登陆注册
5255900000015

第15章 SCENE 1(2)

Col. Starbottle (aside, and advancing). If I could make her think I left those flowers! (Aloud.) When I state that--er--I am perhaps--er--stranger--Miss Mary (interrupting him coldly). You explain, sir, your appearance on a spot which the rude courtesy of even this rude miner's camp has preserved from intrusion.

Starbottle (slightly abashed, but recovering himself). Yes--Ged!--that is, I--er--saw you admiring--er--tribute--er--humble tribute of flowers. I am myself passionately devoted to flowers. Ged!

I've spent hours--in--er--bending over the--er--graceful sunflower, in--er--plucking the timid violet from the overhanging but reluctant bough, in collecting the--er--er--fauna--I mean the--er--flora--of this--er--district.

Miss Mary (who has been regarding him intently). Permit me to leave you in uninterrupted admiration of them. (Handing him flowers.) You will have ample time in your journey down the gulch to indulge your curiosity!

Hands STARBOTTLE flowers, enters schoolhouse, and quietly closes door on STARBOTTLE as SANDY MORTON enters cautiously and sheepishly from left. SANDY stops in astonishment on observing STARBOTTLE, and remains by wing left.

Starbottle (smelling flowers, and not noticing MISS MARY'S absence).

Beautiful--er--exquisite. (Looking up at closed door.) Ged! Most extraordinary disappearance! (Looks around, and discovers SANDY; examines him for a moment through his eyeglass, and then, after a pause, inflates his chest, turns his back on SANDY, and advances to schoolhouse door. SANDY comes quickly, and, as STARBOTTLE raises his cane to rap on door, seizes his arm. Both men, regarding each other fixedly, holding each other, retreat slowly and cautiously to centre. Then STARBOTTLE disengages his arm.)

Sandy (embarrassedly but determinedly). Look yer, stranger. By the rules of this camp, this place is sacred to the schoolma'am and her children.

Starbottle (with lofty severity). It is! Then--er--permit me to ask, sir, what YOU are doing here.

Sandy (embarrassed, and dropping his head in confusion). I was--passing. There is no school to-day.

Starbottle. Then, sir, Ged! permit me to--er--DEMAND--DEMAND, sir--an apology. You have laid, sir, your hand upon my person--demn me! Not the first time, sir, either; for, if I am not mistaken, you are the--er--inebriated menial, sir, who two months ago jostled me, sir,--demn me,--as I entered the rancho of my friend Don Jose Castro.

Sandy (starting, aside). Don Jose! (Aloud.) Hush, hush! She will hear you. No--that is--(stops, confused and embarrassed.

Aside.) She will hear of my disgrace. He will tell her the whole story.

Starbottle. I shall await your apology one hour. At the end of that time, if it is not forthcoming, I shall--er--er--waive your menial antecedents, and expect the--er--satisfaction of a gentleman. Good-morning, sir. (Turns to schoolhouse.)

Sandy. No, no: you shall not go!

Starbottle. Who will prevent me?

Sandy (grappling him). I will. (Appealingly.) Look yer, stranger, don't provoke me, I, a desperate man, desperate and crazed with drink,--don't ye, don't ye do it! For God's sake, take your hands off me! Ye don't know what ye do. Ah! (Wildly, holding STARBOTTLE firmly, and forcing him backward to precipice beyond ledge of rocks.) Hear me. Three years ago, in a moment like this, I dragged a man--my friend--to this precipice. I--I--no! no!--don't anger me now! (Sandy's grip on STARBOTTLE relaxes slightly, and his head droops.)

Starbottle (coolly). Permit me to remark, sir, that any reminiscence of your--er--friend--or any other man is--er--at this moment, irrelevant and impertinent. Permit me to point out the--er--fact, sir, that your hand is pressing heavily, demned heavily, on my shoulder.

Sandy (fiercely). You shall not go!

Starbottle (fiercely). Shall not?

Struggle. STARBOTTLE draws derringer from his breast-pocket, and SANDY seizes his arm. In this position both parties struggle to ledge of rocks, and COL. STARBOTTLE is forced partly over.

Miss Mary (opening schoolhouse door). I thought I heard voices.

(Looking toward ledge of rocks, where COL. STARBOTTLE and SANDY are partly hidden by trees. Both men relax grasp of each other at MISS MARY'S voice.)

Col. Starbottle (aloud and with voice slightly raised, to SANDY).

By--er--leaning over this way a moment, a single moment, you will--er--perceive the trail I speak of. It follows the canyon to the right. It will bring you to--er--the settlement in an hour. (To MISS MARY, as if observing her for the first time.) I believe I am--er--right; but, being--er--more familiar with the locality, you can direct the gentleman better.

SANDY slowly sinks on his knees beside rock, with his face averted from schoolhouse, as COL. STARBOTTLE disengages himself, and advances jauntily and gallantly to schoolhouse.

Col. Starbottle. In--er--er--showing the stranger the--er--way, I perhaps interrupted our interview. The--er--observances of--er--civility and humanity must not be foregone, even for--er--the ladies. I--er--believe I address Miss Mary Morris. When I--er--state that my name is Col. Starbottle, charged on mission of--er--delicate nature, I believe I--er--explain MY intrusion.

MISS MARY bows, and motions to schoolhouse door; COL. STARBOTTLE, bowing deeply, enters; but MISS MARY remains standing by door, looking toward trees that hide SANDY.

