登陆注册
5261800000003

第3章

L. ANNE. Are all the middle classes virtuous? Is Poulder?

JAMES. [Dubiously] Well. Ask him!

L. ANNE. Yes, I will. Look!

[From an empty bin on the ground level she picks up a lighted taper,--burnt almost to the end.]

JAMES. [Contemplating it] Careless!

L. Ate. Oh! And look! [She paints to a rounded metal object lying in the bin, close to where the taper was] It's a bomb!

She is about to pick it up when JAMES takes her by the waist and puts her aside.

JAMES. [Sternly] You stand back, there! I don't like the look o' that!

L. ANNE. [With intense interest] Is it really a bomb? What fun!

JAMES. Go and fetch Poulder while I keep an eye on it.

L. ANNE. [On tiptoe of excitement] If only I can make him jump!

Oh, James! we needn't put the light out, need we?

JAMES. No. Clear off and get him, and don't you come back.

L. ANNE. Oh! but I must! I found it!

JAMES. Cut along.

L. ANNE. Shall we bring a bucket?

JAMES. Yes. [ANNE flies off.]

[Gazing at the object] Near go! Thought I'd seen enough o' them to last my time. That little gas blighter! He looked a rum 'un, too--one o' these 'ere Bolshies.]

[In the presence of this grim object the habits of the past are too much for him. He sits on the ground, leaning against one of the bottle baskets, keeping his eyes on the bomb, his large, lean, gorgeous body spread, one elbow on his plush knee. Taking out an empty pipe, he places it mechanically, bowl down, between his dips. There enter, behind him, as from a communication trench, POULDER, in swallow-tails, with LITTLE ANNE behind him.

L. ANNE. [Peering round him--ecstatic] Hurrah! Not gone off yet!

It can't--can it--while James is sitting on it?

POULDER. [Very broad and stout, with square shoulders,--a large ruddy face, and a small mouth] No noise, Miss. -- James.

JAMES. Hallo!

POULDER. What's all this?

JAMES. Bomb!

POULDER. Miss Anne, off you go, and don't you----

L. ANNE. Come back again! I know! [She flies.]

JAMES. [Extending his hand with the pipe in it] See!

POULDER. [Severely] You've been at it again! Look here, you're not in the trenches now. Get up! What are your breeches goin' to be like? You might break a bottle any moment!

JAMES. [Rising with a jerk to a sort of "Attention!"] Look here, you starched antiquity, you and I and that bomb are here in the sight of the stars. If you don't look out I'll stamp on it and blow us all to glory! Drop your civilian swank!

POULDER. [Seeing red] Ho! Because you had the privilege of fightin' for your country you still think you can put it on, do you?

Take up your wine! 'Pon my word, you fellers have got no nerve left!

[JAMES makes a sudden swoop, lifts the bomb and poises it in both hands. POULDER recoils against a bin and gazes, at the object.]

JAMES. Put up your hands!

POULDER. I defy you to make me ridiculous.

JAMES. [Fiercely] Up with 'em!

[POULDER'S hands go up in an uncontrollable spasm, which he subdues almost instantly, pulling them down again.

JAMES. Very good. [He lowers the bomb.]

POULDER. [Surprised] I never lifted 'em.

JAMES. You'd have made a first-class Boche, Poulder. Take the bomb yourself; you're in charge of this section.

POULDER. [Pouting] It's no part of my duty to carry menial objects; if you're afraid of it I'll send 'Enry.

JAMES. Afraid! You 'Op o' me thumb!

[From the "communication trench" appears LITTLE ANNE, followed by a thin, sharp, sallow-faced man of thirty-five or so, and another FOOTMAN, carrying a wine-cooler.

L. ANNE. I've brought the bucket, and the Press.

PRESS. [In front of POULDER'S round eyes and mouth] Ah, major domo, I was just taking the names of the Anti-Sweating dinner. [He catches sight of the bomb in JAMES'S hand] By George! What A.1. irony! [He brings out a note-book and writes] "Highest class dining to relieve distress of lowest class-bombed by same!" Tipping! [He rubs his hands].

POULDER. [Drawing himself up] Sir? This is present! [He indicates ANNE with the flat of his hand.]

L. ANNE. I found the bomb.

PRESS. [Absorbed] By Jove! This is a piece of luck! [He writes.]

POULDER. [Observing him] This won't do--it won't do at all!

PRESS. [Writing-absorbed] "Beginning of the British Revolution!"

POULDER. [To JAMES] Put it in the cooler. 'Enry, 'old up the cooler. Gently! Miss Anne, get be'ind the Press.

JAMES. [Grimly--holding the bomb above the cooler] It won't be the Press that'll stop Miss Anne's goin' to 'Eaven if one o' this sort goes off. Look out! I'm goin' to drop it.

[ALL recoil. HENRY puts the cooler down and backs away.]

L. ANNE. [Dancing forward] Oh! Let me see! I missed all the war, you know!

[JAMES lowers the bomb into the cooler.]

POULDER. [Regaining courage--to THE PRESS, who is scribbling in his note-book] If you mention this before the police lay their hands on it, it'll be contempt o' Court.

PRESS. [Struck] I say, major domo, don't call in the police!

That's the last resort. Let me do the Sherlocking for you. Who's been down here?

L. ANNE. The plumber's man about the gas---a little blighter we'd never seen before.

JAMES. Lives close by, in Royal Court Mews--No. 3. I had a word with him before he came down. Lemmy his name is.

PRESS. "Lemmy!" [Noting the address] Right-o!

L. ANNE. Oh! Do let me come with you!

POULDER. [Barring the way] I've got to lay it all before Lord William.

PRESS. Ah! What's he like?

POULDER. [With dignity] A gentleman, sir.

PRESS. Then he won't want the police in.

POULDER. Nor the Press, if I may go so far, as to say so.

PRESS. One to you! But I defy you to keep this from the Press, major domo: This is the most significant thing that has happened in our time. Guy Fawkes is nothing to it. The foundations of Society reeling! By George, it's a second Bethlehem!

[He writes.]

POULDER. [To JAMES] Take up your wine and follow me. 'Enry, bring the cooler. Miss Anne, precede us. [To THE PRESS] You defy me?

Very well; I'm goin' to lock you up here.

PRESS. [Uneasy] I say this is medieval.

[He attempts to pass.]

POULDER. [Barring the way] Not so! James, put him up in that empty 'ock bin. We can't have dinner disturbed in any way.

同类推荐
  • The Holly-Tree

    The Holly-Tree

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 清微神烈秘法

    清微神烈秘法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 静春堂集

    静春堂集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 沈氏宣炉小志

    沈氏宣炉小志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 天台分门图

    天台分门图

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 冰樱泪

    冰樱泪

    叶樱本是农村的姑娘,考入“冰雪”而来到大城市。农村的女汉子,来到城里的种种生活,结交到的种种朋友,未来的生活。却不再叶樱的思考之中。
  • 封魔刀客

    封魔刀客

    一个爱刀如狂的少年,他活着就是为了挑战,挑战江湖上成名的用刀高手。无数刀客成就了他,直到最后,他也成就了一名刀客。
  • 冷魔囚宠:少爷,求放过!

    冷魔囚宠:少爷,求放过!

    她满心欢喜的为他准备生日礼物,等待她的却是恩断情绝。 四年后,再相遇。 他冷冷的丢出一张纸,“签了它。” 她愣愣的看着那张纸,有些反应不过来,刚开口“翼……” “叫少爷。” 听着那冰冷至极的几个字,瞬间红了眼眶。 他拿出签结婚协议,却给了她最疏离,最难堪的称呼,果然,他仍然恨她入骨,可是她仍不知道他恨从何来? 一次次折磨,一次次伤痛,一次次逃离,一次次禁锢。 “音伊沫,休想逃脱,除非我死……”砰―― 一声枪响。她呆滞的看着男人白色衬衫那一片鲜红,瞬间丢掉手里的抢,惊慌失措的跑过去抱着倒地的他,泪如雨下。
  • 异能萌妃抱一抱

    异能萌妃抱一抱

    新书《娇娇女被九叔宠野了》已发,求支持!王妃爬树了,王爷笑了。王妃揭瓦了,王爷又笑了。王爷今天笑一整天了。众人秒懂,王妃昨夜咬咬咬了!二十五世纪强大的吸血鬼少女,穿越异世傻子王妃。“傻子”?说我?等下分分钟弄哭你哦。异能在手,天下我有,唯有美食能挡我!勾心斗角,全不在乎,我有美男罩着我!呔!你这美男,别再靠近。再来我就咬你哦!
  • A Drift from Redwood Camp

    A Drift from Redwood Camp

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 过目不忘的记忆法

    过目不忘的记忆法

    《过目不忘的记忆法》通过讲解和生动的举例,对记忆的原理进行了详细解读,使读者可以快速了解记忆的种类,判断出自己的记忆类型、记忆等级,本书中,作者抛开繁杂深奥的理论,利用生活小故事层层激活你的大脑,带你突破记忆力极限,检测记忆训练效果,并在这个过程中找到适合自己的记忆方法。
  • 渔妇

    渔妇

    穿越了,寄人篱下,婶母不喜,叔父不爱,还要逼她替堂姐出嫁。无奈,那就嫁吧!嫁到偏僻渔村,从此婆婆妯娌小姑一箩筐,吵吵闹闹过日子。无所谓,做个渔妇也不错。抓个鱼,捉个虾,采采紫菜,捞上来,全是银子。只是,只是夫君,你身上的那块玉佩到底是谁家的传家之宝?新书《锦医归》已经上传,坑品有保证,请大家放心入坑!
  • 狐狸和月光

    狐狸和月光

    狐族的公主千年前重伤之际被妖妃利用,睡一觉后就成了建国以后的狐狸精。作为一名根正苗红好(傻)姑娘慢慢长大,被她这辈子的亲妈坑进娱乐圈,万万没想到,遇见了另外一个坑果真是一个萝卜一个坑,he,甜宠,长得御姐内里甜蠢,反差萌。我是流浪的狐狸,守着雪地里坚韧的玫瑰,只爱那一束月光。
  • 荣耀从军录

    荣耀从军录

    【2018王者荣耀文学大赛·征文参赛作品】他,是一名留守少年,通过网友介绍的穿越大法,来到另一个类华夏的古时代。无意中发现,《王者荣耀》寄居在脑海里,也跟着穿越了。于是,别人发梦的时候,他可以躺在床上玩游戏,好像还可以……(封印中)异世界,一样的刀光剑影,不一样的儿女情长。温情脉脉的背后,透着冷酷与铁血。原以为穿越者无敌,谁知世上事,不如意者十常八九。他,叫王明东。
  • Weight

    Weight

    With wit and verve, the prize-winning author of Sexing the Cherry and Oranges Are Not the Only Fruit brings the mythical figure of Atlas into the space age and sets him free at last. In her retelling of the story of a god tricked into holding the world on his shoulders and his brief reprieve, she sets difficult questions about the nature of choice and coercion, how we choose our own destiny and at the same time can liberate ourselves from our seeming fate. Finally in paperback, Weight is a daring, seductive addition to Canongate's ambitious series of myths by the world's most acclaimed authors.