登陆注册
5270400000027

第27章

Seeing that the modes of opposition are four in number, you should look for arguments among the contradictories of your terms, converting the order of their sequence, both when demolishing and when establishing a view, and you should secure them by means of induction-such arguments (e.g.) as that man be an animal, what is not an animal is not a man': and likewise also in other instances of contradictories. For in those cases the sequence is converse: for 'animal' follows upon 'man but 'not-animal' does not follow upon 'not-man', but conversely 'not-man' upon 'not-animal'. In all cases, therefore, a postulate of this sort should be made, (e.g.) that 'If the honourable is pleasant, what is not pleasant is not honourable, while if the latter be untrue, so is the former'. Likewise, also, 'If what is not pleasant be not honourable, then what is honourable is pleasant'. Clearly, then, the conversion of the sequence formed by contradiction of the terms of the thesis is a method convertible for both purposes.

Then look also at the case of the contraries of S and P in the thesis, and see if the contrary of the one follows upon the contrary of the other, either directly or conversely, both when you are demolishing and when you are establishing a view: secure arguments of this kind as well by means of induction, so far as may be required.

Now the sequence is direct in a case such as that of courage and cowardice: for upon the one of them virtue follows, and vice upon the other; and upon the one it follows that it is desirable, while upon the other it follows that it is objectionable. The sequence, therefore, in the latter case also is direct; for the desirable is the contrary of the objectionable. Likewise also in other cases. The sequence is, on the other hand, converse in such a case as this:

Health follows upon vigour, but disease does not follow upon debility; rather debility follows upon disease. In this case, then, clearly the sequence is converse. Converse sequence is, however, rare in the case of contraries; usually the sequence is direct. If, therefore, the contrary of the one term does not follow upon the contrary of the other either directly or conversely, clearly neither does the one term follow upon the other in the statement made: whereas if the one followed the other in the case of the contraries, it must of necessity do so as well in the original statement.

You should look also into cases of the privation or presence of a state in like manner to the case of contraries. Only, in the case of such privations the converse sequence does not occur: the sequence is always bound to be direct: e.g. as sensation follows sight, while absence of sensation follows blindness. For the opposition of sensation to absence of sensation is an opposition of the presence to the privation of a state: for the one of them is a state, and the other the privation of it.

The case of relative terms should also be studied in like manner to that of a state and its privation: for the sequence of these as well is direct; e.g. if 3/1 is a multiple, then 1/3 is a fraction: for 3/1 is relative to 1/3, and so is a multiple to a fraction. Again, if knowledge be a conceiving, then also the object of knowledge is an object of conception; and if sight be a sensation, then also the object of sight is an object of sensation. An objection may be made that there is no necessity for the sequence to take place, in the case of relative terms, in the way described: for the object of sensation is an object of knowledge, whereas sensation is not knowledge. The objection is, however, not generally received as really true; for many people deny that there is knowledge of objects of sensation. Moreover, the principle stated is just as useful for the contrary purpose, e.g. to show that the object of sensation is not an object of knowledge, on the ground that neither is sensation knowledge.

同类推荐
  • 古今事通

    古今事通

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 清一统志台湾府

    清一统志台湾府

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Devil's Disciple

    The Devil's Disciple

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 十八家诗钞

    十八家诗钞

    《十八家诗钞》是一部古代诗歌选集。清代曾国藩编选。十八家为魏晋南北朝的曹植﹑阮籍﹑陶渊明﹑谢灵运﹑鲍照﹑谢朓六家﹐唐代的王维﹑孟浩然﹑李白﹑杜甫﹑韩愈﹑白居易﹑李商隐﹑杜牧八家﹐宋代的苏轼﹑黄庭坚﹑陆游三家﹐金代元好问一家。汇聚授权电子版权。
  • 佛说出生无边门陀罗尼经

    佛说出生无边门陀罗尼经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 任逍遥

    任逍遥

    命运的巨轮,精神的锁链,在千古遗梦中看清了自己;时间的碰撞,空间的交融,在天地变化中看清了世界。用尽一生的追寻,倾其所有的奉献,最终尽是枉然。面对苍穹的呼喊,打开那把生锈的巨锁,得到真正的自己。在天地中仗剑凌云,在人生中一剑任逍遥!
  • 女人吃出你的美丽

