Dagobert's wife was about fifty years of age; she wore a close jacket of blue cotton, with white flowers on it, and a stuff petticoat; a white handkerchief was tied round her head, and fastened under the chin.Her countenance was pale and meagre, the features regular, and expressive of resignation and great kindness.It would have been difficult to find a better, a more courageous mother.With no resource but her labor, she had succeeded, by unwearied energy, in bringing up not only her own son Agricola, but also Gabriel, the poor deserted child, of whom, with admirable devotion, she had ventured to take charge.
In her youth, she had, as it were, anticipated the strength of later life, by twelve years of incessant toil, rendered lucrative by the most violent exertions, and accompanied by such privations as made it almost suicidal.Then (for it was a time of splendid wages, compared to the present), by sleepless nights and constant labor, she contrived to earn about two shillings (fifty sous) a day, and with this she managed to educate her son and her adopted child.
At the end of these twelve years, her health was ruined, and her strength nearly exhausted; but, at all events, her boys had wanted for nothing, and had received such an education as children of the people can obtain.
About this time, M.Francois Hardy took Agricola as an apprentice, and Gabriel prepared to enter the priest's seminary, under the active patronage of M.Rodin, whose communications with the confessor of Frances Baudoin had become very frequent about the year 1820.
This woman (whose piety had always been excessive) was one of those simple natures, endowed with extreme goodness, whose self-denial approaches to heroism, and who devote themselves in obscurity to a life of martyrdom--pure and heavenly minds, in whom the instincts of the heart supply the place of the intellect!
The only defect, or rather the necessary consequence of this extreme simplicity of character, was the invincible determination she displayed in yielding to the commands of her confessor, to whose influence she had now for many years been accustomed to submit.She regarded this influence as most venerable and sacred; no mortal power, no human consideration, could have prevented her from obeying it.Did any dispute arise on the subject, nothing could move her on this point; she opposed to every argument a resistance entirely free from passion--mild as her disposition,.calm as her conscience--but, like the latter, not to be shaken.In a word, Frances Baudoin was one of those pure, but uninstructed and credulous beings, who may sometimes, in skillful and dangerous hands, become, without knowing it, the instruments of much evil.
For some time past, the bad state of her health, and particularly the increasing weakness of her sight, had condemned her to a forced repose;
unable to work more than two or three hours a day, she consumed the rest of her time at church.
Frances rose from her seat, pushed the coarse bags at which she had been working to the further end of the table, and proceeded to lay the cloth for her son's supper, with maternal care and solicitude.She took from the press a small leathern bag, containing an old silver cup, very much battered, and a fork and spoon, so worn and thin, that the latter cut like a knife.These, her only plate (the wedding present of Dagobert)