登陆注册
5255500000056

第56章 XVIII. IN THE JUNGLE (a) THE MARCH TO MERU(6)

This idiosyncracy of Billy's puzzled our boys hugely. At first they tried telling her that everything was poisonous; but when that did not work, they resigned themselves to their fate. In fact, some of the most enterprising like Memba Sasa, Kitaru, and, later, Kongoni used of their own accord to hunt up and bring in seeds and blossoms. They did not in the least understand what it was for; and it used to puzzle them hugely until out of sheer pity for their uneasiness, I implied that the Memsahib collected "medicine." That was rational, so the wrinkled brow of care was smoothed. From this botanical trait, Billy got her native name of "Beebee Kooletta"-"The Lady Who Says: Go Get That." For in Africa every white man has a name by which he is known among the native people. If you would get news of your friends, you must know their local cognomens-their own white man names will not do at all. For example, I was called either Bwana Machumwani or Bwana N'goma. The former means merely Master Four-eyes, referring to my glasses. The precise meaning of the latter is a matter much disputed between myself and Billy. An N'goma is a native dance, consisting of drum poundings, chantings, and hoppings around.

Therefore I translate myself (most appropriately) as the Master who Makes Merry. On the other hand, Billy, with true feminine indirectness, insists that it means "The Master who Shouts and Howls." I leave it to any fairminded reader.

About the middle of the morning we met a Government runner, a proud youth, young, lithe, with many ornaments and bangles; his red skin glistening; the long blade of his spear, bound around with a red strip to signify his office, slanting across his shoulder; his buffalo hide shield slung from it over his back;the letter he was bearing stuck in a cleft stick and carried proudly before him as a priest carries a cross to the heathen-in the pictures. He was swinging along at a brisk pace, but on seeing us drew up and gave us a smart military salute.

At one point where the path went level and straight for some distance, we were riding in an absolute solitude. Suddenly from the jungle on either side and about fifty yards ahead of us leaped a dozen women. They were dressed in grass skirts, and carried long narrow wooden shields painted white and brown. These they clashed together, shrieked shrilly, and charged down on us at full speed. When within a few yards of our horses noses they came to a sudden halt, once more clashed their shields, shrieked, turned and scuttled away as fast as their legs could carry them.

At a hundred yards they repeated the performance; and charged back at us again. Thus advancing and retreating, shrieking high, hitting the wooden shields with resounding crash, they preceded our slow advance for a half mile or so. Then at some signal unperceived by us they vanished abruptly into the jungle. Once more we rode forward in silence and in solitude. Why they did it I could not say.

Of this tissue were our days made. At noon our boys plucked us each two or three banana leaves which they spread down for us to lie on. Then we dozed through the hot hours in great comfort, occasionally waking to blue sky through green trees, or to peer idly into the tangled jungle. At two o'clock or a little later we would arouse ourselves reluctantly and move on. The safari we had dimly heard passing us an hour before. In this country of the direct track we did not attempt to accompany our men.

The end of the day's march found us in a little clearing where we could pitch camp. Generally this was atop a ridge, so that the boys had some distance to carry water; but that disadvantage was outweighed by the cleared space. Sometimes we found ourselves hemmed in by a wall of jungle. Again we enjoyed a broad outlook.

One such in especial took in the magnificent, splintered, snow-capped peak of Kenia on the right, a tremendous gorge and rolling forested mountains straight ahead, and a great drop to a plain with other and distant mountains to the left. It was as fine a panoramic view as one could imagine.

Our tents pitched, and ourselves washed and refreshed, we gave audience to the resident chief, who had probably been waiting.

With this potentate we conversed affably, after the usual expectoratorial ceremonies. Billy, being a mere woman, did not always come in for this; but nevertheless she maintained what she called her "quarantine gloves," and kept them very handy. We had standing orders with our boys for basins of hot water to be waiting always behind our tents. After the usual polite exchanges we informed the chief of our needs-firewood, perhaps, milk, a sheep or the like. These he furnished. When we left we made him a present of a few beads, a knife, a blanket or such according to the value of his contribution.

To me these encounters were some of the most interesting of our many experiences, for each man differed radically from every other in his conceptions of ceremony, in his ideas, and in his methods. Our coming was a good deal of an event, always, and each chief, according to his temperament and training, tried to do things up properly. And in that attempt certain basic traits of human nature showed in the very strongest relief. Thus there are three points of view to take in running any spectacle: that of the star performer, the stage manager, or the truly artistic. We encountered well-marked specimens of each. I will tell you about them.

The star performer knew his stagecraft thoroughly; and in the exposition of his knowledge he showed incidentally how truly basic are the principles of stagecraft anywhere.

