登陆注册
5191900000011

第11章 PUBLISHERS' PREFACE TO THE NEW (1898) EDITION(11)

If I remember rightly, the "Babes in the Wood" were never mentioned more than twice in the whole lecture.First, when the lecturer told his audience that the "Babes" were to constitute the subject of his discourse, and then digressed immediately to matters quite foreign to the story.Then again at the conclusion of the hour and twenty minutes of drollery, when he finished up in this way: "I now come to my subject 'The Babes in the Wood.'" Here he would take out his watch, look at it with affected surprise, put on an appearance of being greatly perplexed, and amidst roars of laughter from the people, very gravely continue, "But I find that I have exceeded my time, and will therefore merely remark that, so far as I know, they were very good babes--they were as good as ordinary babes.I really have not time to go into their history.You will find it all in the story-books.They died in the woods, listening to the woodpecker tapping the hollow beech-tree.It was a sad fate for them, and Ipity them.So, I hope, do you.Good night!"Artemus gave his first lecture at Norwich in Connecticut, and travelled over a considerable portion of the Eastern States before he ventured to give a sample of his droll oratory in the Western cities, wherein he had earned reputation as a journalist.Gradually his popularity became very great, and in place of letting himself out at so much per night to literary societies and athenaeums, he constituted himself his own showman, engaging that indispensable adjunct to all showmen in the United States, an agent to go ahead, engage halls, arrange for the sale of tickets, and engineer the success of the show.Newspapers had carried his name to every village of the Union, and his writings had been largely quoted in every journal.It required, therefore, comparatively little advertising to announce his visit to any place in which he had to lecture.But it was necessary that he should have a bill or poster of some kind.The one he adopted was simple, quaint, striking, and well adapted to the purpose.It was merely one large sheet, with a black ground, and the letters cut out in the block, so as to print white.The reading was "Artemus Ward will Speak a Piece." To the American mind this was intensely funny from its childish absurdity.

It is customary in the States for children to speak or recite "a piece" at school at the annual examination, and the phrase is used just in the same sense as in England we say "a Christmas piece."The professed subject of the lecture being that of a story familiar to children, harmonised well with the droll placard which announced its delivery.The place and time were notified on a slip pasted beneath.To emerge from the dull depths of lyceum committees and launch out as a showman-lecturer on his own responsibility, was something both novel and bold for Artemus to do.In the majority of instances he or his agent met with speculators who were ready to engage him for so many lectures, and secure to the lecturer a certain fixed sum.But in his later transactions Artemus would have nothing to do with them, much preferring to undertake all the risk himself.The last speculator to whom he sold himself for a tour was, I believe, Mr.Wilder, of New York City, who realised a large profit by investing in lecturing stock, and who was always ready to engage a circus, a wild-beast show, or a lecturing celebrity.

As a rule Artemus Ward succeeded in pleasing every one in his audience, especially those who understood the character of the man and the drift of his lecture; but there were not wanting at any of his lectures a few obtuse-minded, slowly-perceptive, drowsy-headed dullards, who had not the remotest idea what the entertainer was talking about, nor why those around him indulged in laughter.

Artemus was quick to detect these little spots upon the sunny face of his auditory.He would pick them out, address himself at times to them especially, and enjoy the bewilderment of his Boeotian patrons.Sometimes a stolid inhabitant of central New York, evidently of Dutch extraction, would regard him with an open stare expressive of a desire to enjoy that which was said if the point of the joke could by any possibility be indicated to him.At other times a demure Pennsylvania Quaker would benignly survey the poor lecturer with a look of benevolent pity; and on one occasion, when my friend was lecturing at Peoria, an elderly lady, accompanied by her two daughters, left the room in the midst of the lecture, exclaiming, as she passed me at the door, "It is too bad of people to laugh at a poor young man who doesn't know what he is saying, and ought to be sent to a lunatic asylum!"The newspaper reporters were invariably puzzled in attempting to give any correct idea of a lecture by Artemus Ward.No report could fairly convey an idea of the entertainment; and being fully aware of this, Artemus would instruct his agent to beg of the papers not to attempt giving any abstract of that which he said.The following is the way in which the reporter of the Golden Era, at San Francisco, California, endeavoured to inform the San Franciscan public of the character of "The Babes in the Wood" lecture.It is, as the reader will perceive, a burlesque on the way in which Artemus himself dealt with the topic he had chosen; while it also notes one or two of the salient features of my friend's style of Lecturing:

"HOW ARTEMUS WARD 'SPOKE A PIECE.'"

