L. AIDA. [Hugging her pile of trousers] It's thirteen pence three farthin's I've got to bring yer, an' a penny aht for me, mykes twelve three farthin's: [With the same little hop and sudden smile] I'm goin' to ride back on a bus, I am.
LEMMY. Well, you myke the most of it up there; it's the nearest you'll ever git to 'eaven.
MRS. L. Don' yu discourage 'er, Bob; she'm a gude little thing, an't yu, dear?
L. AIDA. [Simply] Yus.
LEMMY. Not 'arf. Wot c'her do wiv yesterdy's penny?
L. AIDA. Movies.
LEMMY. An' the dy before?
L. AIDA. Movies.
LEMMY. Wot'd I tell yer, old lydy--she's got vicious tystes, she'll finish in the theayter yep Tyke my tip, little Aida; you put every penny into yer foundytions, yer'll get on the boards quicker that wy.
MRS. L. Don' yu pay no 'eed to his talk.
L. AIDA. I daon't.
Ice. Would yer like a sip aht o' my mug?
L. AIDA. [Brilliant] Yus.
MRS. L. Not at yore age, me dear, though it is teetotal.
[LITTLE AIDA puts her head on one side, like a dog trying to understand.]
LEMMY. Well, 'ave one o' my gum-drops.
[Holds out a paper.]
[LITTLE AIDA brilliant, takes a flat, dark substance from it, and puts it in her mouth.]
Give me a kiss, an' I'll give yer a penny.
[LITTLE AIDA shakes her head, and leans out of window.]
Movver, she daon't know the valyer of money.
MRS. L. Never mind 'im, me dear.
L. AIDA. [Sucking the gum-drop--with difficulty] There's a taxi-cab at the corner.
[LITTLE AIDA runs to the door. A figure stands in the doorway; she skids round him and out. THE PRESS comes in.]
LEMMY. [Dubiously] Wat-oh!
PRESS. Mr. Lemmy?
LEMMY. The syme.
PRESS. I'm from the Press.
LEMMY. Blimy.
PRESS. They told me at your place you wens very likely here.
LEMMY. Yus I left Downin' Street a bit early to-dy! [He twangs the feddle-strings pompously.
PRESS. [Taking out his note-book and writing] "Fiddles while Rome is burning!" Mr. Lemmy, it's my business at this very critical time to find out what the nation's thinking. Now, as a representative working man LEMMY. That's me.
PRESS. You can help me. What are your views?
LEMMY. [Putting down fiddle] Voos? Sit dahn!
[THE PRESS sits on the stool which LEMMY has vacated.]
The Press--my Muvver. Seventy-seven. She's a wonder; 'yn't yer, old dear?
PRESS. Very happy to make your acquaintance, Ma'am. [He writes]
"Mrs. Lemmy, one of the veterans of industry----" By the way, I've jest passed a lot of people following a coffin.
LEMMY. Centre o' the cyclone--cyse o' starvytion; you 'ad 'er in the pyper this mornin'.
PRESS. Ah! yes! Tragic occurrence. [Looking at the trousers.] Hub of the Sweated Industries just here. I especially want to get at the heart----
MRS. L. 'Twasn't the 'eart, 'twas the stomach.
PRESS. [Writing] "Mrs. Lemmy goes straight to the point."
LEMMY. Mister, is it my voos or Muvver's yer want?
PRESS. Both.
LEMMY. 'Cos if yer get Muvver's, yer won't 'ave time for mine. I tell yer stryte [Confidentially] she's get a glawss a' port wine in 'er. Naow, mind yer, I'm not anxious to be intervooed. On the other 'and, anyfink I might 'eve to sy of valyer---- There is a clawss o' politician that 'as nuffn to sy-- Aoh! an' daon't 'e sy it just! I dunno wot pyper yer represent.
PRESS. [Smiling] Well, Mr. Lemmy, it has the biggest influ----
LEMMY. They all 'as that; dylies, weeklies, evenin's, Sundyes; but it's of no consequence--my voos are open and aboveboard. Naow, wot shall we begin abaht?
PRESS. Yourself, if you please. And I'd like you to know at once that my paper wants the human note, the real heart-beat of things.
LEMMY. I see; sensytion! Well; 'ere am I--a fustclawss plumber's. assistant--in a job to-dy an' out tomorrer. There's a 'eart-beat in that, I tell yer. 'Oo knows wot the mower 'as for me!
PRESS. [Writing]. "The great human issue--Mr. Lemmy touches it at once."
LEMMY. I sy keep my nyme aht o' this; I don' go in fer self-advertisement.
PRESS. [Writing] "True working-man--modest as usual."
LEMMY. I daon't want to embarrass the Gover'ment. They're so ticklish ever since they got the 'abit, war-time, o' mindin' wot people said.
PRESS. Right-o!
LEMMY. For instance, suppose there's goin' to be a revolution----
[THE PRESS writes with energy. 'Ow does it touch me? Like this: I my go up--I cawn't come dahn; no more can Muvver.
MRS. L. [Surprisingly] Us all goes down into the grave.
PRESS. "Mrs. Lemmy interjects the deeper note."
LEMMY. Naow, the gryte--they can come dahn, but they cawn't go up!
See! Put two an' two together, an' that's 'ow it touches me. [He utters a throaty laugh] 'Ave yer got that?
PRESS. [Quizzical] Not go up? What about bombs, Mr. Lemmy?
LEMMY. [Dubious] Wot abaht 'em? I s'pose ye're on the comic pypers? 'Ave yer noticed wot a weakness they 'ave for the 'orrible?
PRESS. [Writing] "A grim humour peeped out here and there through the earnestness of his talk."
[He sketches LEMMY'S profile.]
LEMMY. We 'ad an explosion in my factory time o' the war, that would just ha' done for you comics. [He meditates] Lord! They was after it too,--they an' the Sundyes; but the Censor did 'em. Strike me, I could tell yer things!
PRESS. That's what I want, Mr. Lemmy; tell me things!
LEMMY. [Musing] It's a funny world, 'yn't it? 'Ow we did blow each other up! [Getting up to admire] I sy, I shall be syfe there. That won't betry me anonymiety. Why! I looks like the Prime Minister!
PRESS. [Rather hurt] You were going to tell me things.
LEMMY. Yus, an' they'll be the troof, too.
PRESS. I hope so; we don't----
LEMMY. Wot oh!
PRESS. [A little confused.] We always try to verify----
LEMMY. Yer leave it at tryin', daon't yer? Never, mind, ye're a gryte institootion. Blimy, yer do have jokes, wiv it, spinnin' rahnd on yer own tyles, denyin' to-dy wot ye're goin' to print to-morrer.
Ah, well! Ye're like all of us below the line o' comfort--live dyngerously--ever' dy yer last. That's wy I'm interested in the future.
PRESS. Well now--the future. [Writing] "He prophesies.