    女人吃出你的美丽

    本书融汇了对美丽、时尚的理解和经验总结,可供广大女性朋友阅读和应用。
  • 蒋子龙文学回忆录

    蒋子龙文学回忆录

    一部一个人的文学史,一部中国版的《人·岁月·生活》。中国作协原副主席、“改革文学”代表人物、著名作家蒋子龙首度回首半生,向读者讲述一个惊喜和意外迭出的时代和文坛,讲述一种人与文互相缠绕的宿命。 全书共分“文学与事件”“记忆与议论”“创作与反思”“交流与反思”四章,在对20世纪到21世纪初的作家命运、写作、事件、现象的回忆中,揭示一个国家的光荣与梦想、激情与幻象。
  • 中国谋略之隐身道

    中国谋略之隐身道

    懂得隐身的人,之所以有很强的心理定力,是因为他们已经认识和掌握了生活的定律:“当你经常被人指责的时候,说明你是一个举足轻重的人物”“真正认识你的人,除了你的朋友,就是你的对手。所以要重视对手,因为他最早发现你的过失;要感谢你的对手,因为他使你强大起来”。懂得隐身的人,最懂得韬光养晦的策略,他不会冲动行事、我行我素,亦定然是用最少的悔恨面对过去,用最少的浪费面对现在,用最多的自信面对未来的人。这样的人生,一定是最智慧的人生!
  • The Oriental Express 东方哈达:中国青藏铁路全景实录

    The Oriental Express 东方哈达:中国青藏铁路全景实录

    《东方哈达:中国青藏铁路全景实录》采取“上行列车”与“下行列车”交错并行的叙述结构,把历史和现实贯穿在了一起。讲述了孙中山、毛泽东、邓小平、江泽民在修建青藏铁路上的决策细节、青藏铁路修筑中的难题以及筑路人鲜为人知的故事。
  • 奇门遁甲之道术先行

    奇门遁甲之道术先行

    张太一是个孤儿,除了一身道术之外几乎一无所有,这也包括十六岁以前的记忆。就像他自嘲时说的话一样“我就像从石头里蹦出来的”。为了解开自己身世之谜因而加入神秘组织,随着时间的推移他也渐渐接近事情的真相……然而事情的真相却隐藏着一个惊天的秘密…
  • Ulysses

    Ulysses

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 凤倾天下:邪帝,别惹我

    凤倾天下:邪帝,别惹我

    她是二十一世纪王牌杀手,任务中盗取“七色琉璃珠”,却不料带着好友离奇穿越,是意外?还是冥冥之中自有天定?在异世她凤凰涅槃,袖手乾坤,步步为营只想回到自己的世界,却被人人闻风丧胆的邪帝缠上。某邪帝:“灵儿,你不乖,竟敢偷看本帝以外的男人,该罚。”话毕,某腹黑狼倾身而压,美其名曰“处罚”。苏月灵怒发冲冠,给了某邪帝一掌“如来神掌”(一巴掌),“泥煤的,老娘偷看谁了?那是我哥,我哥。”“原来灵儿已经迫不及待想为本帝生猴子,当娘亲?好,本帝允了。”某邪帝再次发挥他的不要脸技能,压下跳脚的小女人。“……”说好的高冷禁欲呢?骗砸,她要退货,她要回家。【本文1v1,男女双强,欢脱爽文,欢迎跳坑】
  • 造梦空间

    造梦空间

    天地经由六千八百年已来,由于狂风暴雨的忽的袭来,它造成了混沌空间未知世界的最终形成。未知世界,是不祥之物,无畏勇士和魔术师之外无人涉足,由于传说他们来到这里,不料此处为怪物繁晰之地,几经周折他们遇到了商队,那么在这茫茫的混沌世界又有多少离奇事在等着呢?
  • 站在北纬三十三度

    站在北纬三十三度

    这是一本以真实地点为背景的长篇小说。是小说,说明它完全来源于虚构。因为虚构,很多东西便有了其他寓意。守望的稻草人,阳光、空气、水、露丝、雨,月亮、傻笑的兔子、深海鱼鱼。北斗七星、不同口味的咖啡。13、33。北纬30°,它是一个标识神秘的象征。于贯穿于它发生在武汉、上海、杭州的故事。它们所发生的意义,是一种指引。我知道你会一直看我所写的字。就像,我一直会把某些情愫放在心底,然后缄默地离开。会继续行走、写字、旅行。和不同的人,说不同的话,感受不同的境遇和体会不同的心情。谨以此书。给我的好朋友浅夏、木木。给兔子先生,给小子,给S,给我所爱着的人们。一个微小,且珍重的纪念。