登陆注册
5258500000012

第12章 V(1)

IT was a trifling enough sign, but it had remained in Susy's mind: that first morning in Venice Nick had gone out without first coming in to see her. She had stayed in bed late, chatting with Clarissa, and expecting to see the door open and her husband appear; and when the child left, and she had jumped up and looked into Nick's room, she found it empty, and a line on his dressing table informed her that he had gone out to send a telegram.

It was lover-like, and even boyish, of him to think it necessary to explain his absence; but why had he not simply come in and told her! She instinctively connected the little fact with the shade of preoccupation she had noticed on his face the night before, when she had gone to his room and found him absorbed in letter; and while she dressed she had continued to wonder what was in the letter, and whether the telegram he had hurried out to send was an answer to it.

She had never found out. When he reappeared, handsome and happy as the morning, he proffered no explanation; and it was part of her life-long policy not to put uncalled-for questions. It was not only that her jealous regard for her own freedom was matched by an equal respect for that of others; she had steered too long among the social reefs and shoals not to know how narrow is the passage that leads to peace of mind, and she was determined to keep her little craft in mid-channel. But the incident had lodged itself in her memory, acquiring a sort of symbolic significance, as of a turning-point in her relations with her husband. Not that these were less happy, but that she now beheld them, as she had always formerly beheld such joys, as an unstable islet in a sea of storms. Her present bliss was as complete as ever, but it was ringed by the perpetual menace of all she knew she was hiding from Nick, and of all she suspected him of hiding from her ....

She was thinking of these things one afternoon about three weeks after their arrival in Venice. It was near sunset, and she sat alone on the balcony, watching the cross-lights on the water weave their pattern above the flushed reflection of old palace-basements. She was almost always alone at that hour.

Nick had taken to writing in the afternoons--he had been as good as his word, and so, apparently, had the Muse and it was his habit to join his wife only at sunset, for a late row on the lagoon. She had taken Clarissa, as usual, to the Giardino Pubblico, where that obliging child had politely but indifferently "played"--Clarissa joined in the diversions of her age as if conforming to an obsolete tradition--and had brought her back for a music lesson, echoes of which now drifted down from a distant window.

Susy had come to be extremely thankful for Clarissa. But for the little girl, her pride in her husband's industry might have been tinged with a faint sense of being at times left out and forgotten; and as Nick's industry was the completest justification for their being where they were, and for her having done what she had, she was grateful to Clarissa for helping her to feel less alone. Clarissa, indeed, represented the other half of her justification: it was as much on the child's account as on Nick's that Susy had held her tongue, remained in Venice, and slipped out once a week to post one of Ellie's numbered letters. A day's experience of the Palazzo Vanderlyn had convinced Susy of the impossibility of deserting Clarissa. Long experience had shown her that the most crowded households often contain the loneliest nurseries, and that the rich child is exposed to evils unknown to less pampered infancy; but hitherto such things had merely been to her one of the uglier bits in the big muddled pattern of life. Now she found herself feeling where before she had only judged: her precarious bliss came to her charged with a new weight of pity.

She was thinking of these things, and of the approaching date of Ellie Vanderlyn's return, and of the searching truths she was storing up for that lady's private ear, when she noticed a gondola turning its prow toward the steps below the balcony.

She leaned over, and a tall gentleman in shabby clothes, glancing up at her as he jumped out, waved a mouldy Panama in joyful greeting.

"Streffy!" she exclaimed as joyfully; and she was half-way down the stairs when he ran up them followed by his luggage-laden boatman.

"It's all right, I suppose?--Ellie said I might come," he explained in a shrill cheerful voice; "and I'm to have my same green room with the parrot-panels, because its furniture is already so frightfully stained with my hair-wash."

Susy was beaming on him with the deep sense of satisfaction which his presence always produced in his friends. There was no one in the world, they all agreed, half as ugly and untidy and delightful as Streffy; no one who combined such outspoken selfishness with such imperturbable good humour; no one who knew so well how to make you believe he was being charming to you when it was you who were being charming to him.

In addition to these seductions, of which none estimated the value more accurately than their possessor, Strefford had for Susy another attraction of which he was probably unconscious.

