登陆注册
5202600000097

第97章

Such has been my extensive experience.But this at Nuremberg is a conspicuous exception.At that table there was one guest who, on various grounds, personal and incidental, remains the most memorable man I ever met.From the first he riveted my attention in an unusual degree.He had not, as yet, induced me to emerge from my habitual reserve, for in truth, although he riveted my attention, he inspired me with a strange feeling of repulsion.Icould scarcely keep my eyes from him; yet, except the formal bow on sitting down and rising from the table, I had interchanged no sign of fellowship with him.He was a young Russian, named Bourgonef, as I at once learned; rather handsome, and peculiarly arresting to the eye, partly from an air of settled melancholy, especially in his smile, the amiability of which seemed breaking from under clouds of grief, and still more so from the mute appeal to sympathy in the empty sleeve of his right arm, which was looped to the breast-button of his coat.His eyes were large and soft.He had no beard or whisker, and only delicate moustaches.The sorrow, quiet but profound, the amiable smile and the lost arm, were appealing details which at once arrested attention and excited sympathy.But to me this sympathy was mingled with a vague repulsion, occasioned by a certain falseness in the amiable smile, and a furtiveness in the eyes, which I saw--or fancied--and which, with an inexplicable reserve, forming as it were the impregnable citadel in the center of his outwardly polite and engaging manner, gave me something of that vague impression which we express by the words "instinctive antipathy."It was, when calmly considered, eminently absurd.To see one so young, and by his conversation so highly cultured and intelligent, condemned to early helplessness, his food cut up for him by a servant, as if he were a child, naturally engaged pity, and, on the first day, I cudgeled my brains during the greater part of dinner in the effort to account for his lost arm.He was obviously not a military man; the unmistakable look and stoop of a student told that plainly enough.Nor was the loss one dating from early life:

he used his left arm too awkwardly for the event not to have had a recent date.Had it anything to do with his melancholy? Here was a topic for my vagabond imagination, and endless were the romances woven by it during my silent dinner.For the reader must be told of one peculiarity in me, because to it much of the strange complications of my story are due; complications into which a mind less active in weaving imaginary hypotheses to interpret casual and trifling facts would never have been drawn.From my childhood Ihave been the victim of my constructive imagination, which has led me into many mistakes and some scrapes; because, instead of contenting myself with plain, obvious evidence, I have allowed myself to frame hypothetical interpretations, which, to acts simple in themselves, and explicable on ordinary motives, render the simple-seeming acts portentous.With bitter pangs of self-reproach I have at times discovered that a long and plausible history constructed by me, relating to personal friends, has crumpled into a ruin of absurdity, by the disclosure of the primary misconception on which the whole history was based.I have gone, let us say, on the supposition that two people were secretly lovers; on this supposition my imagination has constructed a whole scheme to explain certain acts, and one fine day I have discovered indubitably that the supposed lovers were not lovers, but confidants of their passions in other directions, and, of course, all my conjectures have been utterly false.The secret flush of shame at failure has not, however, prevented my falling into similar mistakes immediately after.

When, therefore, I hereafter speak of my "constructive imagination," the reader will know to what I am alluding.It was already busy with Bourgonef.To it must be added that vague repulsion, previously mentioned.This feeling abated on the second day; but, although lessened, it remained powerful enough to prevent my speaking to him.Whether it would have continued to abate until it disappeared, as such antipathies often disappear, under the familiarities of prolonged intercourse, without any immediate appeal to my amour propre, I know not; but every reflective mind, conscious of being accessible to antipathies, will remember that one certain method of stifling them is for the object to make some appeal to our interest or our vanity: in the engagement of these more powerful feelings, the antipathy is quickly strangled.At any rate it is so in my case, and was so now.