Miss Mary (aside). I am sure it was Sandy's voice! But why does he conceal himself?

Sandy (aside, rising slowly to his feet, with his back to schoolhouse door). Even this conceited bully overcomes me, and shames me with his readiness and tact. He was quick to spare her--a stranger--the spectacle of two angry men. I--I--must needs wrangle before her very door! Well, well! better out of her sight forever, than an object of pity or terror. [Exit slowly, and with downcast eyes, right.

Miss Mary (watching the trail). It WAS Sandy! and this concealment means something more than bashfulness. Perhaps the stranger can explain.

[Enters schoolhouse, and closes door.

同类推荐
  • 佛说大方广善巧方便经卷第一

    佛说大方广善巧方便经卷第一

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 历代诗话索考

    历代诗话索考

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 韩氏医通

    韩氏医通

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 墨史

    墨史

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 庐山莲宗宝鉴

    庐山莲宗宝鉴

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 钱塘遗事

    钱塘遗事

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 撸撸姐的超本格事件簿

    撸撸姐的超本格事件簿

    匪夷所思的谜案,简洁有力的解答——这就是推理小说迷要的!这里为各位介绍的撸撸姐和助手,就像福尔摩斯与华生,这么说或许不太准确,毕竟撸撸姐不需要坐火车跟踪或与恶犬搏斗,助手则没有战争创伤和老婆。事实上撸撸姐连家门都不出,就能破解疑案。助手嘛,助手随便他吧。他们住在谜一般的城市,身份关系也都是谜,委托人要怎么上门委托案件呢?必须心怀谜团,你才能找到撸撸姐。可能还需要一点理解冷笑话的能力。
  • 瑜伽论第三十一手记

    瑜伽论第三十一手记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 丹曦隐柏里

    丹曦隐柏里

    没有人知道柏弈琛的一眼万年是那一年秋天背着天蓝色双肩包的秋日下
  • 国宝

    国宝

    为了使广大读者对国宝有一个比较清晰的了解,本书从各个领域选取了六十余件有代表性的国宝,进行系统的编排,力求突出知识性和趣味性。每件国宝都配有精美的图片,便于读者阅读和欣赏。我们希望通过这本书来激发广大读者,特别是青少年朋友对国宝的关注和热爱,从国宝中了解我们民族的历史、文化,并自觉地去保护我们的国宝。包罗万象的名家字画、精美的陶瓷器、金银器……这一片片历史的残骸,它们记录了大量的文字信息,诉说着时代的变迁,自己也成为了传奇。不管是历史的残简碎片,还是体系完备的煌煌巨制,都是民族的魂魄,中华的瑰宝。本书中介绍的每一件国宝,都是一个鲜活的生命,它们向人们展示了我们国家辉煌灿烂的文化。
  • 神奇怪兽科学美图大观(青少年神奇世界科学图文丛书)

    神奇怪兽科学美图大观(青少年神奇世界科学图文丛书)

    《神奇怪兽科学美图大观(青少年神奇世界科学图文丛书)》针对广大读者的好奇心理和探索心理,全面编撰了世界上存在的各种奥秘未解现象和新探索发展,具有很强的系统性、知识性和神秘性,能够启迪读者思考、增长知识和开阔视野,能够激发读者关心世界和热爱科学,能够培养读者的探索和创新精神。
  • The Heritage of Dedlow Marsh

    The Heritage of Dedlow Marsh

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • “在印度之外”:印度海外作家研究

    “在印度之外”:印度海外作家研究

    共分六章。第一章介绍了赛特的生平和总体创作情况。第二章以《如意郎君》的思想内容为研究对象,指出这部作品对西方文化、世俗主义和宗教宽容、印度现代化发展以及中产阶级壮大等社会问题的看法。接下来的四章从空间、性别、结构和语言等几方面对小说进行研究。第三章从后现代地理学的角度切入,指出了作家虚构的布拉姆普尔城象征了50年代初期的印度,还分析了文本内部空间象征手法的运用。第四章从性别研究的角度,分析了《如意郎君》中的男性和女性形象构建与更新一代人物所承载的象征意义。第五章重点研究《如意郎君》的叙事结构。第六章对赛特的本土语言与英语使用情况进行分析,并指出其中的文化象征意义。
  • 弃妃从商

    弃妃从商

    傅芊是个霉女,一颗话梅导致穿越。穿就穿吧,还穿到了爹不疼娘不爱,王爷老公还要休的王妃身上,咋整啊?干脆挣起钱来找姻缘,眼瞅着帅将军不错,富二代也可以,就是这休书,渣王爷啥时才给啊?贺东风身为王爷,要休妻易如反掌。偏偏那女人性情大变,不止拿他当瘟神看,挣起银子来还不手软。最不解的是,她竟主动求休弃,说什么天下美男多如牛毛,别挡她另觅良缘。想要休书,他偏不给,她能如何?
  • 为谁结婚

    为谁结婚

    小说里写到的都是现在年轻人普遍遇到非常尖锐的现实问题——只能靠在外漂泊来获得生存;高房价对婚恋产生了巨大冲击;因为工作、房子等现实因素造成分居情况;因为房子、育儿、养老等问题,逃离北上广深。婚姻双方拉开差距后痛苦选择、艰难地处理相互间的关系;“责任”对于幸福的意义。