Since, in her maternal desperation, she had appealed to his protection, Don Marcelo believed that he ought to intervene, and so he spoke to the Commandant. He knew this youth very well (he did not ever remember having seen him before) and believed that he really was under twenty.
"And even if he were of age," he added, "is that a crime to shoot a man for?"
Blumhardt did not reply. Since he had recovered his functions of command, he ignored absolutely Don Marcelo's existence. He was about to say something, to give an order, but hesitated. It might be better to consult His Excellency . . . and seeing that he was going toward the castle, Desnoyers marched by his side.
"Commandant, this cannot be," he commenced saying. "This lacks common sense. To shoot a man on the suspicion that he may be twenty years old!"
But the Commandant remained silent and continued on his way. As they crossed the bridge, they heard the sound of the piano--a good omen, Desnoyers thought. The aesthete who had so touched him with his impassioned voice, was going to say the saving word.
On entering the salon, he did not at first recognize His Excellency.
He saw a man sitting at the piano wearing no clothing but a Japanese dressing gown--a woman's rose-colored kimono, embroidered with golden birds, belonging to Chichi. At any other time, he would have burst into roars of laughter at beholding this scrawny, bony warrior with the cruel eyes, with his brawny braceleted arms appearing through the loose sleeves. After taking his bath, the Count had delayed putting on his uniform, luxuriating in the silky contact of the feminine tunic so like his Oriental garments in Berlin.
Blumhardt did not betray the slightest astonishment at the aspect of his general. In the customary attitude of military erectness, he spoke in his own language while the Count listened with a bored air, meanwhile passing his fingers idly over the keys.
A shaft of sunlight from a nearby window was enveloping the piano and musician in a halo of gold. Through the window, too, was wafting the poetry of the sunset--the rustling of the leaves, the hushed song of the birds and the hum of the insects whose transparent wings were glowing like sparks in the last rays of the sun. The General, annoyed that his dreaming melancholy should be interrupted by this inopportune visit, cut short the Commandant's story with a gesture of command and a word . . . one word only. He said no more. He took two puffs from a Turkish cigarette that was slowly scorching the wood of the piano, and again ran his hands over the ivory keys, catching up the broken threads of the vague and tender improvisation inspired by the gloaming.
"Thanks, Your Excellency," said the gratified Desnoyers, surmising his magnanimous response.
The Commandant had disappeared, nor could the Frenchman find him outside the castle. A soldier was pacing up and down near the iron gates in order to transmit commands, and the guards were pushing back with blows from their guns, a screaming group of women and tiny children. The entrance was entirely cleared! undoubtedly the crowds were returning to the village after the General's pardon. . . .
Desnoyers was half way down the avenue when he heard a howling sound composed of many voices, a hair-raising shriek such as only womanly desperation can send forth. At the same time, the air was vibrating with snaps, the loud cracking sound that he knew from the day before. Shots! . . . He imagined that on the other side of the iron railing there were some writhing bodies struggling to escape from powerful arms, and others fleeing with bounds of fear. He saw running toward him a horror-stricken, sobbing woman with her hands to her head. It was the wife of the Keeper who a little while before had joined the desperate group of women.
"Oh, don't go on, Master," she called stopping his hurried step.
"They have killed him. . . . They have just shot him."
Don Marcelo stood rooted to the ground. Shot! . . . and after the General's pardon! . . . Suddenly he ran back to the castle, hardly knowing what he was doing, and soon reached the salon. His Excellency was still at the piano. humming in low tones, his eyes moistened by the poesy of his dreams. But the breathless old gentleman did not stop to listen.
"They have shot him, Your Excellency. . . . They have just killed him in spite of your order."
The smile which crossed the Count's face immediately informed him of his mistake.
"That is war, my dear sir," said the player, pausing for a moment.
"War with its cruel necessities. . . . It is always expedient to destroy the enemy of to-morrow."
And with a pedantic air as though he were giving a lesson, he discoursed about the Orientals, great masters of the art of living.
One of the personages most admired by him was a certain Sultan of the Turkish conquest who, with his own hands, had strangled the sons of the adversary. "Our foes do not come into the world on horseback and brandishing the lance," said that hero. "All are born as children, and it is advisable to wipe them from the face of the earth before they grow up."
Desnoyers listened without taking it in. One thought only was occupying his mind. . . . That man that he had supposed just, that sentimentalist so affected by his own singing, had, between two arpeggios, coldly given the order for death! . . .
The Count made a gesture of impatience. He might retire now, and he counselled him to be more discreet in the future, avoiding mixing himself up in the affairs of the service. Then he turned his back, running his hands over the piano, and giving himself up to harmonious melancholy.
For Don Marcelo there now began an absurd life of the most extraordinary events, an experience which was going to last four days. In his life history, this period represented a long parenthesis of stupefaction, slashed by the most horrible visions.
