WEIRD SISTERS.
Fanchon walked into the house to see her uncle Dodier. When she was gone, the countenance of La Corriveau put on a dark and terrible expression. Her black eyes looked downwards, seeming to penetrate the very earth, and to reflect in their glittering orbits the fires of the underworld.
She stood for a few moments, buried in deep thought, with her arms tightly folded across her breast. Her fingers moved nervously, as they kept time with the quick motions of her foot, which beat the ground.
"It is for death, and no lost jewels, that girl sends for me!" muttered La Corriveau through her teeth, which flashed white and cruel between her thin lips. "She has a rival in her love for the Intendant, and she will lovingly, by my help, feed her with the manna of St. Nicholas! Angelique des Meloises has boldness, craft, and falseness for twenty women, and can keep secrets like a nun.
She is rich and ambitious, and would poison half the world rather than miss the thing she sets her mind on. She is a girl after my own heart, and worth the risk I run with her. Her riches would be endless should she succeed in her designs; and with her in my power, nothing she has would henceforth be her own,--but mine! mine!
Besides," added La Corriveau, her thoughts flashing back to the fate which had overtaken her progenitors, Exili and La Voisin, "I may need help myself, some day, to plead with the Intendant on my own account,--who knows?"
A strange thrill ran through the veins of La Corriveau, but she instantly threw it off. "I know what she wants," added she. "I will take it with me. I am safe in trusting her with the secret of Beatrice Spara. That girl is worthy of it as Brinvilliers herself."
La Corriveau entered her own apartment. She locked the door behind her, drew a bunch of keys from her bosom, and turned towards a cabinet of singular shape and Italian workmanship which stood in a corner of the apartment. It was an antique piece of furniture, made of some dark oriental wood, carved over with fantastic figures from Etruscan designs by the cunning hand of an old Italian workman, who knew well how to make secret drawers and invisible concealments for things dangerous and forbidden.
It had once belonged to Antonio Exili, who had caused it to be made, ostensibly for the safe-keeping of his cabalistic formulas and alchemic preparations, when searching for the philosopher's stone and the elixir of life, really for the concealment of the subtle drugs out of which his alembics distilled the aqua tofana and his crucibles prepared the poudre de succession.
In the most secret place of all were deposited, ready for use, a few vials of the crystal liquid, every single drop of which contained the life of a man, and which, administered in due proportion of time and measure, killed and left no sign, numbering its victim's days, hours, and minutes, exactly according to the will and malignity of his destroyer.
La Corriveau took out the vials, and placed them carefully in a casket of ebony not larger than a woman's hand. In it was a number of small flaskets, each filled with pills like grains of mustard- seed, the essence and quintessence of various poisons, that put on the appearance of natural diseases, and which, mixed in due proportion with the aqua tofana, covered the foulest murders with the lawful ensigns of the angel of death.
In that box of ebony was the sublimated dust of deadly nightshade, which kindles the red fires of fever and rots the roots of the tongue. There was the fetid powder of stramonium, that grips the lungs like an asthma; and quinia, that shakes its victims like the cold hand of the miasma of the Pontine marshes. The essence of poppies, ten times sublimated, a few grains of which bring on the stupor of apoplexy; and the sardonic plant, that kills its victim with the frightful laughter of madness on his countenance.
The knowledge of these and many more cursed herbs, once known to Medea in the Colchian land, and transplanted to Greece and Rome with the enchantments of their use, had been handed, by a long succession of sorcerers and poisoners, down to Exili and Beatrice Spara, until they came into the possession of La Corriveau, the legitimate inheritrix of this lore of hell.
Before closing the cabinet, La Corriveau opened one more secret drawer, and took out, with a hesitating hand, as if uncertain whether to do so or no, a glittering stiletto, sharp and cruel to see. She felt the point of it mechanically with her thumb; and, as if fascinated by the touch, placed it under her robe. "I may have need of it," muttered she, "either to save myself OR to make sure of my work on another. Beatrice Spara was the daughter of a Sicilian bravo, and she liked this poignard better than even the poisoned chalice."
La Corriveau rose up now, well satisfied with her foresight and preparation. She placed the ebony casket carefully in her bosom, cherishing it like an only child, as she walked out of the room with her quiet, tiger-like tread. Her look into the future was pleasant to her at this moment. There was the prospect of an ample reward for her trouble and risk, and the anticipated pleasure of practising her skill upon one whose position she regarded as similar to that of the great dames of the Court, whom Exili and La Voisin had poisoned during the high carnival of death, in the days of Louis XIV.
She was now ready, and waited impatiently to depart.
The goodman Dodier brought the caleche to the door. It was a substantial, two-wheeled vehicle, with a curious arrangement of springs, made out of the elastic wood of the hickory. The horse, a stout Norman pony, well harnessed, sleek and glossy, was lightly held by the hand of the goodman, who patted it kindly as an old friend; and the pony, in some sort, after an equine fashion, returned the affection of its master.
