SHE had delayed, because of the dew-wet grass, in order to put on her overshoes, and when she emerged from the house found her waiting husband absorbed in the wonder of a bursting almond-bud.
She sent a questing glance across the tall grass and in and out among the orchard trees.
"Where's Wolf?" she asked.
"He was here a moment ago." Walt Irvine drew himself away with a jerk from the metaphysics and poetry of the organic miracle of blossom, and surveyed the landscape. "He was running a rabbit the last I saw of him."
"Wolf! Wolf! Here Wolf!" she called, as they left the clearing and took the trail that led down through the waxen-belled manzanita jungle to the county road.
Irvine thrust between his lips the little finger of each hand and lent to her efforts a shrill whistling.
She covered her ears hastily and made a wry grimace.
"My! for a poet, delicately attuned and all the rest of it, you can make unlovely noises. My ear-drums are pierced. You outwhistle -
"
"Orpheus."
"I was about to say a street-arab," she concluded severely.
"Poesy does not prevent one from being practical - at least it doesn't prevent ME. Mine is no futility of genius that can't sell gems to the magazines."
He assumed a mock extravagance, and went on:
"I am no attic singer, no ballroom warbler. And why? Because I am practical. Mine is no squalor of song that cannot transmute itself, with proper exchange value, into a flower-crowned cottage, a sweet mountain-meadow, a grove of red-woods, an orchard of thirty-seven trees, one long row of blackberries and two short rows of strawberries, to say nothing of a quarter of a mile of gurgling brook. I am a beauty-merchant, a trader in song, and I pursue utility, dear Madge. I sing a song, and thanks to the magazine editors I transmute my song into a waft of the west wind sighing through our redwoods, into a murmur of waters over mossy stones that sings back to me another song than the one I sang and yet the same song wonderfully - er - transmuted."
"O that all your song-transmutations were as successful!" she laughed.
"Name one that wasn't."
"Those two beautiful sonnets that you transmuted into the cow that was accounted the worst milker in the township."
"She was beautiful - " he began, "But she didn't give milk," Madge interrupted.
"But she WAS beautiful, now, wasn't she?" he insisted.
"And here's where beauty and utility fall out," was her reply.
"And there's the Wolf!"
From the thicket-covered hillside came a crashing of underbrush, and then, forty feet above them, on the edge of the sheer wall of rock, appeared a wolf's head and shoulders. His braced fore paws dislodged a pebble, and with sharp-pricked ears and peering eyes he watched the fall of the pebble till it struck at their feet. Then he transferred his gaze and with open mouth laughed down at them.
"You Wolf, you!" and "You blessed Wolf!" the man and woman called out to him.
The ears flattened back and down at the sound, and the head seemed to snuggle under the caress of an invisible hand.
They watched him scramble backward into the thicket, then proceeded on their way. Several minutes later, rounding a turn in the trail where the descent was less precipitous, he joined them in the midst of a miniature avalanche of pebbles and loose soil. He was not demonstrative. A pat and a rub around the ears from the man, and a more prolonged caressing from the woman, and he was away down the trail in front of them, gliding effortlessly over the ground in true wolf fashion.
In build and coat and brush he was a huge timber-wolf; but the lie was given to his wolfhood by his color and marking. There the dog unmistakably advertised itself. No wolf was ever colored like him.
He was brown, deep brown, red-brown, an orgy of browns. Back and shoulders were a warm brown that paled on the sides and underneath to a yellow that was dingy because of the brown that lingered in it. The white of the throat and paws and the spots over the eyes was dirty because of the persistent and ineradicable brown, while the eyes themselves were twin topazes, golden and brown.
The man and woman loved the dog very much; perhaps this was because it had been such a task to win his love. It had been no easy matter when he first drifted in mysteriously out of nowhere to their little mountain cottage. Footsore and famished, he had killed a rabbit under their very noses and under their very windows, and then crawled away and slept by the spring at the foot of the blackberry bushes. When Walt Irvine went down to inspect the intruder, he was snarled at for his pains, and Madge likewise was snarled at when she went down to present, as a peace-offering, a large pan of bread and milk.
A most unsociable dog he proved to be, resenting all their advances, refusing to let them lay hands on him, menacing them with bared fangs and bristling hair. Nevertheless he remained, sleeping and resting by the spring, and eating the food they gave him after they set it down at a safe distance and retreated. His wretched physical condition explained why he lingered; and when he had recuperated, after several days' sojourn, he disappeared.
And this would have been the end of him, so far as Irvine and his wife were concerned, had not Irvine at that particular time been called away into the northern part of the state. Riding along on the train, near to the line between California and Oregon, he chanced to look out of the window and saw his unsociable guest sliding along the wagon road, brown and wolfish, tired yet tireless, dust-covered and soiled with two hundred miles of travel.
Now Irvine was a man of impulse, a poet. He got off the train at the next station, bought a piece of meat at a butcher shop, and captured the vagrant on the outskirts of the town. The return trip was made in the baggage car, and so Wolf came a second time to the mountain cottage. Here he was tied up for a week and made love to by the man and woman. But it was very circumspect love-making.
