certain of one thing.Notwithstanding her giddy airs, that girl is very fond of her Indian.I just saw a look that expresses a great deal."
"Why so much penetration, my dear Julia?" said Adrienne, mildly; "what interest have we to read the heart of that girl?"
"Why, if she loves her sultan, she is quite in the right," said the marquis, looking through his opera-glass in turn; "for, in my whole life, I never saw a more handsome fellow than that Indian.I can only catch his side-face, but the profile is pure and fine as an antique cameo.Do you not think so?" added the marquis, leaning towards Adrienne."Of course, it is only as a matter of art, that I permit myself to ask you the question."
"As a work of art," answered Adrienne, "it is certainly very fine."
"But see!" said the marchioness; "how impertinent the little creature is!--She is actually staring at us."