We were seated under a tree near the banks of a stream eating our lunch. Before us appeared two tall and slender youths, wreathed in smiles, engaging, and most attentive to the small niceties of courtesy. We returned their greeting from our recumbent positions, whereupon they made preparation to squat down beside us.

"Are you sultans?" we demanded sternly, "that you attempt to sit in Our Presence," and we lazily kicked the nearest.

同类推荐
  • 五分戒本

    五分戒本

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 血证论

    血证论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Poisoned Pen

    The Poisoned Pen

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 徐批叶天士晚年方案真本

    徐批叶天士晚年方案真本

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 乐府诗集

    乐府诗集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 太子妃升职记(下)

    太子妃升职记(下)

    【全网独家】雷萌神剧原著小说。为了弥补工作失误,司命星君将现代男人陈然的灵魂偷偷从地府带出,附身到“落水身亡”的南夏太子妃张芃芃身上。这天上掉下来的是馅饼还是陷阱?丈夫不喜,婆婆不爱,男人心女人身的张芃芃如何才能从“太子妃”一路顺利地升职为“太后”?这是一个“女人”在后宫的奋斗史……同时,也是一个“男人”在后宫的苦难史……痴情太子兜售真心假一赔命,好色太子妃性别错位笑料迭出……
  • 丑女弃妃:花痴女四小姐

    丑女弃妃:花痴女四小姐

    宫中盛传,白家四小姐,白花蕊奇丑无比,花痴又是个傻子。穿越成百花仙子?她到底是人,是鬼,亦或者是神仙?穿越而来的逗比花痴女,白花蕊,我是爱美男,某女内心独白,“我就是能文能武,打的了小妾、白莲花,攻得了腹黑王爷、高冷皇上、以及四大美男的第一花痴女!“帅哥,你爱我吗?”某花痴女不要脸地询问。“太丑,拒绝。”某绝色妖孽美男,端起一杯酒,一饮而尽,下一秒便搂过她,直接吻了下去。
  • 极品大国师

    极品大国师

    张小二,原本一无是处的宅男,因缘际会下,穿梭时空,成为历代国师,逆天改命。扶持下弱者,踢几脚叛贼……
  • 极品战圣

    极品战圣

    今生你若杀不死我,我定于你血战到底;今生你若羞辱与我,我定要你加倍奉还,今生你若瞧不起我,我定要闪瞎你的钛合金狗眼。不能修炼又如何,我领悟天地气象八卦,天若欺我,定要将其踩在脚下。
  • 姜椿芳文集(第六卷)

    姜椿芳文集(第六卷)

    本书收录了《半年来日本的战时经济》、《日本的经济及其对外贸易》、《中国必胜》、《日本侵华的代价》、《三月份中日战事鸟瞰》、《抗战插话》等45篇政论时评。
  • 羽尽长日

    羽尽长日

    ”从此不会有魔族魔殇,只有冷西风。“魔族公爵府少爷改头换面,成为一届凡人冷西风,携手神秘被封印老者,立于不败之巅。
  • 一周教会宝宝上厕所

    一周教会宝宝上厕所

    吉娜·福特是英国最受欢迎的育儿专家,30多年来亲手照看过300多名新生宝宝,有丰富的育儿经验,是英国上流社会及许多知名人士抢着预约的育儿顾问。多年以来,吉娜被认为是最受全球欢迎的“超级保姆”,她的工作地点遍及世界各地。她曾被英国时尚杂志《Hapers&Queen》评为全英十大著名产科护理员之一。
  • 管理越简单越好(大全集)

    管理越简单越好(大全集)

    乱世靠有为,治世靠无为;创业靠有为,守业靠无为;管理靠有为,领导靠无为。有为与无为的辩证关系,需要在实践中进行艺术化的处理,绝没有一成不变的模式。“无为而治”的理论依据是“道”,现实依据是变“乱”为“治”;“无为而治”的主要内容是“为无为”和“无为而无不为”,具体措施是“劝管理者少干涉”和“放手、放权”。“无为而治”不但是一种治国方略,而且是一种管理境界。
  • 勋染一生熏冉一世

    勋染一生熏冉一世

    他转过头,看着她,她也不知所措了,突然,他抱住她,说了一句话:你很特别,我喜欢你这样的女孩。。。。。。。
  • 想到是银,做到是金

    想到是银,做到是金

    一个人的思想是一块富饶的土地,你可以让它变成收获硕果的良田,也可以任它成为杂草丛生的荒漠——全看你是否在进行有计划的辛勤耕耘。伟大的成功学家拿破仑,希尔曾语重心长地告诫那些渴望成就一番事业的人们:“世界上所有的计划、目标和成就,都是经过思考后的产物。你的思考能力,是你唯一能完全控制的东西,你可以用智慧或愚蠢的方式运用你的思想,但无论你如何运用它,它都会显示出一定的力量。”