An Authentic Ghost Story For some remarkable reason, ghostly legends were uncommonly rife, about this time, among the servants on Legree's place.
It was whisperingly asserted that footsteps, in the dead of night, had been heard descending the garret stairs, and patrolling the house. In vain the doors of the upper entry had been locked; the ghost either carried a duplicate key in its pocket, or availed itself of a ghost's immemorial privilege of coming through the keyhole, and promenaded as before, with a freedom that was alarming.
Authorities were somewhat divided, as to the outward form of the spirit, owing to a custom quite prevalent among negroes,--and, for aught we know, among whites, too,--of invariably shutting the eyes, and covering up heads under blankets, petticoats, or whatever else might come in use for a shelter, on these occasions. Of course, as everybody knows, when the bodily eyes are thus out of the lists, the spiritual eyes are uncommonly vivacious and perspicuous; and, therefore, there were abundance of full-length portraits of the ghost, abundantly sworn and testified to, which, as if often the case with portraits, agreed with each other in no particular, except the common family peculiarity of the ghost tribe,--the wearing of a _white sheet_. The poor souls were not versed in ancient history, and did not know that Shakspeare had authenticated this costume, by telling how "The sheeted dead Did squeak and gibber in the streets of Rome."[1] ([1] _Hamlet_, Act I, scene 1, lines 115-116)
And, therefore, their all hitting upon this is a striking fact in pneumatology, which we recommend to the attention of spiritual media generally.
Be it as it may, we have private reasons for knowing that a tall figure in a white sheet did walk, at the most approved ghostly hours, around the Legree premises,--pass out the doors, glide about the house,--disappear at intervals, and, reappearing, pass up the silent stairway, into that fatal garret; and that, in the morning, the entry doors were all found shut and locked as firm as ever.
Legree could not help overhearing this whispering; and it was all the more exciting to him, from the pains that were taken to conceal it from him. He drank more brandy than usual; held up his head briskly, and swore louder than ever in the daytime; but he had bad dreams, and the visions of his head on his bed were anything but agreeable. The night after Tom's body had been carried away, he rode to the next town for a carouse, and had a high one.
Got home late and tired; locked his door, took out the key, and went to bed.
After all, let a man take what pains he may to hush it down, a human soul is an awful ghostly, unquiet possession, for a bad man to have. Who knows the metes and bounds of it? Who knows all its awful perhapses,--those shudderings and tremblings, which it can no more live down than it can outlive its own eternity!
What a fool is he who locks his door to keep out spirits, who has in his own bosom a spirit he dares not meet alone,--whose voice, smothered far down, and piled over with mountains of earthliness, is yet like the forewarning trumpet of doom!
But Legree locked his door and set a chair against it; he set a night-lamp at the head of his bed; and put his pistols there.
He examined the catches and fastenings of the windows, and then swore he "didn't care for the devil and all his angels," and went to sleep.
Well, he slept, for he was tired,--slept soundly. But, finally, there came over his sleep a shadow, a horror, an apprehension of something dreadful hanging over him. It was his mother's shroud, he thought; but Cassy had it, holding it up, and showing it to him.
He heard a confused noise of screams and groanings; and, with it all, he knew he was asleep, and he struggled to wake himself.
He was half awake. He was sure something was coming into his room.
He knew the door was opening, but he could not stir hand or foot.
At last he turned, with a start; the door _was_ open, and he saw a hand putting out his light.
It was a cloudy, misty moonlight, and there he saw it!--something white, gliding in! He heard the still rustle of its ghostly garments.
It stood still by his bed;--a cold hand touched his; a voice said, three times, in a low, fearful whisper, "Come! come! come!"
And, while he lay sweating with terror, he knew not when or how, the thing was gone. He sprang out of bed, and pulled at the door.
It was shut and locked, and the man fell down in a swoon.
After this, Legree became a harder drinker than ever before.
He no longer drank cautiously, prudently, but imprudently and recklessly.
There were reports around the country, soon after that he was sick and dying. Excess had brought on that frightful disease that seems to throw the lurid shadows of a coming retribution back into the present life. None could bear the horrors of that sick room, when he raved and screamed, and spoke of sights which almost stopped the blood of those who heard him; and, at his dying bed, stood a stern, white, inexorable figure, saying, "Come! come! come!"
By a singular coincidence, on the very night that this vision appeared to Legree, the house-door was found open in the morning, and some of the negroes had seen two white figures gliding down the avenue towards the high-road.
It was near sunrise when Cassy and Emmeline paused, for a moment, in a little knot of trees near the town.
Cassy was dressed after the manner of the Creole Spanish ladies,--wholly in black. A small black bonnet on her head, covered by a veil thick with embroidery, concealed her face. It had been agreed that, in their escape, she was to personate the character of a Creole lady, and Emmeline that of her servant.
Brought up, from early life, in connection with the highest society, the language, movements and air of Cassy, were all in agreement with this idea; and she had still enough remaining with her, of a once splendid wardrobe, and sets of jewels, to enable her to personate the thing to advantage.