同类推荐
  • THE HOUSE OF THE SEVEN GABLES

    THE HOUSE OF THE SEVEN GABLES

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Steep Trails

    Steep Trails

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 续指月录

    续指月录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 止观大意

    止观大意

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 蕲黄四十八砦纪事

    蕲黄四十八砦纪事

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 君雨君林

    君雨君林

    一个傻子写的一本傻小说。在此,祝大家一生万事皆如意,久伴双君于吉祥。
  • 云摇梦

    云摇梦

    薄雨将歇,山岚满袖,凭栏一任风吹透。十年戎马几时休?斜临云麓听滴漏。两世情缘,同心锁扣,烽烟乱里香消僽。黄泉碧落永诀时,云摇梦醒别离后。
  • 屾峰宪禅师语录

    屾峰宪禅师语录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 甜蜜快穿

    甜蜜快穿

    “有人说你有外遇。”莫笙说,美男:“外遇是什么?我不认识她。”莫笙:“你骗人,你昨天晚上明明跟她在一起!!!”美男扶额:“我昨晚上明明呆在你房间。”美男内心吐槽(健忘症又犯了!没办法,谁让她是他媳妇呢!)呃……好像真的是啊!“我记错了,是前天晚上。”美男:“前天晚上你在我房间里呆了一晚上。”“可你又不在!”“那你旁边的人是谁?”“是猪”美男磨牙,内心咆哮:你才是猪,你全家都是猪!等等!这不是把自己也骂进去了吗?美男内心在深思,面上继续笑道:“还有吗?”“唔,听说对方是你的青梅竹马!”美男很淡定:“从小到大,我身边就你一个雌性!”靠!劳资是女的!女的!不是雌的!你过来,你惹我了!美男一笑:我等着
  • 儿童天生就是诗人:儿童诗的欣赏与教学

    儿童天生就是诗人:儿童诗的欣赏与教学

    《儿童天生就是诗人:儿童诗的欣赏与教学》阐述了童诗的界定、发展、分类,以及童诗的教育意义,分析了童诗教学的现状,为儿童诗写作教学提供了方法和技巧,并且列举了一些优秀的儿童诗歌。《儿童天生就是诗人:儿童诗的欣赏与教学》适合中小学老师和家长阅读。
  • 青梅竹马

    青梅竹马

    在我的观念里,我和我家隔壁某人不是姐弟胜似姐弟,可是某人却不以为然,非要认为我是他的青梅竹马,我对此也很无奈,因此也发生了很多有趣的事情,就看我和他到底会碰撞出什么火花吧!切,我才不想碰撞出什么火花呢!我只是某人的隔壁家姐姐!
  • 情爱故事

    情爱故事

    无数事实、经验和理性已经证明:好故事可以影响人的一生。而以我们之见,所谓好故事,在内容上讲述的应是做人与处世的道理,在形式上也应听得进、记得住、讲得出、传得开,而且不会因时代的变迁而失去她的本质特征和艺术光彩。为了让更多的读者走进好故事,阅读好故事,欣赏好故事,珍藏好故事,传播好故事,我们特编选了一套“故事会5元精品系列”以飨之。其选择标准主要有以下三点:一、在《故事会》杂志上发表的作品。二、有过目不忘的艺术感染力。三、有恒久的趣味,对今天的读者仍有启迪作用。愿好故事伴随你的一生!
  • 洪荒之赛亚人祖

    洪荒之赛亚人祖

    (无敌于次元都市)多年后,陈雨辰在平行时空地球中醒来,神话中的人物也开始一一的出世...........。陈雨辰来到了一个混合版的玄幻武侠科技神话的世界,这里有次元版都市:有着写轮眼的忍者,吃了恶魔果实的恶魔人,吸血鬼,赛亚人,天使.....。...........。. 已完结(地球版神话)、更新中(带着武林秘籍到武侠世界)..... 在洪荒世界中有一个身高无比强壮和魁梧,块块肌肉犹如金刚铸,头发披肩长度颈部披到身前,身上覆盖有金色体毛,至于眼珠是金色兼有紫色眼眶。 两只双眼中里面有着两道白金色的火焰闪烁,屁股后一根猿猴尾巴摆动! 这男子相貌虽不算英俊,但却给人一种很容易亲近的感觉,嘴角处始终带着一丝淡淡的微笑,这是一个普通的青年被流星压死,然后穿越到混沌,最后夺舍重生成下位混沌魔神黄金巨猿的故事。
  • 闻见近录

    闻见近录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 波西·杰克逊与希腊英雄

    波西·杰克逊与希腊英雄

    在《波西·杰克逊与希腊英雄》中,波西不但为我们讲述了他那些知名前辈的故事,充分表达了他的敬佩与同情,也通过这些非常具有说服力的真实例子告诫现代半神们:千万别忘了时刻对诸神保持敬畏之心,因为谁也不知道那些恶趣味的家伙下一秒会干出些什么。