同类推荐
  • 佛说无垢贤女经

    佛说无垢贤女经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 锦衣志

    锦衣志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 祭统

    祭统

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 哮喘门

    哮喘门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • THE CRICKET ON THE HEARTH

    THE CRICKET ON THE HEARTH

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 蚊舞图

    蚊舞图

    《最好看的当代名家小小说:蚊舞图》收录了作者安石榴写就的六十则小小说,共分为六辑-少年的心事、优雅的沉思、时光书签、时空隧道、爱与担当、孤独的真相。书中所收小小说,或刻画生活场景、或回忆过往、或讲哲理小故事、或讲传奇传说来展示各色人物的现实与梦想、激情与荣光。总的来说,书中人物所具备的中华民族优秀品质-勇敢、正义、勤劳、坚韧,是濡养青少年思想品德和艺术审美的范本,是传播社会正能量的积极力量。
  • 你比时光还寂寞

    你比时光还寂寞

    南曦与东方墨的相遇,使双方的世界都有了不同的色彩。是为什么呢?
  • 两卷无量寿经宗要

    两卷无量寿经宗要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 笼中鹞

    笼中鹞

    公元2118年,随着人类科技水平的不断进步,人工智能逐渐替代人力,只有人类总人口百分之一的人需要进行工作,:每两个新生儿中就有一个从出生就要放进全沉浸式机器中。男主角伊昊笙是一名十七岁的高中生,在他执行一次任务后,母亲突然消失,只留下一封书信……
  • 像鸽子一样飞

    像鸽子一样飞

    从市人民医院大门进来,先是五层高的第一门诊部,然后是六层高的第二门诊部。第一门诊部和第二门诊部背面,是五层高的第一住院部和九层高的第二住院部。虽然易航的妈妈童丽在第一门诊部的妇产科上班,可是易航不会去,他喜欢去第二住院部,因为那幢楼有电梯。对易航来说,坐电梯就是一种游戏。绝大多数游戏都需要多人参与,但坐电梯不一样,一个人就可以玩。易航的玩法很简单:坐着电梯从一楼到九楼,再沿着楼梯从九楼跑下一楼,周而复始。第二住院部虽然有电梯,但易航发现乘坐电梯的人很少,他想,也许他们不知道有电梯,也许他们不懂怎么坐电梯,也许他们根本就不愿意坐电梯。
  • 几暇格物编

    几暇格物编

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 清衫已墨染

    清衫已墨染

    风卷云舒,若爱而不得何不从此相忘江湖,她只记得,那个温和的男子从来不曾爱过她,只不过是她的一厢情愿罢了。
  • 婉儿的那些年

    婉儿的那些年

    职场初级人士,情感受挫,职场遇阻。反者道之动。看小主如何活出生命的意义。
  • 所有

    所有

    不是所有真心都夹杂着假意,不是所有付出都期待回报,不是所有物质都承载感情,不是所有言语都出自本心,不是所有朋友都要灌溉,不是所有婚姻都是坟墓。生活中不止亲情、友情、爱情,也不止理想、工作、事业,还有人生在世存在的意义。
  • 冷酷宫主独爱小萌妻

    冷酷宫主独爱小萌妻

    北辰傲寒——飘渺宫宫主,狂傲、冷酷无情是他的代名词,视世俗为无物,不为世俗所牵绊的他,在遇到那个古灵精怪的小女子时,他觉得他不再是一具行尸走肉,而是一个有有血有肉的人,他的温柔只为她一人,他的笑容也只为她绽放。蓝灵儿——21世纪古灵精怪小美女一枚,一次爬山之旅让她意外穿越到古代,从而救了北辰傲寒,以此结下不解之缘。【宠文哦⊙0⊙】灵儿低着头一脸心虚“我好像闯祸了。”北辰傲寒斜躺在软榻上“说说看?”灵儿揪着手指“我把护国公的儿子给打,听说护国公的官好大,怎么办?”“手打疼了没。”“没有,他调戏我,我轻轻一折,他的手就折了”灵儿越说越小声。“折只手,我看得折条腿。”第二天,宫里多了个小太监。