On the 20th of September 1804 Harrel came to me at the Tuileries. He revealed to me the plot in which he was engaged, and promised that his accomplices should be apprehended in the very act if I would supply him with money to bring the plot to maturity. I knew not how to act upon this disclosure, which I, however, could not reject without incurring too great a responsibility. I immediately communicated the business to the First Consul, who ordered me to supply Harrel with money; but not to mention the affair to Fouche, to whom he wished to prove that he knew better how to manage the police than he did.
Harrel came nearly every evening at eleven o'clock to inform me of the progress of the conspiracy, which I immediately communicated to the First Consul, who was not sorry to find Arena and Ceracchi deeply committed.
But the time passed on, and nothing was done. The First Consul began to grow impatient. At length Harrel came to say that they had no money to purchase arms. Money was given him. He, however, returned next day to say that the gunsmith refused to sell them arms without authority. It was now found necessary to communicate the business to Fouche in order that he might grant the necessary permission to the gunsmith, which I was not empowered to do.
On the 10th of October the Consuls, after the breaking up of the Council, assembled in the cabinet of their colleague. Bonaparte asked them in my presence whether they thought he ought to go to the opera. They observed that as every precaution was taken no danger could be apprehended, and that it was desirable to show the futility of attempts against the First Consul's life. After dinner Bonaparte put on a greatcoat over his green uniform and got into his carriage accompanied by me and Duroc. He seated himself in front of his box, which at that time was on the left of the theatre between the two columns which separated the front and side boxes.
When we had been in the theatre about half an hour the First Consul directed me to go and see what was doing in the corridor. Scarcely had I left the box than I heard a great uproar, and soon discovered that a number of persons, whose names I could not learn, had been arrested. I informed the First Consul of what I had heard, and we immediately returned to the Tuileries.
It is certain that the object of the conspiracy was to take the First Consul's life, and that the conspirators neglected nothing which could further the accomplishment of their atrocious design. The plot, however, was known through the disclosures of Harrel; and it would have been easy to avert instead of conjuring up the storm. Such was, and such still is, my opinion. Harrel's name was again restored to the army list, and he was appointed commandant of Vincennes. This post he held at the time of the Duc d'Enghien's assassination. I was afterwards told that his wife was foster-sister to the unfortunate prince, and that she recognised him when he entered the prison which in a few short hours was to prove his grave.
Carbonneau, one of the individuals condemned, candidly confessed the part he had taken in the plot, which he said was brought to maturity solely by the agents of the police, who were always eager to prove their zeal to their employers by some new discovery.
Although three months intervened between the machinations of Ceracchi and Arena and the horrible attempt of the 3d Nivose, I shall relate these two events in immediate succession; for if they had no other points of resemblance they were at least alike in their object. The conspirators in the first affair were of the revolutionary faction. They sought Bonaparte's life as if with the view of rendering his resemblance to Caesar so complete that not even a Brutus should be wanting. The latter, it must with regret be confessed, were of the Royalist party, and in their wish to destroy the First Consul they were not deterred by the fear of sacrificing a great number of citizens.
The police knew nothing of the plot of the 3d Nivose for two reasons; first, because they were no parties to it, and secondly, because two conspirators do not betray and sell each other when they are resolute in their purpose. In such cases the giving of information can arise only from two causes, the one excusable, the other infamous, viz. the dread of punishment, and the hope of reward. But neither of these causes influenced the conspirators of the 3d Nivose, the inventors and constructors of that machine which has so justly been denominated infernal!
On the 3d Nivose (24th December 1800) the first performance of Haydn's magnificent oratorio of the "Creation" took place at the opera, and the First Consul had expressed his intention of being present. I did not dine with him that day, but as he left me he said, "Bourrienne, you know I am going to the opera to-night, and you may go too; but I cannot take you in the carriage, as Lannes, Berthier, and Lauriston are going with me." I was very glad of this, for I much wished to hear one of the masterpieces of the German school of composition. I got to the opera before Bonaparte, who on his entrance seated himself, according to custom, in front of the box. The eye's of all present were fixed upon him, and he appeared to be perfectly calm and self-possessed. Lauriston, as soon as he saw me, came to my box, and told me that the First Consul, on his way to the opera, had narrowly escaped being assassinated in the Rue St. Nicaise by the explosion of a barrel of gunpowder, the concussion of which had shattered the windows of his carriage. "Within ten seconds after our escape," added Lauriston, "the coachman having turned the corner of the Rue St Honore, stopped to take the First Consul's orders; and he coolly said, 'To the opera.'"
--[The following particulars respecting the affair of the infernal machine are related by Rapp, who attended Madame Bonaparte to the opera. He differs from Bourrienne as to the total ignorance of the police:
