A coach was called and they went home to Bloomsbury. Few words were said; but the repentant husband often silently pressed this angel to his bosom, and the tears which found their way to her beautiful eyelashes were tears of joy.
This weakish, and consequently villainous, though not ill-disposed person would have gone down to Willoughby that night; but his wife had great good sense. She would not take her husband off, like a school-boy caught out of bounds. She begged him to stay while she made certain purchases; but, for all that, her heart burned to be at home. So in less than a week after the events we have related they left London.
Meantime, every day Mrs. Vane paid a quiet visit to Mrs. Woffington (for some days the actress admitted no other visitor), and was with her but two hours before she left London. On that occasion she found her very sad.
"I shall never see you again in this world," said she; "but I beg of you to write to me, that my mind may be in contact with yours."
She then asked Mabel, in her half-sorrowful, half-bitter way, how many months it would be ere she was forgotten.
Mabel answered by quietly crying. So then they embraced; and Mabel assured her friend she was not one of those who change their minds. "It is for life, dear sister; it is for life," cried she.
"Swear this to me," said the other, almost sternly. "But no. I have more confidence in that candid face and pure nature than in a human being's oath. If you are happy, remember you owe me something. If you are unhappy, come to me, and I will love you as men cannot love."
Then vows passed between them, for a singular tie bound these two women; and then the actress showed a part at least of her sore heart to her new sister; and that sister was surprised and grieved, and pitied her truly and deeply, and they wept on each other's neck; and at last they were fain to part. They parted; and true it was, they never met again in this world. They parted in sorrow; but when they meet again, it shall be with joy.
Women are generally such faithless, unscrupulous and pitiless humbugs in their dealings with their own sex--which, whatever they may say, they despise at heart-- that I am happy to be able to say, Mrs. Vane proved true as steel. She was a noble-minded, simple-minded creature; she was also a constant creature. Constancy is a rare, a beautiful, a godlike virtue.
Four times every year she wrote a long letter to Mrs. Woffington; and twice a year, in the cold weather, she sent her a hamper of country delicacies that would have victualed a small garrison. And when her sister left this earthly scene--a humble, pious, long-repentant Christian-- Mrs. Vane wore mourning for her, and sorrowed over her; but not as those who cannot hope to meet again.
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My story as a work of art--good, bad or indifferent--ends with that last sentence. If a reader accompanies me further, I shall feel flattered, and he does so at his own risk.
My reader knows that all this befell long ago. That Woffington is gay, and Triplet sad, no more. That Mabel's, and all the bright eyes of that day, have long been dim, and all its cunning voices hushed. Judge then whether I am one of those happy story-tellers who can end with a wedding.
No! this story must wind up, as yours and mine must--to-morrow--or to-morrow--or to-morrow! when our little sand is run.
Sir Charles Pomander lived a man of pleasure until sixty. He then became a man of pain; he dragged the chain about eight years, and died miserably.
Mr. Cibber not so much died as "slipped his wind"--a nautical expression that conveys the idea of an easy exit. He went off, quiet and genteel. He was past eighty, and had lived fast. His servant called him at seven in the morning. "I will shave at eight," said Mr. Cibber. John brought the hot water at eight; but his master had taken advantage of this interval in his toilet to die!--to avoid shaving?
Snarl and Soaper conducted the criticism of their day with credit and respectability until a good old age, and died placidly a natural death, like twaddle, sweet or sour.
The Triplets, while their patroness lived, did pretty well. She got a tragedy of his accepted at her theater. She made him send her a copy, and with her scissors cut out about half; sometimes thinning, sometimes cutting bodily away. But, lo! the inherent vanity of Mr. Triplet came out strong. Submissively, but obstinately, he fought for the discarded beauties. Unluckily, he did this one day that his patroness was in one of her bitter humors. So she instantly gave him back his manuscript, with a sweet smile owned herself inferior in judgment to him, and left him unmolested.
Triplet breathed freely; a weight was taken off him. The savage steel (he applied this title to the actress's scissors) had spared his _purpurei panni._ He was played, pure and intact, a calamity the rest of us grumbling escape.
But it did so happen that the audience were of the actress's mind, and found the words too exuberant, and the business of the play too scanty in proportion. At last their patience was so sorely tried that they supplied one striking incident to a piece deficient in facts. They gave the manager the usual broad hint, and in the middle of Triplet's third act a huge veil of green baize descended upon "The Jealous Spaniard.'
Failing here, Mrs. Woffington contrived often to befriend him in his other arts, and moreover she often sent Mr. Triplet what she called a snug investment, a loan of ten pounds, to be repaid at Doomsday, with interest and compound interest, according to the Scriptures; and, although she laughed, she secretly believed she was to get her ten pounds back, double and treble. And I believe so too.
Some years later Mrs. Triplet became eventful. She fell ill, and lay a dying; but one fine morning, after all hope had been given up, she suddenly rose and dressed herself. She was quite well in body now, but insane.
