It will be interesting to some of my readers to know what was the character of her purely imaginative writing at this period. While her description of any real occurrence is, as we have seen, homely, graphic, and forcible, when she gives way to her powers of creation, her fancy and her language alike run riot, sometimes to the very borders of apparent delirium. Of this wild weird writing, a single example will suffice. It is a letter to the editor of one of the "Little Magazines.""Sir,--It is well known that the Genii have declared that unless they perform certain arduous duties every year, of a mysterious nature, all the worlds in the firmament will be burnt up, and gathered together in one mighty globe, which will roll in solitary grandeur through the vast wilderness of space, inhabited only by the four high princes of the Genii, till time shall be succeeded by Eternity; and the impudence of this is only to be paralleled by another of their assertions, namely, that by their magic might they can reduce the world to a desert, the purest waters to streams of livid poison, and the clearest lakes to stagnant waters, the pestilential vapours of which shall slay all living creatures, except the blood-thirsty beast of the forest, and the ravenous bird of the rock. But that in the midst of this desolation the palace of the Chief Genii shall rise sparkling in the wilderness, and the horrible howl of their war-cry shall spread over the land at morning, at noontide and night; but that they shall have their annual feast over the bones of the dead, and shall yearly rejoice with the joy of victors. I think, sir, that the horrible wickedness of this needs no remark, and therefore Ihaste to subscribe myself, &c.
"July 14, 1829."
It is not unlikely that the foregoing letter may have had some allegorical or political reference, invisible to our eyes, but very clear to the bright little minds for whom it was intended.
Politics were evidently their grand interest; the Duke of Wellington their demi-god. All that related to him belonged to the heroic age. Did Charlotte want a knight-errant, or a devoted lover, the Marquis of Douro, or Lord Charles Wellesley, came ready to her hand. There is hardly one of her prose-writings at this time in which they are not the principal personages, and in which their "august father" does not appear as a sort of Jupiter Tonans, or Deus ex Machina.
As one evidence how Wellesley haunted her imagination, I copy out a few of the titles to her papers in the various magazines.
"Liffey Castle," a Tale by Lord C. Wellesley.
"Lines to the River Aragua," by the Marquis of Douro.
"An Extraordinary Dream," by Lord C. Wellesley.
"The Green Dwarf, a Tale of the Perfect Tense," by the Lord Charles Albert Florian Wellesley.
"Strange Events," by Lord C. A. F. Wellesley.
Life in an isolated village, or a lonely country-house, presents many little occurrences which sink into the mind of childhood, there to be brooded over. No other event may have happened, or be likely to happen, for days, to push one of these aside, before it has assumed a vague and mysterious importance. Thus, children leading a secluded life are often thoughtful and dreamy: the impressions made upon them by the world without--the unusual sights of earth and sky--the accidental meetings with strange faces and figures (rare occurrences in those out-of-the-way places)--are sometimes magnified by them into things so deeply significant as to be almost supernatural. This peculiarity Iperceive very strongly in Charlotte's writings at this time.