"Artemus has arrived.Artemus has spoken.Artemus has triumphed.

Great is Artemus!

"Great also is Platt's Hall.But Artemus is greater; for the hall proved too small for his audience, and too circumscribed for the immensity of his jokes.A man who has drank twenty bottles of wine may be called `full.' A pint bottle with a quart of water in it would also be accounted full; and so would an hotel be, every bed in it let three times over on the same night to three different occupants; but none of these would be so full as Platt's Hall was on Friday night to hear Artemus Ward `speak a piece.'

同类推荐
  • 健余扎记

    健余扎记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 书鲍忠壮公轶事

    书鲍忠壮公轶事

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 会真集

    会真集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 释门正统

    释门正统

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 五辅

    五辅

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 花落纷繁昭生夕

    花落纷繁昭生夕

    女主(楚曦妍)因一场车祸穿越,成了司马府千金,后来遇到腹黑王爷(夜锦尘),之后便开始了一系列的故事,最终这对欢喜冤家有情人终成眷属。
  • 学会妥协 学会弯腰

    学会妥协 学会弯腰

    在为人处事中,妥协和弯腰确实发挥着不容小觑的作用。不管是在纯朴落后的古代,还是在竞争激烈的现代,妥协和弯腰都是人们必修的一门课程。
  • 家有王爷太护妻

    家有王爷太护妻

    公子不才,遇到姑娘便是想一生与你结为连理枝!
  • 噬魂师之印

    噬魂师之印

    请将我封印,用你驾驭灵魂的力量我甘愿穿越千年的岁月与荆棘。那一世,她名为尉迟重华,出身于一个著名的术数大家族,是精通阴阳历法之数的奇女子。却因为家族触犯龙颜,沦为官妓,十六岁的时候就被赏给一位薜大将军为妾。寒冬腊月,大军被围困在边塞苦寒之地,弹尽粮绝。这位称她为爱妾的薛大将军,即使领兵征战也要把她带在身边的薛大将军,却遗忘了“与汝誓同生死”的誓言……千年之后,她自认斩断尘缘。遇见谁,都不过是逢场作戏的周旋;“爱”上谁,也不过是早有预谋的利用。可遇见他,为何成了意外?
  • 都城记胜

    都城记胜

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 重逢旧时光

    重逢旧时光

    27年来风平浪静,眼看进入大龄队伍,却忽遇桃花朵朵,是时来运转还是另有隐情?谁是知已?谁是蜜友?谁是谁生命中的过客?谁又是谁不可触及的伤痛?--情节虚构,请勿模仿
  • 哈佛优等生最欣赏的200个人生故事

    哈佛优等生最欣赏的200个人生故事

    这是一本关于哈佛人生智慧的书,从做人、做事、性格、交往和处世等方面遴选了哈佛优等生最欣赏的200个人生故事。阅读这些经典的人生故事,可以从中感触到哈佛精神的精髓所在,能够感受到自己是在与哈佛大师进行深层的沟通。不可否认,这些人生故事就像哈佛给予的人生忠告,品味它们,就好像浸润在智者的思想里……
  • 盘龙之路

    盘龙之路

    盘龙同人,一直很喜欢盘龙,喜欢它的世界观喜欢它的纯粹。但是重复看又没有了新鲜感,尝试自己写本同人小说吧,希望能写出自己满意的东西。
  • 永恒神帝

    永恒神帝

    他本是州城第一天才,却敌不过一场阴谋。命运坎坷,却有一丝火焰不屈。吞噬神体,吞噬万物,寻找永恒之路。
  • 渡女

    渡女

    前世和今生,不过只隔着一道阴阳界。阴阳界相接处淌着一条河,河上有座桥,桥上坐一个老婆婆......